Christian Boltanski Citas

• El arte no consiste en decir la verdad sino en hacer sentir la verdad

  Christian Boltanski

  Art, Art Making, Telling The Truth

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• We all die twice - once when we actually die and once when no one on earth recognizes our photograph.

  Christian Boltanski

  Earth, Photograph, Dies

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• The photo replaces the memory. When someone dies, after a while you can't visualize them anymore, you only remember them through their pictures.

  Christian Boltanski

  Memories, Remember, When Someone Dies

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• I've filled my whole life trying to preserve the memory of living, in the fight against dying. Perhaps the only thing I've done, since stopping death is impossible, is to show this fight. The fight itself does not satisfy us either.

  Christian Boltanski

  Memories, Fighting, Dying

  "To die is very strange". Interview with Caia Hagel, logger.believermag.com. March 12, 2014.

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• Photography is used to give evidence, and the evidence is always deceiving.

  Christian Boltanski

  Photography, Giving, Deceiving

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• I believe that at the beginning of the life of every artist there is some kind of trauma. We have a problem and all of our life we try to speak about this problem. My trauma was historical. When I was three or four, all the friends of my parents were survivors of the Holocaust; they spoke a lot about that. My father was hiding during the war, it was something totally present when I was a boy. It is sure that it has made me.

  Christian Boltanski

  Father, War, Believe

  "To die is very strange". Interview with Caia Hagel, logger.believermag.com. March 12, 2014.

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• Toda la vida pintamos a las mismas personas, lo que cambia es la forma en que las miramos. Si experimentas un trauma, puedes hablar de él de muchas maneras diferentes. Puedes hablar del paisaje, puedes hablar de tu comida; siempre es diferente. El trauma es el principio de la vida de un artista.

  Christian Boltanski

  Artist, People, Way

  Source: www.lucyreesart.com

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• En la ciencia vemos progreso. En el arte no hay progreso. En el arte las preguntas siempre han sido las mismas. Desde el principio de los tiempos hasta ahora, siempre nos hacemos las mismas preguntas. Hay muy pocas. Buscamos a Dios, nos preguntamos por qué morimos, contemplamos el sexo y la belleza de la naturaleza. Lo único que cambia es que, en cada periodo de cuestionamiento, hablamos con el lenguaje de nuestro tiempo.

  Christian Boltanski

  Art, Sex, Asking Why

  "To die is very strange". Interview with Caia Hagel, logger.believermag.com. March 12, 2014.

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• Yo nunca hago fotografías. No me siento fotógrafo, más bien reciclador.

  Christian Boltanski

  Photographer, Photograph, Feels

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• In most of my photographic pieces I have manipulated the quality of the evidence that people assign to photography, in order to subvert it, or to show that photography lies - that what it conveys is not reality but a set of cultural codes.

  Christian Boltanski

  Photography, Lying, Reality

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• When I was four or five years old, I heard a lot of stories about the Holocaust because both my parents were survivors. I'm sure that was very important in my life. My father snuck out from under the floorboards to make love to my mother. I can't imagine why they kept me.

  Christian Boltanski

  Madre, Padre, Años

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• I was lucky to be born during the time of minimalism. I think I can be colder because of this. In form I speak with minimalism but my feeling is sentimental - I am a sentimental minimalist.

  Christian Boltanski

  Thinking, Feelings, Lucky

  "To die is very strang". Interview with Caia Hagel, logger.believermag.com. March 12, 2014.

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• The more you work, the less you exist. I believe (at least, I used to believe, because I no longer think this is entirely true) that the artist is like someone carrying a mirror in which everyone can look and recognize themselves, so that the person who carries the mirror ends up being nothing.

  Christian Boltanski

  Believe, Thinking, Artist

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• I think it is very important to know that we are going to die. Now we refuse the fact of dying. There was once serenity in dying where you had all your children around you in a ceremony and would utter your last words with something like, 'I love the sky'.

  Christian Boltanski

  Children, Thinking, Sky

  Interview with Lucy Rees, www.lucyreesart.com. May 13, 2014.

  9 Copiar cita

• Es pretencioso decirlo, pero mi arte es como una pequeña historia zen, una historia con un signo de interrogación al final. La gente puede sacar de él lo que necesite. Si alguien dice: "Tu arte es muy divertido", yo digo: "Tienes toda la razón". Si alguien dice: "Tu arte es muy triste", yo digo: "Tienes toda la razón". En Japón dicen: "Tu arte es muy japonés, incluso pareces japonés. Tu bisabuelo era seguramente un japonés". Y yo digo: "Tienes toda la razón".

  Christian Boltanski

  Art, Men, Japan

  "To die is very strange". Interview with Caia Hagel, logger.believermag.com. March 12, 2014.

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• You are what you are because your parents made love at that exact moment, and if they made love one second after you would be different. The fact that you were born means that there are no other children born because of you - you've killed them in a way. Is it destiny? Was it written somewhere that this was to be your life? Is it useful that you are here? Or is it simply by chance?

  Christian Boltanski

  Children, Mean, Destiny

  Source: www.lucyreesart.com

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• You are what you are because your parents made love at that exact moment, and if they made love one second after you would be different.

  Christian Boltanski

  Parent, Different, Would Be

  Interview with Lucy Rees, www.lucyreesart.com. May 13, 2014.

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• La ciencia sobre la vida es muy optimista. Cada segundo mueren cuatro personas en el mundo y nacen seis. Esto es optimista.

  Christian Boltanski

  Optimistic, People, World

  "To die is very strange". The Believer interview, logger.believermag.com. March 12, 2014.

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• I like looking at the finger of God. Why it takes one and not another, why this one or that one, why now or why then. The finger of God is always on us. When you get older and you see your friends dying around you, you say "Why not me?" That machine is always there.

  Christian Boltanski

  Dying, Why Not, Machines

  "To die is very strange". Interview with Caia Hagel, logger.believermag.com. March 12, 2014.

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• I think that all human activity is stupid. Artistic activity is also stupid, but you can see it more clearly.

  Christian Boltanski

  Stupid, Thinking, Artistic

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• The fact that you were born means that there are no other children born because of you – you’ve killed them in a way.

  Christian Boltanski

  Children, Mean, Way

  Interview with Lucy Rees, www.lucyreesart.com. May 13, 2014.

  12 Copiar cita

• Every time I ask questions about sex, I always end up asking questions about death.

  Christian Boltanski

  Sex, Asking Questions, Ends

  "To die is very strange". Interview with Caia Hagel, logger.believermag.com. March 12, 2014.

  11 Copiar cita

• ... in the eyes of its visitors, Venice has no reality of its own. Anyone visiting the place has already seen so many pictures of it that they can only attempt to view it via these clichés, and they take home photographs of Venice that are similar to the ones they already knew. Venice [is] becoming like one of those painted backdrops that photographers use in their studio.

  Christian Boltanski

  Eye, Home, Reality

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• The sole fact of having a school to train creative people is absolute lunacy... The idea of 'pedagogical vision' is ignoble, it has nothing to do with art, it's contrary to art. I really believe in teaching, despite what I say.

  Christian Boltanski

  Education, Art, Believe

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• There are very few times in creation in your life. One time is when you become an adult, one time is when your parents die, and the other time is when you are very old.

  Christian Boltanski

  Parent, Adults, Creation

  Source: www.lucyreesart.com

  9 Copiar cita

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