Greil Marcus Citas

• What’s the impulse behind art? It’s saying in whatever language is the language of your work, “If I could move you as much as it moved me … if I can move anyone a tenth as much as that moved me, if I can spark the same sense of mystery and awe and surprise as that sparked in me, well that’s why I do what I do.”

  Greil Marcus

  Art, Moving, Sparks

  "Greil Marcus on How the Division of High vs. Low Robs Culture of Its Essence" by Maria Popova, www.brainpickings.org. May 13, 2013.

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• Words that in their everyday surrealism have no parallel in contemporary writing... Music that mines the deep veins of fatalism in the Appalachian voice

  Greil Marcus

  Writing, Voice, Everyday

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• We make the oldest stories new when we succeed, and we are trapped by the old stories when we fail

  Greil Marcus

  Success, Stories, Rehabilitation

  Greil Marcus (2015). “Mystery Train: Images of America in Rock 'n' Roll Music: Sixth Edition”, p.22, Penguin

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• Punk to me was a form of free speech. It was a moment when suddenly all kinds of strange voices that no reasonable person could ever have expected to hear in public were being heard all over the place.

  Greil Marcus

  Voice, Speech, Strange

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• Luchamos por abrirnos paso a través del masificado y nivelado gusto seguro colectivo de los 40 Principales, buscando algo que podamos llamar nuestro. Pero cuando lo encontramos y volvemos a la radio para escucharlo, no es sólo nuestro: es un vínculo con miles de otros que lo comparten con nosotros. Como canción aislada puede significar muy poco; como cultura, como forma de vida, no hay nada mejor.

  Greil Marcus

  Music, Song, Mean

  Greil Marcus (2015). “Mystery Train: Images of America in Rock 'n' Roll Music: Sixth Edition”, p.93, Penguin

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• What always attracted me to [Bob] Dylan, and what has sustained me as a Dylan listener, or has always continued to surprise me, is his voice, the way he sings, the way he wraps his voice around certain words, the way he backs off from melodic moments, the way he moves forward to grab something in a song that, were anybody else performing it, they would have no idea it was even there.

  Greil Marcus

  Song, Moving, Ideas

  Fuente: www.barnesandnoble.com

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• The Sixties are most generously described as a time when people took part - when they stepped out of themselves and acted in public, as people who didn't know what would happen next, but who were sure that acts of true risk and fear would produce something different from what they had been raised to take for granted.

  Greil Marcus

  People, Risk, Different

  Greil Marcus (2013). “The Doors: A Lifetime of Listening to Five Mean Years”, p.56, PublicAffairs

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• Every youth movement presents itself as a loan to the future, and tries to call in its lien in advance, but when there is no future all loans are canceled.

  Greil Marcus

  Trying, Movement, Youth

  Greil Marcus (2014). “Lipstick Traces: A Secret History of the Twentieth Century”, p.20, Faber & Faber

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• Patriotism in America, as I understand it, is a matter of suffering, when the country fails to live up to its promises, or actively betrays them.

  Greil Marcus

  País, América, Promesa

  "Greil Marcus: a life in writing". Interview with Simon Reynolds, www.theguardian.com. February 17, 2012.

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• Along with a lot of other things, becoming a Bob Dylan fan made me a writer. I was never interested in figuring out what the songs meant. I was interested in figuring out my response to them, and other people's responses. I wanted to get closer to the music than I could by listening to it - I wanted to get inside of it, behind it, and writing about it through it, inside of it, behind it, was my way of doing that.

  Greil Marcus

  Canción, Escritura, Gente

  Greil Marcus (2011). “Bob Dylan: Writings 1968-2010”, p.17, Faber & Faber

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• Listening is like running down a mountain on a switchback trail, the sound of surprise generating its own momentum. There’s a punk glee inside the bluegrass craft–and a punk vehemence inside the bluegrass smile.

  Greil Marcus

  Running, Listening, Mountain

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• I want another idea, another project, but you can't make them up. They show up.

  Greil Marcus

  Ideas, Want, Projects

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• It may be that the most interesting American struggle is the struggle to set oneself free from the limits one is born to, and then to learn something of the value of those limits

  Greil Marcus

  Struggle, Interesting, May

  Greil Marcus (2015). “Mystery Train: Images of America in Rock 'n' Roll Music: Sixth Edition”, p.32, Penguin

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• Hearing things like 'Wake Up' by Lora Logic, or the Raincoats' 'In Love' - that was something I wasn't prepared for. I couldn't hear anything that came before it in the music, and I didn't want to. I was absolutely in love with its out-of-nowhereness.

  Greil Marcus

  Hearing Things, Wake Up, Want

  "Greil Marcus: a life in writing". Interview with Simon Reynolds, www.theguardian.com. February 17, 2012.

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• Rock 'n' Roll is a combination of good ideas dried up by fads, terrible junk, hideous failings in taste and judgment, gullibility and manipulation, moments of unbelievable clarity and invention, pleasure, fun, vulgarity, excess, novelty and utter enervation.

  Greil Marcus

  Fun, Rocks, Ideas

  Greil Marcus (2014). “Mystery Train”, p.104, Faber & Faber

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• It is a sure sign that a culture has reached a dead end when it is no longer intrigued by its myths.

  Greil Marcus

  Culture, Dead Ends, Myth

  Greil Marcus (2015). “Mystery Train: Images of America in Rock 'n' Roll Music: Sixth Edition”, p.110, Penguin

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• Ningún fracaso en América, ya sea de amor o de dinero, es nunca sencillo; siempre es una especie de traición, de una masa de oscuras esperanzas compartidas.

  Greil Marcus

  Betrayal, Failure, Simple

  Greil Marcus (2015). “Mystery Train: Images of America in Rock 'n' Roll Music: Sixth Edition”, p.33, Penguin

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• Think about how rare it is for anyone to encounter a teacher who can open you up to the notion that there is an infinite amount of meaning and possibility and inspiration in the smallest thing before you.

  Greil Marcus

  Teacher, Inspiration, Thinking

  Fuente: www.barnesandnoble.com

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• If Bob Dylan really is an historian in and of himself in his work, in his performances, he is also an historian with a unique sense of humor. There's always been a bit of a stand-up comic in him.

  Greil Marcus

  Unique, Bob, Sense Of Humor

  Fuente: www.barnesandnoble.com

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• I am a critic who is pulled toward history. But Bob Dylan himself is a great historian. He is an historian who acts out history. So it always has a personal stamp. It always has a particular timbre. It always has a particular howl, or a moan, in that voice.

  Greil Marcus

  Voice, Bob, Timbre

  "Talkin’ Bob Dylan". Interview with James Mustich, www.barnesandnoble.com. October 19, 2010.

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• I had tremendous fun fooling around with the way people talked about songs, just the way that became another way of understanding the world.

  Greil Marcus

  Canción, Diversión, Gente

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• Farber had a huge effect on me as a writer. I don't mean I write like him. Farber is, first of all, a great stylist, a great writer. Anyone can read Manny Farber's film criticism, whether that person is a novelist, a poet, another critic, a historian, and learn a lot about writing by reading him.

  Greil Marcus

  Lectura, escritura, media

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• La música temprana de Elvis tiene drama porque mientras cantaba escapaba de los límites.

  Greil Marcus

  Drama, Escaping, Limits

  Greil Marcus (2015). “Mystery Train: Images of America in Rock 'n' Roll Music: Sixth Edition”, p.143, Penguin

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• As I write, Johnny Rotten's first moments in "Anarchy in the U.K." - a rolling earthquake of a laugh, a buried shout, then hoary words somehow stripped of all claptrap and set down in the city streets - I AM AN ANTICHRIST - Remain as powerful as anything I know. Listening to the record today - listening to the way Johnny Rotten tears at his lines, and then hurls the pieces at the world; recalling the all-consuming smile he produced as he sang - my back stiffens; I pull away even as my scalp begins to sweat.

  Greil Marcus

  Powerful, Writing, Earthquakes

  "Lipstick Traces: A Secret History of the 20th Century". Book by Greil Marcus, 1989.

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• I never find myself even catching lyrics until something in the sound has taken me captive. Thinking about anything else is just the pleasurable byproduct of wow.

  Greil Marcus

  Taken, Thinking, Sound

  "This is Greil Marcus’ Brain on 'Shuffle'". Interview with Michael Mechanic, www.motherjones.com. October 18, 2010.

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