Lynn Nottage Quotes

• I feel it's my social responsibility to shine a light on areas that don't get seen. My personal feeling is that it's an artist's responsibility to be engaged with the culture. And when the culture is going through turmoil, I think an artist can't ignore that. I don't feel that every artist has to be politically engaged, but I can't imagine that you can be an active participant of this culture and not in some way reflect that in the work you are creating.

  Lynn Nottage

  Responsibility, Artist, Thinking

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• I want the audience, when they leave, to think of the characters on the stage in three dimensions. I want them to have empathy. I also want them to think about engaging more with where we are culturally.

  Lynn Nottage

  Character, Thinking, Empathy

  Fuente: www.interviewmagazine.com

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• Que sea una perspectiva única no significa que no pueda ofrecer algo universal.

  Lynn Nottage

  Mean, Unique, Perspective

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• I see the audience as the final collaborator. I think it's kind of bullshit when people say, "I'm not interested in the audience reaction." I'm like, "Then why do you do theater? You can write a book, then you don't have to see how the audience reacts." It's a living, breathing thing.

  Lynn Nottage

  Libro, Escritura, Pensamiento

  Fuente: www.interviewmagazine.com

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• I'm interested in the moments where the audience is restless. I'm interested in the moments where they lean in and become incredibly engaged: the laughter, the silence. All of that is part of how I think about shaping and rewriting the play.

  Lynn Nottage

  Laughter, Thinking, Play

  Fuente: www.interviewmagazine.com

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• I was repeatedly told that there isn't an African American woman who can open a show on Broadway. I said, 'Well, how do we know? How do we know if we don't do it?' I said, 'I think you're wrong.'

  Lynn Nottage

  Thinking, African American, Broadway

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• When you begin a play, you're going to have to spend a lot of time with those characters, so those characters are going to have to be rich enough that you want to take a very long journey with them. That's how I begin thinking about what I want to write about and who I want to write about.

  Lynn Nottage

  Writing, Character, Journey

  Fuente: www.interviewmagazine.com

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• It's much easier to conjure characters strictly from your imagination than to have to think about whether you're representing people in a truthful way.

  Lynn Nottage

  Carácter, Pensamiento, Personas

  Fuente: www.interviewmagazine.com

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• No recuerdo bien el momento exacto en que me obsesioné con escribir una obra sobre la guerra aparentemente interminable en la República Democrática del Congo, pero sabía que quería contar de algún modo las historias de las mujeres congoleñas atrapadas en el fuego cruzado.

  Lynn Nottage

  War, Writing, Fire

  "Picking Through the Ruins: How Do We Stop The DRC’s War Against Women" by Lynn Nottage, www.huffingtonpost.com. January 28, 2009.

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• In the business of war, the role of women is really to maintain normalcy and ensure that there is cultural continuity.

  Lynn Nottage

  War, Roles, Normalcy

  "Lynn Nottage's 'Ruined,' 'Fabulation' open". Interview with Robert Hurwitt, www.sfgate.com. February 27, 2011.

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• I wanted to tell the story of these women and the war in the Congo and I couldn't find anything about them in the newspapers or in the library, so I felt I had to get on a plane and go to Africa and find the story myself. I felt there was a complete absence in the media of their narrative. It's very different now, but when I went in 2004 that was definitely the case.

  Lynn Nottage

  War, Media, Library

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• A play that forces us to question our moral responsibility to the victims of human rights abuse.

  Lynn Nottage

  Responsibility, Rights, Play

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• When the play is still evolving I try to be at rehearsal as often as possible, and part of that casting process. You find new things when the language is living in different people's mouths.

  Lynn Nottage

  Jugar, Gente, Intentar

  Fuente: www.interviewmagazine.com

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• Hopefully this is going to be a trend, the beginning of a movement to reclaim theater for the artist and not commerce. I think there's a level of fatigue. Artists are tired of having to create work that's then coopted by commercial demands. When you begin souping up the car, the car no longer feels like your own.

  Lynn Nottage

  Tired, Artist, Thinking

  Fuente: variety.com

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• If you lead with the anger, it will turn off the audience. And what I want is the audience to engage with the material and to listen and then to ask questions. I think that 'Ruined' was very successful at doing that.

  Lynn Nottage

  Successful, Thinking, Want

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• Each play I write has its own unique origin story.

  Lynn Nottage

  Writing, Unique, Play

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• Plays are getting smaller and smaller, not because playwrights minds are shrinking but because of the economics.

  Lynn Nottage

  Play, Mind, Shrinking

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• Las mujeres afroamericanas, en particular, tienen un increíble poder adquisitivo. Estadísticamente, vamos al cine más que nadie. Hemos hecho la carrera de Tyler Perrys. Sus películas se estrenan con 25 millones de dólares casi siempre.

  Lynn Nottage

  Careers, African American, Buying

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• Creo que cuando empiezas a dar forma a la obra e intentas encontrar un personaje, los actores iniciales que lo desarrollan acaban imprimiéndole su impronta: oyes sus voces, oyes sus ritmos. No puedes evitar empezar a escribir en función de ellos durante el proceso de ensayo.

  Lynn Nottage

  Carácter, Escritura, Pensamiento

  Fuente: www.interviewmagazine.com

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• I need a release from whatever I'm writing.

  Lynn Nottage

  Writing, Needs, Release

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