Citas de Margaret Halsey

• What I know about money, I learned the hard way – by having had it.

  Margaret Halsey

  Way, Knows, Hard Way

  Margaret Halsey (1952). “The Folks at Home”

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• The important thing about human beings is not what they do, but why they do it.

  Margaret Halsey

  Motivation, Important, Humans

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• Reality is above all else a variable, and nobody is qualified to say that he or she knows exactly what it is. As a matter of fact, with a firm enough commitment, you can sometimes create a reality which did not exist before.

  Margaret Halsey

  Commitment, Reality, Variables

  Margaret Halsey (1977). “No Laughing Matter: The Autobiography of a Wasp”, Lippincott Williams & Wilkins

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• The idea is that inside every human being, however unprepossessing, there is a glorious, talented, and overwhelmingly attractive personality. Nonsense. Inside each of us is a mess of unruly, primitive impulses, and these can sometimes, under the strenuous self-discipline and dedication of art, result in notable creativity.

  Margaret Halsey

  Art, Creativity, Dedication

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• Equality is an unconscious assumption, and if you feel you are treating someone as an equal, then you are not doing it.

  Margaret Halsey

  Equality, Assumption, Feels

  Margaret Halsey (1946). “Color blind: a white woman looks at the Negro”

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• Democracy makes many taxing demands on its practitioners, but suspension of the intelligence is not one of them.

  Margaret Halsey

  Democracy, Demand, Suspension

  Margaret Halsey (1946). “Color blind: a white woman looks at the Negro”

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• I'd like somebody to breed a male, genus homo, who could go and fetch a 12" x 8" black suède purse lying in the middle of a white bedspread and not come back looking baffled and saying he couldn't find it.

  Margaret Halsey

  Lying, Men, White

  Margaret Halsey (1944). “...Some of My Best Friends are Soldiers: A Kind of Novel”

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• Folklore is a collection of ridiculous notions held by other people, but not by you and me.

  Margaret Halsey

  People, Ridiculous, Myth

  Margaret Halsey (1952). “The Folks at Home”

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• El éxito no implanta malas características en las personas. Simplemente aumenta el ritmo de crecimiento de las malas características que ya tenían.

  Margaret Halsey

  People, Growth, Doe

  Margaret Halsey (1977). “No Laughing Matter: The Autobiography of a Wasp”, Lippincott Williams & Wilkins

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• There are dozens of ways of failing to make money. It is one thing to fail to make money because your single talent happens to be a flair amounting to genius for translating the plays of Aristophanes. It is quite another thing to fail to make money because you are black, or a child, or a woman.

  Margaret Halsey

  Children, Play, Black

  Margaret Halsey (1952). “The Folks at Home”

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• La gente que dice que no te enfrentas a la realidad en realidad quiere decir que no te enfrentas a su idea de la realidad

  Margaret Halsey

  Media, Realidad, Ideas

  Margaret Halsey (1977). “No Laughing Matter: The Autobiography of a Wasp”, Lippincott Williams & Wilkins

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• Americans (I, I'm afraid, among them) go around carelessly assuming they're tolerant the way they go around carelessly saying, 'You ought to be in pictures.' But in the clinches, they turn out to be tolerant about as often as they turn out to be Clark Gable.

  Margaret Halsey

  Tolerance, Way, Assuming

  Margaret Halsey (1944). “Some of My Best Friends are Soldiers: A Kind of Novel”, New York : Simon and Schuster

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• Every time I think I've touched bottom as far as boredom is concerned, new vistas of ennui open up.

  Margaret Halsey

  Thinking, Boredom, Vistas

  Margaret Halsey (1977). “No Laughing Matter: The Autobiography of a Wasp”, Lippincott Williams & Wilkins

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• Whenever I dwell for any length of time on my own shortcomings, they gradually begin to seem mild, harmless, rather engaging little things, not at all like the staring defects in other people's characters.

  Margaret Halsey

  Character, People, Littles

  Margaret Halsey (1938). “With Malice Toward Some”

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• ... it takes a great deal to produce ennui in an Englishman and if you do, he only takes it as convincing proof that you are well-bred.

  Margaret Halsey

  Proof, Produce, Ennui

  Margaret Halsey (1938). “With Malice Toward Some”

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• in race relations, the single gesture and the single individual are more often than not doomed to failure. Only the group and the long-term, undeviating policy make much headway. ... if you want to make the world a better place, the first thing you must accept is the fact that you cannot transcend your limitations as an individual.

  Margaret Halsey

  Race, Long, Racism

  Margaret Halsey (1946). “Color blind: a white woman looks at the Negro”

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• Uno de los aspectos menos desalentadores de las relaciones raciales en Estados Unidos es que su mejora no es cuestión de que unas pocas personas tengan mucho valor. Es cuestión de que mucha gente tenga un poco de valor.

  Margaret Halsey

  Raza, Racismo, Personas

  Margaret Halsey (1946). “Color blind: a white woman looks at the Negro”

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• the crucial disadvantage of aggression, competitiveness and skepticism as national characteristics is that these qualities cannot be turned off at five o'clock.

  Margaret Halsey

  Competition, Quality, Clock

  Margaret Halsey (1952). “The Folks at Home”

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• Identity is not found, the way Pharaoh's daughter found Moses in the bulrushes. Identity is built.

  Margaret Halsey

  Daughter, Identity, Pharaohs

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• As one might expect in a society with mass communications and mass markets, the pseudo-ethic says that whatever is popular, is right. Where the traditional ethic derives its sanction from the superiority of a few, the pseudo-ethic derives its sanction from the inferiority of a great many. The pseudo-ethic is keyed, not to the spiritually gifted, but to the spiritually ungifted.

  Margaret Halsey

  Communication, Culture, Inferiority

  Margaret Halsey (1964). “The Corrupted Giant: A Speculation on American Politics and Morals”

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• The business society is interested in training its citizens to make money, and, in this objective, it is often successful. Many of them do make money, and the ones who do not obligingly regard themselves as failures who have wasted the precious gift of life.

  Margaret Halsey

  Business, Successful, Training

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• The position of children as a group, in a commercial society, is not wholly advantageous. A commercial society urges its citizens to be responsible for things, but not for people. It is the unquestioned assumption of a mercantile culture that things need and deserve attention, but that people can take care of themselves.

  Margaret Halsey

  Children, Business, People

  Margaret Halsey (1952). “The Folks at Home”

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• In practice, there is nothing especially dramatic in people getting along well together.

  Margaret Halsey

  Peace, Practice, People

  Margaret Halsey (1946). “Color blind: a white woman looks at the Negro”

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• El dinero no corrompe a las personas. Lo que corrompe a la gente es la falta de afecto ... El dinero es simplemente la venda que la gente herida pone sobre sus heridas.

  Margaret Halsey

  People, Doe, Affection

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• We know of our own knowledge that we are human beings, and, as such, imperfect. But we are bathed by the communications industry in a ceaseless tide of inhuman, impossible perfection.

  Margaret Halsey

  Communication, Perfection, Tides

  Margaret Halsey (1952). “The Folks at Home”

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