Latest Ralph Fiennes Quotes from Interviews

• I think I feel more like you're an actor for hire and you take the jobs you want to take, obviously, and some pay well and some don't pay well at all but you go on a gut feeling and it's all a big adventure.

  Ralph Fiennes

  Jobs, Adventure, Thinking

  "Coriolanus - Ralph Fiennes interview". Interview with Rob Carnevale, www.indielondon.co.uk.

• It's thrilling to have the opportunity to work in different areas, whether it's on a project that has all the resources behind it like Harry Potter or James Bond and then to go somewhere there's very few resources.

  Ralph Fiennes

  Opportunity, Different, Potters

  "Coriolanus - Ralph Fiennes interview". Interview with Rob Carnevale, www.indielondon.co.uk.

• It's great to be on a set where there's time and there's focus and there's also a kind of adrenaline thrill on a set where people are saying: "We have to get this shot, we've have to go, we've got to move on!"

  Ralph Fiennes

  Moving, People, Focus

  "Coriolanus - Ralph Fiennes interview". Interview with Rob Carnevale, www.indielondon.co.uk.

• I feel there's so much still to learn about acting. But there is some magic in the capturing of performance and in the process of editing a performance. The psychology of human beings and what's coming through the face... that fascinates me.

  Ralph Fiennes

  Editing, Psychology, Magic

  "Coriolanus - Ralph Fiennes interview". Interview with Rob Carnevale, www.indielondon.co.uk.

• I loved doing Harry Potter. I had a great time on that. And I think it's good to have a mix. I think you're learning all the time.

  Ralph Fiennes

  Thinking, Potters, Had A Great Time

  "Coriolanus - Ralph Fiennes interview". Interview with Rob Carnevale, www.indielondon.co.uk.

• I'm more relaxed about how the editing process will create a performance and that, in a way, gives me a sense of freedom.

  Ralph Fiennes

  Editing, Giving, Way

  "Coriolanus - Ralph Fiennes interview". Interview with Rob Carnevale, www.indielondon.co.uk.

• I learned a lot about acting - watching not just myself but other actors and learning how to distinguish between two great takes. It's also about one's own taste in performance.

  Ralph Fiennes

  Two, Acting, Actors

  "Coriolanus - Ralph Fiennes interview". Interview with Rob Carnevale, www.indielondon.co.uk.

• When you get into the edit you'll understand what making a film is. You'll see all the things you missed and all the possibilities you have from what you shot.

  Ralph Fiennes

  Film, Possibility, Shots

  "Coriolanus - Ralph Fiennes interview". Interview with Rob Carnevale, www.indielondon.co.uk.

• Tengo un gran editor y disfruto, de forma masoquista, siendo implacable con mi propia actuación. Yo qué sé, pero creo que se me da bastante bien decir: "Eso no está bien. Eso no vale. Ya está. Ya está. Eso es bueno". Y estoy con el editor que dice: "No, creo que te equivocas. Eso no es lo mejor". Hay un punto inicial en la edición, si te estás dirigiendo a ti mismo, especialmente en mi caso, donde dices: "Ouch, ouch, ouch, no puedo ver esto". Y luego, hay un punto en el que te vuelves duro y te quitas la neurosis de encima y dices: "¿Qué está funcionando? Eso está bien. Eso está bien. Podemos perder eso, y perder eso". Te vuelves objetivo al respecto.

  Ralph Fiennes

  Editors, Editing, Ouch

  "Ralph Fiennes Talks THE INVISIBLE WOMAN, Acting and Directing, Editing His Performance, and THE GRAND BUDAPEST HOTEL". Interview with Christina Radish, collider.com. December 23, 2013.

• Ridicule is also a weapon against forces of evil. Really clever, intelligent ridicule.

  Ralph Fiennes

  Clever, Intelligent, Evil

  Interview with Steve 'Frosty' Weintraub, collider.com. February 10, 2014.

• I felt it [Shakespeare's Coriolanus] is sort of an examination of our dysfunction as a nationalistic, tribal entities. I think the world is rocking and cracking open in weird and worrying places. And I think Coriolanus, the play, reflected that.

  Ralph Fiennes

  Thinking, Dysfunction, Play

  "Ralph Fiennes Talks THE GRAND BUDAPEST HOTEL, Collaborating with Wes Anderson, If He Will Direct More Shakespeare, and More in Berlin". Interview, collider.com. February 10, 2014.

• Having gone through editing process, I can see that in actor's faces there's point where they're not managing their performance and that's, I think, the best place to be. You've done the homework, you've learned the lines, at that point you just sort of let it out.

  Ralph Fiennes

  Thinking, Editing, Gone

  "Ralph Fiennes Talks THE GRAND BUDAPEST HOTEL, Collaborating with Wes Anderson, If He Will Direct More Shakespeare, and More in Berlin". Interview with Steve 'Frosty' Weintraub, collider.com. February 10, 2014.

• I should say, a piece of advice that was given to me very early on by the principle of RADA (Royal Academy of Dramatic Art) which is where I went. When he auditioned me, he said, "Your speech, monologue, is fine. It's good. Yeah, I think you have ability but you're making it happen. Don't make it happen, let it happen." And that's a sort of subtle shift I think, as an actor.

  Ralph Fiennes

  Art, Thinking, Advice

  Interview with Steve 'Frosty' Weintraub, collider.com. February 10, 2014.

• Performance is made in the editing room, and I've come to see the truth in that - the idea that they say performances are usually made in the editing room because what you film is the raw material. I think just going through the process of saying, "Which take do we use? Why is that the take we want? I want that take can you edit again, I'm not sure that's the one, I think it's this one." And just because you go through that process, I think somehow it's made me sort of more open about the [actor's] possibilities.

  Ralph Fiennes

  Thinking, Editing, Ideas

  "Ralph Fiennes Talks THE GRAND BUDAPEST HOTEL, Collaborating with Wes Anderson, If He Will Direct More Shakespeare, and More in Berlin". Interview with Steve 'Frosty' Weintraub, collider.com. February 10, 2014.

• The actor shouldn't edit themselves or be anxious. And the actors that I admire are always the ones who are inventive and their imaginative life in free-willing. It's a director's job to go, "No here, don't do that, go there."

  Ralph Fiennes

  Jobs, Directors, Actors

  "Ralph Fiennes Talks THE GRAND BUDAPEST HOTEL, Collaborating with Wes Anderson, If He Will Direct More Shakespeare, and More in Berlin". Interview, collider.com. February 10, 2014.

• It [the scene] can be something given to you and you go, "Ah this is a good idea, I can work with this." Sometimes it cuts right across your instinct and that's when I might resist. Even if the director might be insistent, I think it's very important to say, "Look, I'm not feeling this. I'll try to make it work but I got to let you know."

  Ralph Fiennes

  Cutting, Thinking, Ideas

  "Ralph Fiennes Talks the Grand Budapest Hotel, Collaborating With Wes Anderson, if He Will Direct More Shakespeare, and More in Berlin". Interview with Steve 'Frosty' Weintraub, collider.com. February 10, 2014.

• Like anything to do with trust, in any relationship it emerges and just the chemistry, vibe between two people an actor and a director. You just know whether this is someone I like to be with whose interaction with me I believe in.

  Ralph Fiennes

  Creer, Dos, Personas

  Interview with Steve 'Frosty' Weintraub, collider.com. February 10, 2014.

• It's not great if someone gives you sort of bland praise without giving you clear direction and say, "This is good, let's try it like this." I have worked with someone who seemed quite inarticulate and just would say, "That's good, that's good." That's very frustrating because - it's nice to know something is good but you know it can always change.

  Ralph Fiennes

  Nice, Clear Direction, Giving

  Interview with Steve 'Frosty' Weintraub, collider.com. February 10, 2014.

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