Louise Bourgeois Quotes - Page 2

• If you are resentful, you keep the thing alive. So the way to go on is to get rid of it, in order to forgive in order to forget.

  Louise Bourgeois

  Order, Forgiving, Goes On

  Source: www.procuniarworkshop.com

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• My life has been regulated by insomnia.

  Louise Bourgeois

  Sleep, Insomnia, Has Beens

  Louise Bourgeois (1998). "Destrucción del padre, reconstrucción del padre: Escritos y entrevistas, 1923-1997".

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• El arte es manipulación sin intervención.

  Louise Bourgeois

  Arte, Manipulación, Arte es

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• Todo lo que hago se inspira en mis primeros años de vida", Bourgeois admiraba a su madre, que era la persona más importante de su vida por muchas razones, "Maman" simboliza a su madre; "La amiga, porque mi mejor amiga era mi madre y era deliberada, inteligente, paciente, tranquilizadora, razonable, delicada, sutil, indispensable, pulcra y tan útil como una araña.

  Louise Bourgeois

  Mother, Clever, Important

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• A work of art doesn't have to be explained.

  Louise Bourgeois

  Art, Works Of Art

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• My mother was a restorer, she repaired broken things. I don't do that. I destroy things. I cannot go the straight line. I must destroy, rebuild, destroy again. My rhythm is not the same. My mother moved in a straight line: I go from one extreme to the other.

  Louise Bourgeois

  Mother, Broken, Lines

  Jerry Gorovoy, Louise Bourgeois, Pandora Tabatabai Asbaghi, Paulo Herkenhoff, Fondazione Prada (Milán, Italia) (1997). "Louise Bourgeois: días azules y días rosas".

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• My childhood has never lost its magic, it has never lost its mystery, and it has never lost its drama.

  Louise Bourgeois

  Drama, Childhood, Magic

  Louise Bourgeois (1998). "Destrucción del padre, reconstrucción del padre: Escritos y entrevistas, 1923-1997".

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• El arte es garantía de cordura.

  Louise Bourgeois

  Arte, Garantías, Cordura

  Louise Bourgeois, Museo Nacional Centro de Arte Reina Sofía (1999). "Louise Bourgeois: memoria y arquitectura : Museo Nacional Centro de Arte Reina Sofía, Madrid, 16 de noviembre de 1999-14 de febrero del 2000", Actar-D

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• Everywhere in the modern world there is neglect, the need to be recognized, which is not satisfied. Art is a way of recognizing oneself, which is why it will always be modern.

  Louise Bourgeois

  Art, Needs, World

  Louise Bourgeois, Donald Burton Kuspit (1988). "Bourgeois", Vintage

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• It is not a torment to be an artist. It is a privilege.

  Louise Bourgeois

  Artist, Privilege, Torment

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• If you flatter me, or if you look at me the right way, I will kill myself to please you. It's very painful to be an overachiever.

  Louise Bourgeois

  Looks, Way, Painful

  Source: www.procuniarworkshop.com

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• It is not so much where my motivation comes from but rather how it manages to survive.

  Louise Bourgeois

  Inspirational, Motivation, Manage

  Roni Horn, Louise Bourgeois, Anne Carson, Hélène Cixous, John Waters (2004). “Wonderwater (Alice Offshore)”, Steidl Verlag

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• For me, sculpture is the body. My body is my sculpture.

  Louise Bourgeois

  Sculpture, Body

  Jerry Gorovoy, Louise Bourgeois, Pandora Tabatabai Asbaghi, Paulo Herkenhoff, Fondazione Prada (Milán, Italia) (1997). "Louise Bourgeois: días azules y días rosas".

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• Artists are born not made. There's nothing you can do for them.

  Louise Bourgeois

  Artist, Born, Made

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• Women had to work like slaves in the art world, but a lot of men got to the top through their charm. And it hurt them. To be young and pretty didn't help a woman in the art world, because the social scene, and the buying scene, was in the hands of women - women who had money. They wanted male artists who would come alone and be their charming guests. Rothko could be very charming. It was a court. And the artist buffoons came to the court to entertain, to charm. Now it has changed, now the younger men are in - older women and younger men.

  Louise Bourgeois

  Art, Hurt, Men

  "Bourgeois". Book by Louise Bourgeois and ‎Donald Burton Kuspit (p. 76), 1988.

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• El artista del siglo XX que utiliza símbolos está alienado porque el sistema de símbolos es privado. Después de haber tratado con los símbolos sigues siendo privado, sigues estando solo, porque no estás seguro de que nadie lo entienda excepto tú mismo. El rescate de la privacidad es que estás solo.

  Louise Bourgeois

  Lonely, Loneliness, Artist

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• Once I was beset by anxiety but I pushed the fear away by studying the sky, determining when the moon would come out and where the sun would appear in the morning.

  Louise Bourgeois

  Morning, Moon, Sky

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• It is a great privilege to be able to work with, and I suppose work off, my feelings through sculpture.

  Louise Bourgeois

  Feelings, Sculpture, Able

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• ... geometry became a symbol for human relations, except that it was better, because in geometry things never go bad. If certain things occur, if certain lines meet, an angle is born. You cannot fail. It's not going to fail; it is eternal. I found in rules of mathematics a peace and a trust that I could not place in human beings. This sublimation was total and remained total. Thus, I'm able to avoid or manipulate or process pain.

  Louise Bourgeois

  Pain, Lines, Able

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• Don't get the green disease of envy. Don't be fooled by success and money. Don't let anything come between you and your work.

  Louise Bourgeois

  Envy, Disease, Green

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• You must put the essence of what you want to say into a painting. The rest is arbitrary. Chosen with discernment, but chosen, and choice involves elimination.

  Louise Bourgeois

  Essence, Choices, Arbitrary

  Louise Bourgeois (1998). "Destrucción del padre, reconstrucción del padre: Escritos y entrevistas, 1923-1997".

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• I do not need the musing of the philosophers to tell me what I am doing. It would be more interesting to let me know why I am doing it.

  Louise Bourgeois

  Interesting, Would Be, Needs

  "Louise Bourgeois: una red de emociones", por Adrian Searle, www.theguardian.com. 1 de junio de 2010.

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• At the dinner table when I was very little, I would hear people bickering... To escape the bickering, I started modelling the soft bread with my fingers. With the dough of the French bread %u2013 sometimes it was still warm %u2013 I would make little figures. And I would line them up on the table and this was really my first sculpture.

  Louise Bourgeois

  People, Sculpture, Lines

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• My work has to do with a defense against fervor. People are always in a rush. To do what? To do nothing! There is a kind of fervor that is completely meaningless. This drawing is a call for meditation.... I am an insomniac, so for me the state of being asleep is paradise. It is a paradise I can never reach. But I still try to conquer the insomnia, and to a large extent I have done it; it is conquerable. My drawings are a kind of rocking or stroking and an attempt at finding peace. Peaceful rhythm. Like rocking a baby to sleep.

  Louise Bourgeois

  Baby, Sleep, Insomnia

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• I am a lonely runner, but I am a long-distance runner.

  Louise Bourgeois

  Lonely, Distance, Long

  Source: www.procuniarworkshop.com

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