Ansel Adams Quotes - Page 5

• The technique of 35mm photography appears simple. One is beguiled by the quick viewing and operation, and by the very questionable inclination to make many pictures with the hope that some will be good.

  Ansel Adams

  Photography, Simple, Technique

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• All art is the expression of one and the same thing- the relation of the spirit of man to the spirit of other men and to the world.

  Ansel Adams

  Art, Men, Expression

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• Todo arte es una visión que penetra en las ilusiones de la realidad, y la fotografía es una forma de esta visión y revelación.

  Ansel Adams

  Photography, Art, Reality

  "Photography's Ardent Proselytizer" by Andy Grundberg, www.nytimes.com. April 29, 1984.

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• The great rocks of Yosemite, expressing qualities of timeless yet intimate grandeur, are the most compelling formations of their kind. We should not casually pass them by, for they are the very heart of the earth speaking to us.

  Ansel Adams

  Heart, Rocks, Quality

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• Estábamos a la sombra de las montañas, la luz era fresca y tranquila y no soplaba el viento. Los troncos de los álamos eran ligeramente verdosos y las hojas de un amarillo vibrante.

  Ansel Adams

  Luz, viento, amarillo

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• The term accessories has come to include a host of photographic gadgets of questionable value.

  Ansel Adams

  Photography, Accessories, Gadgets

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• Debemos recordar que una fotografía puede contener tanto como nosotros pongamos en ella, y nadie se ha acercado nunca a todas las posibilidades del medio.

  Ansel Adams

  Photography, Photographer, Remember

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• I respect everything in change and the solemn beauty of life and death... and therefore, while man is amidst the immense beauty of objective bodies, he must possess the capacity of self-perfection and must observe and represent his world with full confidence.

  Ansel Adams

  Men, Self, Life And Death

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• Estas personas vuelven a vivir en la letra impresa con la misma intensidad que cuando sus imágenes se plasmaron en las viejas placas secas de hace sesenta años... Camino por sus callejones, me paro en sus habitaciones, cobertizos y talleres, miro dentro y fuera de sus ventanas. Y ellos, a su vez, parecen ser conscientes de mí.

  Ansel Adams

  Photography, Years, Spinning Plates

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• Lo único en mi vida que es compatible con este gran universo son las obras creativas del espíritu humano.

  Ansel Adams

  Life, Nature, Creative

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• Mi intención es presentar, a través de la fotografía, observaciones intuitivas del mundo natural que puedan tener significado para los espectadores.

  Ansel Adams

  Photography, World, May

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• If you have enough craft, you've done your homework and you're practiced. You can then make the photograph you desire.

  Ansel Adams

  Desire, Done, Crafts

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• For me the future of the image is going to be in electronic form... You will see perfectly beautiful images on an electronic screen. And Id say that would be very handsome. They would be almost as close as the best reproductions.

  Ansel Adams

  Beautiful, Would Be, Handsome

  Interview with Paul Hill (March 1975), published in Paul Hill and Thomas Cooper "Dialogue with Photography", 1979.

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• The herculean task of a photographer is to capture a momentary frame as beautiful in reality, as it would be in a dream.

  Ansel Adams

  Hermoso, Sueño, Realidad

  Radio interview, 1972.

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• I do not think there is any question of photography being an art form!

  Ansel Adams

  Fotografía, Arte, Pensamiento

  Source: www.tribalartasia.com

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• La fotografía en blanco y negro es realmente un "alejamiento de la realidad", y la transición de un aspecto de la magia visual a otro no fue tan completa como muchos imaginan.

  Ansel Adams

  Photography, Black And White, Reality

  Ansel Adams (1975). “The role of the artist in conservation”

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• Intenté mantener vivas ambas artes, pero ganó la cámara. Descubrí que aunque la cámara no expresa el alma, ¡quizá una fotografía sí pueda hacerlo!

  Ansel Adams

  Photography, Art, Soul

  Ansel Adams (1995). “Ansel Adams: photographs”

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• Los cielos y la tierra son tan enormes, y el detalle tan preciso y exquisito que, estés donde estés, te encuentras aislado en un mundo resplandeciente entre lo macro y lo micro.

  Ansel Adams

  Glowing, Land, Sky

  Ansel Adams, Karen E. Haas, Rebecca A. Senf (2005). “Ansel Adams: in the Lane Collection”, Museum of Fine Arts Boston

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• Los mitos y los credos son luchas heroicas por comprender la verdad del mundo.

  Ansel Adams

  Struggle, World, Heroic

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• Cuaderno de notas. Ningún fotógrafo debería prescindir de él.

  Ansel Adams

  Notebook, Photography, Photographer

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• The sheer ease with which we can produce a superficial image often leads to creative disaster.

  Ansel Adams

  Photography, Creative, Etching

  "A Personal Credo". Essay by Ansel Adams (1943), first published in "American Annual of Photography," 1944; later published in "Photographers on Photography" edited by Nathan Lyons, 1966, and in "Photography in Print: Writings from 1816 to the Present" edited by Vicki Goldberg, 1988.

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• I believe photography is a tool to express our positive assessment of the world. A tool to acquire ultimate happiness and belief.

  Ansel Adams

  Photography, Believe, Assessment

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• To the vast majority of people a photograph is an image of something within their direct experience: a more-or-less factual reality. It is difficult for them to realize that the photograph can be the source of experience, as well as the reflection of spiritual awareness of the world and of self.

  Ansel Adams

  Photography, Spiritual, Reflection

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• I know some photographs that are extraodrinary in their power and conviction, but it is difficult in photography to overcome the superficial power or subject; the concept and statement must be quite convincing in themselves to win over a dramatic and compelling subject situation.

  Ansel Adams

  Photography, Winning, Overcoming

  Ansel Adams, Mary Street Alinder (2017). “Ansel Adams: An Autobiography”, p.331, Hachette UK

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• I usually have an immediate recognition of the potential image, and I have found that too much concern about matters such as conventional composition may take the edge off the first inclusive reaction.

  Ansel Adams

  Firsts, May, Matter

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