Paul Strand Quotes

• Your photography is a record of your living, for anyone who really sees.

  Paul Strand

  Life, Photography, Records

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• It is one thing to photograph people. It is another to make others care about them by revealing the core of their humanness.

  Paul Strand

  Photography, Humanness Is, People

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• The artist's world is limitless. It can be found anywhere, far from where he lives or a few feet away. It is always on his doorstep.

  Paul Strand

  Art, Feet, World

  Catherine Duncan, Paul Strand, Aperture Foundation (1994). “Paul Strand: the world on my doorstep : an intimate portrait”

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• It is easy to make a picture of someone and call it a portrait. The difficulty lies in making a picture that makes the viewer care about a stranger.

  Paul Strand

  Lying, Portraits, Care

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• El retrato de una persona es una de las cosas más difíciles de hacer. Significa que casi debes llevar la presencia de esa persona fotografiada a otras personas de tal manera que no tengan que conocerla personalmente, pero que sigan enfrentándose a un ser humano que no olvidarán. Eso es un retrato.

  Paul Strand

  Mean, People, Portraits

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• If you let other people's vision get between the world and your own, you will achieve that extremely common and worthless thing, a pictorial photograph.

  Paul Strand

  People, Vision, World

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• No matter what lens you use, no matter what speed the film, no matter how you develop it, no matter how you print it, you cannot say more than you can see.

  Paul Strand

  Lenses, Use, Matter

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• I like to photograph people who have strength and dignity in their faces. Whatever life has done to them, it hasn’t destroyed them.

  Paul Strand

  People, Done, Faces

  "How Paul Strand Photographed the 'People's History'" by Bob Duggan, bigthink.com.

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• The important thing is, you have to have something important to say about the world.

  Paul Strand

  Photography, Important, World

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• I've always wanted to be aware of what's going on around me, and I've wanted to use photography as an instrument of research into and reporting on the life of my own time.

  Paul Strand

  Photography, Use, Research

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• All light is available light.

  Paul Strand

  Light, Available

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• Me considero un explorador que ha pasado su vida en un largo viaje de descubrimiento.

  Paul Strand

  Thinking, Discovery, Long

  Catherine Duncan, Paul Strand, Aperture Foundation (1994). “Paul Strand: the world on my doorstep : an intimate portrait”

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• The decision as to when to photograph, the actual click of the shutter, is partly controlled from the outside, by the flow of life, but it also comes from the mind and the heart of the artist. The photograph is his vision of the world and expresses, however subtly, his values and convictions.

  Paul Strand

  Heart, Artist, Decision

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• Cartier-Bresson has said that photography seizes a 'decisive moment', that's true except that it shouldn't be taken too narrowly...does my picture of a cobweb in the rain represent a decisive moment? The exposure time was probably three or four minutes. That's a pretty long moment. I would say the decisive moment in that case was the moment in which I saw this thing and decided I wanted to photograph it.

  Paul Strand

  Photography, Rain, Taken

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• La objetividad es la esencia misma de la fotografía, su aportación y a la vez su limitación

  Paul Strand

  Photography, Objectivity, Essence

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• All good art is abstract in its structure.

  Paul Strand

  Art, Abstract, Structure

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• If the photographer is not a discoverer, then he is not an artist.

  Paul Strand

  Artist, Photographer, Ifs

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• Your photography is a record of your living - for anyone who really sees. You may see and be affected by other people's ways, you may even use them to find your own, but you will have eventually to free yourself of them. That is what Nietzche meant when he said, 'I have just read Schopenhauer, now I have to get rid of him.' He knew how insidious other people's ways could be, particularly those which have the forcefulness of profound experience, if you let them get between you and your own personal vision.

  Paul Strand

  Photography, People, Profound

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• The photographer's problem is to see clearly the limitations and at the same time the potential qualities of his medium, for it is precisely here that honesty no less than intensity of vision is the pre-requisite of a living expression. The fullest realization of this is accomplished without tricks of process or manipulation, through the use of straight photographic methods.

  Paul Strand

  Photography, Honesty, Expression

  Paul Strand (1971). “Paul Strand: a Retrospective Monograph: The years 1915-1946”

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• It has always been my belief that the true artist, like the true scientist, is a researcher using materials and techniques to dig into the truth and meaning of the world in which he himself lives; and what he creates, or better perhaps, brings back, are the objective results of his explorations. The measure of his talent--of his genius, if you will--is the richness he finds in such a life's voyage of discovery and the effectiveness with which he is able to embody it through his chosen medium.

  Paul Strand

  Artist, Effectiveness, Discovery

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• Every artist I suppose has a sense of what they think has been the importance of their work. But to ask them to define it is not really a fair question. My real answer would be, the answer is on the wall.

  Paul Strand

  Photography, Wall, Real

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• Photography... is either an expression of a cosmic vision, an embodiment of a life movement or it is nothing - to me. (1919)

  Paul Strand

  Photography, Expression, Vision

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• Photography is only a new road from a different direction, but moving toward the common goal, which is life.

  Paul Strand

  Photography, Moving, Goal

  Anne M. Lyden, Paul Strand, Weston J. Naef (2005). “Paul Strand: Photographs from the J. Paul Getty Museum”, p.5, Getty Publications

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• And if you can find out something about the laws of your own growth and vision as well as those of photography you may be able to relate the two, create an object that has a life of its own, which transcends craftsmanship. That is a long road, and because it must be your own road nobody can teach it to you or find it for you. There are no shortcuts, no rules.

  Paul Strand

  Photography, Law, Two

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• Look at the things around you, the immediate world around you. If you are alive, it will mean something to you, and if you care enough about photography, and if you know how to use it, you will want to photograph that meaningness. If you let other people's vision get between the world and your own, you will achieve that extremely common and worthless thing, a pictorial photograph.

  Paul Strand

  Photography, Mean, People

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