John Crowe Ransom Quotes

• When critics are waiting to pounce upon poetic style on exactly the same grounds as if it were prose, the poets tremble.

  John Crowe Ransom

  Waiting, Style, Ransom

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• Too much is demanded by the critic, attempted by the poet.

  John Crowe Ransom

  Ransom, Too Much, Poet

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• The image cannot be dispossessed of a primordial freshness, which idea can never claim. An idea is derivative and tamed. The imageis in the natural or wild state, and it has to be discovered there, not put there, obeying its own law and none of ours. We think we can lay hold of image and take it captive, but the docile captive is not the real image but only the idea, which is the image with its character beaten out of it.

  John Crowe Ransom

  Real, Carácter, Pensamiento

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• God have mercy on the sinner Who must write with no dinner, No gravy and no grub, No pewter and no pub, No bellyand no bowels, Only consonants and vowels.

  John Crowe Ransom

  Writing, Vowels, Pewter

  1955 Poems and Essays,'Survey of Literature'.

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• But we moderns are impatient and destructive.

  John Crowe Ransom

  Impatient, Destructive

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• Es un milagro de armonía, de adaptación de la libre vida interior a la necesidad exterior de las cosas.

  John Crowe Ransom

  Miracle, Adaptation, Harmony

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• For no art and no religion is possible until we make allowances, until we manage to keep quiet the enfant terrible of logic that plays havoc with the other faculties.

  John Crowe Ransom

  Art, Play, Logic

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• And how can poetry stand up against its new conditions? Its position is perfectly precarious.

  John Crowe Ransom

  Ransom, Position, Precarious

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• And yet what is Modernism? It is undefined.

  John Crowe Ransom

  Modernism, Undefined

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• In all the good Greek of Plato
  I lack my roastbeef and potato.
  
  A better man was Aristotle,
  Pulling steady on the bottle.

  John Crowe Ransom

  Plato, Philosophical, Men

  John Crowe Ransom (1978). “Selected Poems”

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• Ahora bien, entre los significados de las palabras y sus sonidos no hay ordinariamente ninguna relación descubrible, salvo la del accidente; y es por tanto milagroso, para el místico, cuando las palabras que tienen sentido pueden también formar una estructura objetiva uniforme de acentos y rimas.

  John Crowe Ransom

  Sound, Rhyming, Uniforms

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• The arts generally have had to recognize Modernism - how should poetry escape?

  John Crowe Ransom

  Art, Ransom, Should

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• Great lovers lie in Hell, the stubborn ones
  Infatuate of the flesh upon the bones;
  Stuprate, they rend each other when they kiss,
  The pieces kiss again, no end to this.

  John Crowe Ransom

  Lying, Kissing, Great Love

  John Crowe Ransom (1978). “Selected Poems”

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• It is out of fashion in these days to look backward rather than forward. About the only American given to it is some unreconstructed Southerner, who persists in his regard for a certain terrain, a certain history, and a certain inherited way of living.

  John Crowe Ransom

  Fashion, Looks, Way

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• He can develop sense and style, in the manner of distinguished modern prose, in which event he may be sure that the result will not fall into any objective form.

  John Crowe Ransom

  Fall, Objectivity, Style

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• Would you ascend to Heaven and bodiless dwell?
  Or take your bodies honorless to Hell?
  
  In Heaven you have heard no marriage is,
  No white flesh tinder to your lecheries

  John Crowe Ransom

  White, Heaven, Body

  John Crowe Ransom (1978). “Selected Poems”

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• Hasta ahora, los poetas tenían el privilegio de insertar una cierta proporción de tonterías -muy superior a la mitad del uno por ciento- en sus documentos, por lo demás sobrios.

  John Crowe Ransom

  Excess, Half, Ransom

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• Two evils, monstrous either one apart, Possessed me, and were long and loath at going: A cry of Absence, Absence, in the heart, And in the wood the furious winter blowing.

  John Crowe Ransom

  Heart, Winter, Two

  1924 Chills and Fever,'Winter Remembered'.

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• I am a lady young in beauty waiting
  Until my truelove comes, and then we kiss.

  John Crowe Ransom

  Beauty, Kissing, Waiting

  John Crowe Ransom (1978). “Selected Poems”

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• And a wandering beauty is a blade out of its scabbard.You know how dangerous, gentlemen of threescore?May you know it yet ten more.

  John Crowe Ransom

  Gentleman, May, Blades

  John Crowe Ransom (1978). “Selected Poems”

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• And if no Lethe flows beneath your casement, And when ten years have not brought full effacement, Philosophy was wrong, and you may meet.

  John Crowe Ransom

  Philosophy, Years, May

  1924 Grace after Meat,'Parting at Dawn'.

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• Do not enforce the tired wolf
  Dragging his infected wound homeward
  To sit tonight with the warm children
  Naming the pretty kings of France.

  John Crowe Ransom

  Kings, Children, Tired

  John Crowe Ransom (1978). “Selected Poems”

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• I would not knock old fellows in the dust
  But there lay Captain Carpenter on his back
  His weapons were the old heart in his bust
  And a blade shook between rotten teeth alack.

  John Crowe Ransom

  Heart, Dust, Teeth

  John Crowe Ransom (1963). “Selected poems”

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• O puede resolverlo como un ejercicio métrico y formal, pero su contenido le decepcionará. La perspectiva de New Year le hiela el pecho.

  John Crowe Ransom

  New Year, Exercise, Years

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• Captain Carpenter rose up in his prime
  Put on his pistols and went riding out
  But had got wellnigh nowhere at that time
  Till he fell in with ladies in a rout.

  John Crowe Ransom

  Women, Rose, Riding

  Donald Davidson, William Yandell Elliott, Merrill Moore, John Crowe Ransom, Robert Penn Warren (1928). “Fugitives: an anthology of verse”

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