Reginald Horace Blyth Citas

• I myself think that to have a cat is more important than to have a Bible.

  Reginald Horace Blyth

  Cat, Thinking, Important

  Reginald Horace Blyth (1970). “Zen and Zen Classics: Mumonkan”

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• No hay mayor diferencia entre los hombres que entre los agradecidos y los desagradecidos.

  Reginald Horace Blyth

  Thanksgiving, Gratitude, Ungrateful People

  Reginald Horace Blyth (1951). “Haiku: Eastern culture”

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• We walk, and our religion is shown even to the dullest and most insensitive person in how we walk. Or to put it more accurately, living in this world means choosing, choosing to walk, and the way we choose to walk is infallibly and perfectly expressed in the walk itself. Nothing can disguise it. The walk of an ordinary man and of an enlightened man are as different as that of a snake and a giraffe.

  Reginald Horace Blyth

  Mean, Men, Snakes

  Reginald Horace Blyth (1948). “Zen in English literature and oriental classics”

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• Think of Zen, of the Void, of Good and Evil and you are bound hand and foot. Think only and entirely and completely of what you are doing at the moment and you are free as a bird.

  Reginald Horace Blyth

  Pensar, Manos, Pies

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• El establecimiento de la armonía interior no debe alcanzarse ni en el pasado ni en el futuro, sino donde el pasado y el futuro se encuentran, que es el ahora. Cuando hayas alcanzado ese punto, ni el futuro ni el pasado, ni el nacimiento ni la muerte, ni el tiempo ni el espacio existen. Ese AHORA es la liberación, la armonía perfecta, a la que deben llegar los hombres del pasado y los hombres del futuro.

  Reginald Horace Blyth

  Past, Men, Space

  Reginald Horace Blyth (1976). “Games Zen Masters Play: Writings of R. H. Blyth”

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• The sun shines, snow falls, mountains rise and valleys sink, night deepens and pales into day, but it is only very seldom that we attend to such things. . . . When we are grasping the inexpressible meaning of these things, this is life, this is living. To do this twenty-four hours a day is the Way of Haiku. It is having life more abundantly.

  Reginald Horace Blyth

  Life, Fall, Night

  Reginald Horace Blyth (1995). “The genius of haiku: readings from R.H. Blyth on poetry, life, and Zen”

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• Hay un mito hindú sobre el Ser o Dios del universo que ve la vida como una forma de juego. Pero como el Ser es lo que hay y todo lo que hay y, por tanto, no tiene a nadie separado con quien jugar, juega al escondite cósmico consigo mismo. Adopta los papeles y las máscaras de personas individuales como tú y yo, y así se ve envuelto en aventuras emocionantes y aterradoras, olvidando todo el tiempo quién es en realidad.

  Reginald Horace Blyth

  Dream, Self Esteem, True Identity

  "Games Zen Masters Play: Writings of R. H. Blyth".

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• Zen is the unsymbolization of the world.

  Reginald Horace Blyth

  Wisdom, World

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• Thus we see that the all important thing is not killing or giving life, drinking or not drinking, living in the town or the country, being unlucky or lucky, winning or losing. It is how we win, how we lose, how we live or die, finally, how we choose.

  Reginald Horace Blyth

  Life, Country, Drinking

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• What is essential is not the answer but the questions; the answers indeed are the death of the life that is in the questions.

  Reginald Horace Blyth

  Essentials, Answers

  Reginald Horace Blyth (1970). “Zen and Zen Classics: Twenty-five Zen essays”

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• Si todos los hombres llevan vidas mecánicas y poco poéticas, este es el verdadero nihilismo, la verdadera perdición del mundo.

  Reginald Horace Blyth

  Vida, Real, Hombres

  Reginald Horace Blyth (1960). “Zen and Zen Classics”

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• Nothing divides one so much as thought.

  Reginald Horace Blyth

  Divide

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• Things have done their part; it is for us to do ours.

  Reginald Horace Blyth

  Hecho

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• Un haiku es la expresión de una iluminación temporal, en la que vemos dentro de la vida de las cosas.

  Reginald Horace Blyth

  Life, Expression, Enlightenment

  Reginald Horace Blyth (1951). “Haiku: Eastern culture”

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• What is Zen? Zen is looking at things with the eye of God, that is, becoming the thing's eyes so that it looks at itself with our eyes.

  Reginald Horace Blyth

  Eye, Looks, Becoming

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• The object of our lives is to look at, listen to, touch, taste things. Without them, - these sticks, stones, feathers, shells, - there is no Deity.

  Reginald Horace Blyth

  Smell, Religion, Looks

  Reginald Horace Blyth (1948). “Zen in English literature and oriental classics”

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• Perfecto no significa acciones perfectas en un mundo perfecto, sino acciones adecuadas en un mundo imperfecto.

  Reginald Horace Blyth

  Mean, Perfect, Doe

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• El amor a la naturaleza es religión, y esa religión es poesía; estas tres cosas son una sola. Este es el credo tácito de los poetas de haiku.

  Reginald Horace Blyth

  Love, Religion, Three

  Reginald Horace Blyth (1995). “The genius of haiku: readings from R.H. Blyth on poetry, life, and Zen”

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• The importance and unimportance of the self cannot be exaggerated.

  Reginald Horace Blyth

  Self, Importance, Exaggerated

  Reginald Horace Blyth (1948). “Zen in English literature and oriental classics”

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• Any enlightenment which requires to be authenticated, certified, recognized, congratulated, is (as yet) a false, or at least incomplete one.

  Reginald Horace Blyth

  Enlightenment, Incomplete

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• Un ladrón huyendo como loco de un feroz perro guardián puede ser un espléndido ejemplo de Zen.

  Reginald Horace Blyth

  Running, Dog, Mad

  Reginald Horace Blyth (1948). “Zen in English literature and oriental classics”

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• Estas son algunas de las características del estado de ánimo que exigen la creación y la apreciación del haiku: Abnegación, Soledad, Aceptación agradecida, Ausencia de trabajo, No intelectualidad, Contradictoriedad, Humor, Libertad, No moralidad, Simplicidad, Materialidad, Amor y Valentía.

  Reginald Horace Blyth

  Love, Appreciation, Loneliness

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• Regarding R. H. Blyth: Blyth is sometimes perilous, naturally, since he's a high-handed old poem himself, but he's also sublime - and who goes to poetry for safety anyway.

  Reginald Horace Blyth

  Safety, Poetry, Sublime

  Reginald Horace Blyth (1995). “The genius of haiku: readings from R.H. Blyth on poetry, life, and Zen”

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• It is not merely the brevity by which the haiku isolates a particular group of phenomena from all the rest; nor its suggestiveness, through which it reveals a whole world of experience. It is not only in its remarkable use of the season word, by which it gives us a feeling of a quarter of the year; nor its faint all-pervading humour. Its peculiar quality is its self-effacing, self-annihilative nature, by which it enables us, more than any other form of literature, to grasp the thing-in-itself.

  Reginald Horace Blyth

  Art, Nature, Self

  Reginald Horace Blyth (1982). “Haiku: Haiku”

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• Regarding R. H. Blyth: For translations, the best books are still those by R. H. Blyth. . . .

  Reginald Horace Blyth

  Book, Stills, Translations

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