Julius Lester Quotes

• A good teacher is one who helps you become who you feel yourself to be. A good teacher is also one who says something that you won't understand until 10 years later.

  Julius Lester

  Teacher, Years, Helping

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• Each of us is comprised of stories, stories not only about ourselves but stories about ancestors we never knew and people we've never met. We have stories we love to tell and stories we have never told anyone. The extent to which others know us is determined by the stories we choose to share. We extend a deep trust to someone when we say, "I'm going to tell you something I've never told anyone." Sharing stories creates trust because through stories we come to a recognition of how much we have in common.

  Julius Lester

  Escritura, Personas, Historias

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• I write because the lives of all of us are stories. If enough of those stories are told, then perhaps we will begin to see that our lives are the same story. The differences are merely in the details.

  Julius Lester

  Writing, Differences, Details

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• Dying ain't important. Everyone does that. What's important is how well you do your living.

  Julius Lester

  Important, Dying, Doe

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• Being a failure at living your own life as best as you can is better than being a success living the life somebody else says you should live.

  Julius Lester

  Live Life, Should, Live Your Own Life

  Julius Lester (2008). “Guardian”, Amistad

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• But there are times when a tree can no longer withstand the pain inflicted on it, and the wind will take pity on that tree and topple it over in a mighty storm. All the other trees who witnessed the evil look down upon the fallen tree with envy. They pray for the day when a wind will end their suffering. I pray for the day when God will end mine.

  Julius Lester

  Pain, Wind, Evil

  Julius Lester (2009). “Guardian”, p.2, Harper Collins

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• The failure of modern living is the failure of the imagination...Literature is the royal road that enables us to enter the realm of the imagination.

  Julius Lester

  Imagination, Literature, Royal

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• How can I love you if I don't know what hurts you?

  Julius Lester

  Hurt, Love You, Knows

  Julius Lester (2005). “The Autobiography of God: A Novel”, p.73, Macmillan

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• Silence was not the absence of sound but was itself a sound that could be loud or soft, soothing or disturbing, complex or simple.

  Julius Lester

  Simple, Silence, Sound

  Julius Lester (2005). “The Autobiography of God: A Novel”, p.73, Macmillan

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• Faith is not something that one has; faith is something that one practices at the very moment in your life when you really don't believe anything, and you're in the worst kind of despair.

  Julius Lester

  Believe, Practice, Despair

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• It ain't how long you know somebody that means anything. It's what that person mean to you in your heart.

  Julius Lester

  Love, Heart, Mean

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• ...part of the mind's job was to cast doubt on what the heart knew to be true, and the heart, because it had no words, often lost the argument

  Julius Lester

  Jobs, Heart, Doubt

  Julius Lester (2005). “The Autobiography of God: A Novel”, p.174, St. Martin's Press

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• We remember with our emotions. The things that were important in our emotional life, that's what we remember.

  Julius Lester

  Emotional, Important, Remember

  Julius Lester (2003). “When Dad Killed Mom”, p.130, HMH

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• Just because she's dead it doesn't mean I stopped loving her or that she stopped loving me. It's just her body that left. The love didn't. —Jenna Richards

  Julius Lester

  Mean, Body, Loving Me

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• To write and not tell the truth? That would be death for any writer. But more, it would be death to the imagination. And if the imagination dies, what would happen to the souls of children?

  Julius Lester

  Children, Writing, Imagination

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• Books, and especially fiction, do not proceed from ideas. They are born from feelings

  Julius Lester

  Book, Ideas, Feelings

  Julius Lester (2003). “When Dad Killed Mom”, p.207, Houghton Mifflin Harcourt

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• Freeform radio is an art form. The airwaves are the empty canvas, the producer is the artist, and the sound is the paint.

  Julius Lester

  Art, Sound, Radio

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• If I canot know your name, may I light a lamp so I can see your face?' If you sould ever see my face, you will lose me forever.' Why?' Psyche wanted to know. 'Are you ugly? Are you afraid I won't love you if I see your face?' Perhaps I am afraid that if you see my face, it will be THAT that you will love and not me.' I understand, believe me. I know what that feels like.

  Julius Lester

  Believe, Love You, Light

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• Goodness was not a trait you acquired; it was a value you practiced when you were on the verge of doing evil.

  Julius Lester

  Evil, Goodness, Verge

  Julius Lester (2005). “The Autobiography of God: A Novel”, p.219, Macmillan

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• ... the object of learning was not to build a better mousetrap but to ask a better question.

  Julius Lester

  Objects, Asks

  Julius Lester (2005). “The Autobiography of God: A Novel”, p.31, Macmillan

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• I'm tired of thinking and I'm really tired of Feeling. —Jenna Richards

  Julius Lester

  Tired, Thinking, Feelings

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• Often, the human animal dresses terror in rage, and expresses both in a way unlike either.

  Julius Lester

  Fear, Animal, Dresses

  Julius Lester (2005). “The Autobiography of God: A Novel”, p.27, Macmillan

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• Some wounds go so deep that you don't even feel them until months, maybe years, later.

  Julius Lester

  Years, Months, Feels

  Julius Lester (2003). “When Dad Killed Mom”, p.147, Houghton Mifflin Harcourt

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• When I read students’ attempts at creative writing it is obvious immediately that most of them have not read much or widely. The aspiring writer must read everything he or she can to appreciate the myriad ways words are used and to what effect.

  Julius Lester

  Writing, Appreciate, Creative

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• The young accept the extraordinary as normal because they do not compare their lives with those of others when everyone is like them.

  Julius Lester

  Normal, Accepting, Young

  Julius Lester (2005). “The Autobiography of God: A Novel”, p.24, Macmillan

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