Timothy West Quotes

• The classical writers... playwrights, Jacobean, Elizabethan playwrights, all showed areas of all classes and how they live and painted them pretty authentically.

  Timothy West

  Class, Playwright, Elizabethan

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• You're not allowed to step out of whatever the rules are, politically, or socially, and they'll get you for it, they'll hunt you down. That's the really frightening thing.

  Timothy West

  Hunting, Scary, Steps

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• I don't believe in right-angled turning points.

  Timothy West

  Believe, Don't Believe, Turning Points

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• The cool thing about making a Western is that people want to be in them. You rarely get the opportunity. With horror movies you are always trying to convince them. People in horror are always worried it's going to be this schlocky thing, and you're always trying to convince them that it's not. With Westerns, people immediately react with, "Oh, I've always wanted to do one."

  Timothy West

  Opportunity, People, Trying

  "SXSW 2016 Interview: Ti West and Jason Blum Talk IN A VALLEY OF VIOLENCE". Interview with Jenny Nulf, dailydead.com. March 28, 2016.

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• I'm reluctant to use the word class so much.

  Timothy West

  Class, Use, Reluctant

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• The foyers now look ridiculously small to us because not all that many people used them.

  Timothy West

  People, Foyers, Looks

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• Los teatros recién decorados contaban con aparcamientos y restaurantes, lo que permitía disfrutar de una buena noche a un precio bastante asequible sin tener que desplazarse a otro lugar.

  Timothy West

  Good Night, Goodnight, Somewhere Else

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• The bigger the movie is, the more agendas everybody has. It becomes more of a job for everyone, but on these small movies, you're making them because you want to make them. You're there because you want to do it. When you make a small movie, the one thing you have is that everyone is unified. That's what you need. You want everybody to want to be there and be a part of the project. If you can cultivate that, everyone works hard for it.

  Timothy West

  Trabajo duro

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• Cualquiera puede decidir si tiene dinero para pelear un caso si no le gusta una cosa concreta y se queja al comité de vigilancia, al ayuntamiento o a quien sea.

  Timothy West

  Money, Fighting, Watches

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• No producer should revive a play unless they have a very good reason for it. I think there's quite enough about a good play to make it available to new audiences.

  Timothy West

  Thinking, Play, Reason

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• In 1968 the Arts Council managed to get a grant from the treasury to buy up a lot of derelict touring theatres and put them back in the hands of the local authorities.

  Timothy West

  Art, Hands, Theatre

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• A conventional playwright tries to tell you more about the characters than they know about themselves.

  Timothy West

  Character, Trying, Playwright

  "The Birthday Party is 50", www.theguardian.com. May 15, 2008.

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• The Long and the Short and the Tall made a great impression on me because it was a very ugly tale about the reality of soldiering at a time when we were being gung-ho about the whole thing of war.

  Timothy West

  Guerra, Realidad, Largo

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• Lord Chamberlain's readers or controllers, which were a handful of people working directly to him, were a very assorted group of people and some of them tried very hard to be as liberal as they could.

  Timothy West

  People, Groups, Lord

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