Citas de Ingmar Bergman

• Only someone who is well prepared has the opportunity to improvise.

  Ingmar Bergman

  Opportunity, Wells, Prepared

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• I make all my decisions on intuition. But then, I must know why I made that decision. I throw a spear into the darkness. That is intuition. Then I must send an army into the darkness to find the spear. That is intellect.

  Ingmar Bergman

  Army, Design, Decision

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• I am living permanently in my dream, from which I make brief forays into reality.

  Ingmar Bergman

  Sueño, realidad

  Ingmar Bergman (1990). “Images: my life in film”, Arcade Publishing

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• Old age is like climbing a mountain. You climb from ledge to ledge. The higher you get, the more tired and breathless you become, but your views become more extensive.

  Ingmar Bergman

  Tired, Climbing, Views

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• Ninguna forma de arte va más allá de la conciencia ordinaria como lo hace el cine, directo a nuestras emociones, a lo más profundo de la habitación crepuscular del alma.

  Ingmar Bergman

  Art, Twilight, Film Directing

  "The Magic Lantern: An Autobiography". Book by Ingmar Bergman, translated by Joan Tate, 1988.

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• We make each other alive; it doesn’t make a difference if it hurts.

  Ingmar Bergman

  Hurt, Differences, Making A Difference

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• El cine como sueño, el cine como música. Ningún arte traspasa nuestra conciencia como lo hace el cine, y llega directamente a nuestros sentimientos, a lo más profundo de las oscuras habitaciones de nuestras almas.

  Ingmar Bergman

  Dream, Art, Dark

  "Ev'ry Time We Say Goodbye". "Sight & Sound" Magazine, June 1991.

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• To shoot a film is to organize an entire universe.

  Ingmar Bergman

  Film, Organize, Universe

  "Biography/Personal Quotes". www.imdb.com.

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• Here, in my solitude, I have the feeling that I contain too much humanity.

  Ingmar Bergman

  Solitude, Feelings, Humanity

  Ingmar Bergman (1990). “Images: my life in film”, Arcade Publishing

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• When you feel perpetually unmotivated, you start questioning your existence in an unhealthy way; everything becomes a pseudo intellectual question you have no interest in responding whatsoever. This whole process becomes your very skin and it does not merely affect you; it actually defines you. So, you see yourself as a shadowy figure unworthy of developing interest, unworthy of wondering about the world - profoundly unworthy in every sense and deeply absent in your very presence.

  Ingmar Bergman

  Intellectual, Skins, Unmotivated

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• I have always had the ability to attach my demons to my chariot.

  Ingmar Bergman

  Challenges, Demon, Ability

  Ingmar Bergman (1990). “Images: my life in film”, Arcade Publishing

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• The world is a den of thieves, and night is falling. Evil breaks its chains and runs through the world like a mad dog. The poison affects us all. No one escapes. Therefore let us be happy while we are happy. Let us be kind, generous, affectionate and good. It is necessary and not at all shameful to take pleasure in the little world.

  Ingmar Bergman

  Correr, Perro, Otoño

  "Fictional character: Ekdahlska huset - Gustav Adolf Ekdahl". "Fanny and Alexander", www.imdb.com. 1982.

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• I could always live in my art but never in my life

  Ingmar Bergman

  Arte

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• My discovery of Tarkovsky's first film was like a miracle. Suddenly, I found myself standing at the door of a room the keys of which had, until then, never been given to me. It was a room I had always wanted to enter and where he was moving freely and fully at ease.

  Ingmar Bergman

  Dream, Moving, Reflection

  "Transported by the Images of Tarkovsky" by Brad Brevet, www.comingsoon.net. March 12, 2013.

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• To feel. To trust the feeling. I long for that

  Ingmar Bergman

  Long, Feelings, Feels

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• I usually take a walk after breakfast, write for three hours, have lunch and read in the afternoon. Demons don’t like fresh air - they prefer it if you stay in bed with cold feet; for a person who is as chaotic as me, who struggles to be in control, it is an absolute necessity to follow these rules and routines. If I let myself go, nothing will get done.

  Ingmar Bergman

  Struggle, Writing, Air

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• Our social relationships are limited, most of the time, to gossip and criticizing people's behavior. This observation slowly pushed me to isolate from the so-called social life. My days pass by in solitude.

  Ingmar Bergman

  People, Gossip, Solitude

  "Fictional character: Dr. Eberhard Isak Borg". "Smultronstället (Wild Strawberries)", December 26, 1957.

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• Ningún otro medio artístico -ni la pintura ni la poesía- puede comunicar la cualidad específica del sueño tan bien como el cine. Cuando en el cine se apagan las luces y se abre ante nosotros ese punto blanco y luminoso, nuestra mirada deja de revolotear de un lado a otro, se posa y se queda inmóvil. Nos quedamos sentados, dejando que las imágenes fluyan sobre nosotros. Nuestra voluntad deja de funcionar. Perdemos la capacidad de ordenar las cosas y colocarlas en su sitio. Nos vemos arrastrados a un curso de acontecimientos, somos partícipes de un sueño. Y fabricar sueños es un negocio jugoso.

  Ingmar Bergman

  Dream, Art, White

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• I am very much aware of my own double self... The well-known one is very under control; everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work - he is in touch with the child.

  Ingmar Bergman

  Children, Thinking, Self

  Ingmar Bergman, Raphael Shargel (2007). “Ingmar Bergman: Interviews”, p.160, Univ. Press of Mississippi

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• I feel very strongly that I’m surrounded by other realities.

  Ingmar Bergman

  Reality, Feels, Very Strong

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• There is no art form that has so much in common with film as music. Both affect our emotions directly, not via the intellect.

  Ingmar Bergman

  Music, Art, Emotion

  "Four Screenplays of Ingmar Bergman" by Ingmar Bergman, (Introduction), 1960.

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• The demons are innumerable, arrive at the most inappropriate times and create panic and terror. But I have learned that if I can master the negative forces and harness them to my chariot, then they can work to my advantage. Lilies often grow out of carcasses' arseholes.

  Ingmar Bergman

  Positivity, Negativity, Negative

  "Bergman talks of his dreams and demons in rare interview". Interview with Xan Brooks, www.theguardian.com. December 12, 2011.

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• Siempre hay una tensión en mí entre mi impulso de destruir y mi voluntad de vivir... Cada mañana me despierto con una nueva ira, un nuevo recelo, un nuevo deseo de vivir.

  Ingmar Bergman

  Morning, Wrath, Desire

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• I want to confess as best I can, but my heart is void. The void is a mirror. I see my face and feel loathing and horror. My indifference to men has shut me out. I live now in a world of ghosts, a prisoner in my dreams.

  Ingmar Bergman

  Sueño, Corazón, Hombres

  "Fictional character: Antonius Block". "The Seventh Seal", 1957.

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• First, I write down all I know about the story, at length and in detail. Then I sink the iceberg and let some of it float up just a little.

  Ingmar Bergman

  Writing, Firsts, Details

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