Asghar Farhadi Citas

• I feel it’s important to talk about the complex issues affecting us. And these are complex issues. I think it’s insulting to an audience to make them sit and watch a film and then give them a message in one sentence.

  Asghar Farhadi

  Thinking, Issues, Giving

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• It's not some big event that creates the drama, it's the little things of everyday life that bring about that drama.

  Asghar Farhadi

  Drama, Everyday, Events

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• We always have the movies that are more toward real life, but they don't have that much drama or suspense, or we have the full of drama or suspense, but they're far away from real life. Always when I was watching a film, films with good drama, I was thinking, "I wish they were more close to real life." But when I was watching real life films I was thinking, "Well I wish it had more drama." I've tried, in the movies that I worked so far, to get these two things closer and closer to each other.

  Asghar Farhadi

  Drama, Real, Thinking

  Fuente: www.interviewmagazine.com

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• The bigger confrontation is the one an individual has with itself.

  Asghar Farhadi

  Individual, Bigger, Confrontation

  "A Separation's Asghar Farhadi: 'We need the audience to think" by Saeed Kamali Dehghan, www.theguardian.com. July 15, 2011.

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• Often times, music is used to evoke an emotion and it's become a cliche, so I don't want to do that, and actually what I do, is that emotional intensity that has developed throughout the film, I allow it to get released by having that music at the end with the credits.

  Asghar Farhadi

  Emotional, Credit, Want

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• I like storytelling, and for storytelling you need a drama. And for there to be drama, you need twists, and by twists I mean the ability to constantly change the
  trajectory of the story.

  Asghar Farhadi

  Drama, Mean, Twists

  "Interview: Academy Award-winning director Asghar Farhadi on his film ‘The Past’". Interview with Carlos Aguilar, www.indiewire.com. December 17, 2013.

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• It was important to me to make a film where I don't show the past but where the spectators can see the past.

  Asghar Farhadi

  Past, Important, Film

  "Interview: Academy Award-winning director Asghar Farhadi on his film 'The Past'". Interview by Carlos Aguilar, www.indiewire.com. December 17, 2013.

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• Classical tragedy was the war between good and evil. We wanted evil to be defeated and good to be victorious. But the battle in modern tragedy is between good and good. And no matter which side wins, we'll still be heartbroken.

  Asghar Farhadi

  Heartbroken, War, Winning

  "Farhadi Talks Oscar Front-Runner A Separation; Divorce Drama Questions Iran’s Future". Interview with Anne Thompson, www.indiewire.com. December 30, 2011.

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• I think that theater is the closest medium to music. It's very pure. It's for the elite of the society. It's not for everyone in the society.

  Asghar Farhadi

  Thinking, Theater, Mediums

  Fuente: www.avclub.com

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• When I decide to write a story, I don't think too much about what I want it to be, I just let things come naturally and this is how it turns out. It's just how my subconscious works.

  Asghar Farhadi

  Escribir, pensar, historias

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• I see screenwriting as a bit like a math equation which I have to solve.

  Asghar Farhadi

  Math, Screenwriting, Solve

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• Sometimes we feel like life is like theater, really.

  Asghar Farhadi

  Life Is Like, Sometimes, Theater

  Fuente: www.interviewmagazine.com

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• The first theme that every audience can get easily everywhere in the world is the theme of judgment. You are constantly judging if this character is doing something wrong or right, or the other character is doing something right or wrong.

  Asghar Farhadi

  Character, Judging, World

  Fuente: www.avclub.com

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• La poesía, especialmente la tradicional iraní, es muy buena a la hora de contemplar las cosas desde distintos ángulos simultáneamente.

  Asghar Farhadi

  Numbers, Different, Angle

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• I always feel that a viewer has an expectation about every moment of the film and where it's going, so if I act against that, I've created a twist. In fact it becomes a kind of game with the expectations of the viewer. This is the superficial appearance. In the layer beneath there is a hidden theme. The result of each twist is that the judgment of the audience member is challenged.

  Asghar Farhadi

  Games, Expectations, Facts

  "Interview: Academy Award-winning director Asghar Farhadi on his film ‘The Past’". Interview by Carlos Aguilar, www.indiewire.com. December 17, 2013.

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• Iranian filmmakers are not passive. They fight whenever they can, as creative expression means a lot to them. The restrictions and censorship in Iran are a bit like the British weather: one day it's sunny, the next day it's raining. You just have to hope you walk out into the sunshine.

  Asghar Farhadi

  Rain, Mean, Sunshine

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• In my opinion when you speak about relationships between people, you are actually talking about everything in their world because everything is contained in that relationship.

  Asghar Farhadi

  Talking, People, World

  "Interview: Academy Award-winning director Asghar Farhadi on his film ‘The Past’". Interview with Carlos Aguilar, www.indiewire.com. December 17, 2013.

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• One must never tell a child what it is they should display acting.

  Asghar Farhadi

  Children, Acting, Should

  "Director Asghar Farhadi Talks THE PAST, His Inspiration for the Story, Filming a Different Side of Paris, the Oscar Controversy, and More". Interview by Sheila Roberts, collider.com. December 18, 2013.

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• The fact that I do place music at the end of my films is not to accentuate the emotion. It serves an opposite purpose which is to remove them from the emotional space and allow them to enter a space of thinking, because I believe that when the audience is watching the film they're watching it with their feelings.

  Asghar Farhadi

  Creer, Emocional, Pensar

  "Director Asghar Farhadi Talks THE PAST, His Inspiration for the Story, Filming a Different Side of Paris, the Oscar Controversy, and More". Interview with Sheila Roberts, collider.com. December 18, 2013.

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• It's a mistake and misconception to think that one has to state everything clearly and simply for the audience to be able to follow the character, and this is what is bringing American cinema down from its position in the classic golden period. There's this misapprehension that the audience is not smart.

  Asghar Farhadi

  Mistake, Smart, Character

  "‘The Past’ Director Asghar Farhadi Says Illusion That Audiences Don’t Like Complication Is Hurting American Cinema (Q&A)" by Ryan Lattanzio, www.indiewire.com. December 12, 2013.

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• It's been interesting to see how similar audiences in the East and West are, actually, and how it makes you realize that when politicians emphasize the differences between our cultures, it's usually because it benefits them more so than us.

  Asghar Farhadi

  Differences, Interesting, East

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• I'm always careful about the thing I'm writing to make sure a viewer can imagine it happening to themselves.

  Asghar Farhadi

  Writing, Imagine, Careful

  "Interview: Academy Award-winning director Asghar Farhadi on his film ‘The Past’". Interview by Carlos Aguilar, www.indiewire.com. December 17, 2013.

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• Tiendo a anotar momentos, líneas, interacciones que realmente no tienen ningún sentido. Intento explicar estas notas dispersas a mis amigos íntimos, y cada vez tienen más lógica. Veo la escritura de guiones como una ecuación matemática que tengo que resolver.

  Asghar Farhadi

  Math, Trying, Lines

  Biography/Personal Quotes, www.imdb.com.

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• Habría tenido la misma narrativa, independientemente del ambiente y las restricciones.

  Asghar Farhadi

  Atmosphere, Narrative, Restriction

  "A Separation's Asghar Farhadi: 'We need the audience to think'". Interview with Saeed Kamali Dehghan, www.theguardian.com. July 15, 2011.

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• When we talk about self-confrontations, we are speaking about moral issues rather than social issues.

  Asghar Farhadi

  Self, Issues, Moral

  "A Separation's Asghar Farhadi: 'We need the audience to think" by Saeed Kamali Dehghan, www.theguardian.com. July 15, 2011.

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