Pauline Kael Quotes - Page 2

• Movies are our cheap and easy expression, the sullen art of displaced persons.

  Pauline Kael

  Movie, Art, Expression

  Pauline Kael (1994). "For keeps", E P Dutton

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• It is a depressing fact that Americans tend to confuse morality and art (to the detriment of both) and that, among the educated, morality tends to mean social consciousness.

  Pauline Kael

  Deprimente, Arte, Malo

  pauline kael (1965). "la perdí en el cine"

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• We may be reaching the end of the era in which individual movies meant something to people. In the new era, movies may just mean a barrage of images.

  Pauline Kael

  Movie, Mean, People

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• Su único flair está en sus fosas nasales.

  Pauline Kael

  Sarcástico, Memorable, Flair

  Pauline Kael (1996). "Raising Kane and Other Essays", Marion Boyars Publishers

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• Art doesn't come in measured quantities: it's got to be too much or it's not enough.

  Pauline Kael

  Art, Too Much, Enough

  Pauline Kael (1994). "For keeps", E P Dutton

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• A mistake in judgment isn't fatal, but too much anxiety about judgment is.

  Pauline Kael

  Mistake, Anxiety, Judgement

  pauline kael (1965). "la perdí en el cine"

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• There seems to be an assumption that if you're offended by movie brutality, you are somehow playing into the hands of the people who want censorship. But this would deny those of us who don't believe in censorship the use of the only counter-balance: the freedom of the press to say that there's anything conceivably damaging in these films - the freedom to analyze their implications. How can people go on talking about the dazzling brilliance of movies and not notice that the directors are sucking up to the thugs in the audience?

  Pauline Kael

  Movie, Believe, Thug

  "Stanley Strangelove". Review of "A Clockwork Orange" in January 1972. "Deeper into Movies". Book by Pauline Kael, www.visual-memory.co.uk. 1973.

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• Irresponsibility is part of the pleasure of all art; it is the part the schools cannot recognize.

  Pauline Kael

  Art, School, Pleasure

  Pauline Kael (1994). "For keeps", E P Dutton

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• One of the surest signs of the Philistine is his reverence for the superior tastes of those who put him down.

  Pauline Kael

  Culture, Taste, Reverence

  pauline kael (1965). "la perdí en el cine"

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• En el cine nos condicionan poco a poco para que aceptemos la violencia como un placer sensual. Los directores solían decir que nos mostraban su verdadero rostro y lo fea que era para sensibilizarnos a sus horrores. No hace falta ser muy perspicaz para darse cuenta de que, en realidad, nos están insensibilizando.

  Pauline Kael

  Movie, Real, Order

  Pauline Kael (1994). "For keeps", E P Dutton

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• We will never know the extent of the damage movies are doing to us, but movie art, it appears, thrives on moral chaos. When the country is paralyzed, the popular culture may tell us why. After innocence, winners become losers. Movies are probably inuring us to corruption; the sellout is the hero-survivor for our times.

  Pauline Kael

  Country, Art, Hero

  Pauline Kael (1994). "For keeps", E P Dutton

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• There is something spurious about the very term 'a movie made for TV,' because what you make for TV is a TV program.

  Pauline Kael

  Television, Tvs, Program

  Pauline Kael (1994). "For keeps", E P Dutton

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• The words "Kiss Kiss Bang Bang" which I saw on an Italian movie poster, are perhaps the briefest statement imaginable of the basic appeal of movies

  Pauline Kael

  Movie, Kissing, Italian

  Kiss Kiss Bang Bang "A Note on the Title" (1968)

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• Moviemaking is so male-dominated now that they think they’re being pro-feminine when they have women punching each other out.

  Pauline Kael

  Thinking, Males, Punching

  Interview with Susan Goodman, Modern Maturity, www.paulrossen.com. March/April 1998.

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• If you're afraid of movies that excite your senses, you're afraid of movies.

  Pauline Kael

  Movie, Senses, Ifs

  Pauline Kael (1994). "For keeps", E P Dutton

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• For some strange reason we don't go to charming, light movies anymore. People expect a movie to be heavy and turgid, like "American Beauty." We've become a heavy-handed society.

  Pauline Kael

  Light, People, Strange

  Pauline Kael, Francis Davis (2002). "Afterglow: Una última conversación con Pauline Kael"

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• Esta película es un tupé maquillado para que parezca una calvicie honesta.

  Pauline Kael

  Movie, Looks, Actors

  Pauline Kael (1989). "Hooked", E P Dutton

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• Economy, speed, nervousness, and desperation produce the final wasteful, semi-incoherent movies we see.

  Pauline Kael

  Movie, Finals, Desperation

  Pauline Kael (1996). "Raising Kane and Other Essays", Marion Boyars Publishers

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• The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen.

  Pauline Kael

  Dream, People, Romance

  Pauline Kael (1994). "For keeps", E P Dutton

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• Moviegoers like to believe that those they have made stars are great actors. People used to say that Gary Cooper was a fine actor probably because when they looked in his face they were ready to give him their power of attorney.

  Pauline Kael

  Stars, Believe, People

  Pauline Kael (1991). “Movie love: complete reviews 1988-1991”, E P Dutton

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• Si no volviera a ver una pelea a puñetazos, una persecución en coche o un ataque de un Doberman, no tendría ningún sentimiento de pérdida. Y lo mismo vale para los rottweiler.

  Pauline Kael

  Loss, Car, Feelings

  "King Candy". Review of Against All Odds on March 19, 1984. "State of the Art". Book by Pauline Kael, p. 145, 1985.

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• Before seeing Truffaut 's Small Change, I was afraid it was going to be one of those simple, natural films about childhood which I generally try to avoid I'm just not good enough to go to them. But this series of sketches on the general theme of the resilience of children turns out to be that rarity a poetic comedy that's really funny.

  Pauline Kael

  Children, Simple, Small Changes

  Pauline Kael (1980). “When the lights go down”, Henry Holt & Co

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• Imagining [The Wizard of Oz] without Judy Garland is a bit like dancing on wet cement: you can do it, but why would you want to?

  Pauline Kael

  Dancing, Wizards, Want

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• if you think it so easy to be a critic, so difficult to be a poet or a painter or film experimenter, may I suggest you try both? You may discover why there are so few critics, so many poets.

  Pauline Kael

  Thinking, Trying, May

  Pauline Kael (1994). "For keeps", E P Dutton

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• If you use Hollywood as the test tissue for mankind, what could the prognosis be?

  Pauline Kael

  Hollywood, Use, Tissues

  Pauline Kael (1994). "For keeps", E P Dutton

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