Vladimir Nabokov Quotes About Art

• The contemplation of beauty, whether it be a uniquely tinted sunset, a radiant face, or a work of art, makes us glance back unwittingly at our personal past and juxtapose ourselves and our inner being with the utterly unattainable beauty revealed to us.

  Vladimir Nabokov

  Art, Sunset, Past

  Vladimir Nabokov (2011). “The Stories of Vladimir Nabokov”, p.97, Vintage

• Un escritor debe tener la precisión de un poeta y la imaginación de un científico.

  Vladimir Nabokov

  Art, Writing, Should Have

• Nuestra imaginación vuela... somos su sombra sobre la tierra.

  Vladimir Nabokov

  Arte, Imaginación, Sombra

• Una obra de arte no tiene ninguna importancia para la sociedad. Sólo es importante para el individuo.

  Vladimir Nabokov

  Art, Important, Individual

  Strong Opinions (1973) p. 33

• Art at its greatest is fantastically deceitful and complex.

  Vladimir Nabokov

  Art, Deceitful, Complexes

  Vladimir Vladimirovich Nabokov (1973). "Opiniones firmes", McGraw-Hill Companies

• La imaginación sin conocimiento no lleva más lejos que el patio trasero del arte primitivo, el garabato del niño en la valla y el mensaje de la manivela en el mercado. El arte nunca es sencillo.

  Vladimir Nabokov

  Art, Children, Simple

• Although we read with our minds, the seat of artistic delight is between the shoulder blades. That little shiver behind is quite certainly the highest form of emotion that humanity has attained when evolving pure art and pure science. Let us worship the spine and its tingle.

  Vladimir Nabokov

  Art, Humanity, Mind

  Vladimir Nabokov (2017). “Lectures on Literature”, p.64, Houghton Mifflin Harcourt

• Chess problems demand from the composer the same virtues that characterize all worthwhile art: originality, invention, conciseness, harmony, complexity, and splendid insincerity

  Vladimir Nabokov

  Art, Demand, Chess

  Vladimir Nabokov (2015). “Letters to V??ra”, p.531, Knopf

• Between the wolf in the tall grass and the wolf in the tall story there is a shimmering go-between. That go-between, that prism, is the art of literature.

  Vladimir Nabokov

  Art, Writing, Stories

  Vladimir Nabokov (2017). “Lectures on Literature”, p.5, Houghton Mifflin Harcourt

• Neither in environment nor in heredity can I find the exact instrument that fashioned me, the a.non.y.muse roller that passed upon my life a certain intricate watermark whose unique design becomes visible when the lamp of art is made to shine through life's foolscap.

  Vladimir Nabokov

  Art, Unique, Design

• I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share, my Lolita.

  Vladimir Nabokov

  Art, Angel, Thinking

  Vladimir Nabokov (2016). “Lolita”, p.171, Hamilton Books

• There are gentle souls who would pronounce Lolita meaningless because it does not teach them anything. I am neither a reader nor a writer of didactic fiction...For me a work of fiction exists only insofar as it affords me what I shall bluntly call aesthetic bliss, that is a sense of being somehow, somewhere, connected with other states of being where art (curiosity, tenderness, kindness, ecstasy) is the norm.

  Vladimir Nabokov

  Art, Kindness, Soul

• I hope you will love your baby. I hope it will be a boy. That husband of yours, I hope, will always treat you well, because otherwise my specter shall come out of him, like black smoke, like a demented giant, and pull him apart nerve by nerve. ... I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share, my Lolita.

  Vladimir Nabokov

  Baby, Art, Husband

• No hay ciencia sin fantasía ni arte sin hechos.

  Vladimir Nabokov

  Arte, Fantasía, Hechos

  Vladimir Vladimirovich Nabokov (1973). "Opiniones firmes", McGraw-Hill Companies

• Para ir sobre seguro, prefiero aceptar sólo un tipo de poder: el poder del arte sobre la basura, el triunfo de la magia sobre lo bruto.

  Vladimir Nabokov

  Art, Play, Safety

  Vladimir Nabokov (2012). “Strong Opinions”, p.155, Penguin UK

• Beauty plus pity-that is the closest we can get to a definition of art. Where there is beauty there is pity for the simple reason that beauty must die: beauty always dies, the manner dies with the matter, the world dies with the individual.

  Vladimir Nabokov

  Art, Simple, World

  Vladimir Nabokov (2017). “Lectures on Literature”, p.251, Houghton Mifflin Harcourt

• The commentator may be excused for repeating what he has stressed in his own books and lectures, namely that "offensive" is frequently but a synonym for "unusual;" and a great work of art is of course always original, and thus by its very nature should come more or less as a shocking surprise.

  Vladimir Nabokov

  Art, Book, Stressed

  Vladimir Nabokov (2011). “The Annotated Lolita: Revised and Updated”, p.60, Vintage

• Literature is invention. Fiction is fiction. To call a story a true story is an insult to both art and truth.

  Vladimir Nabokov

  Art, Writing, Fiction

  "Lectures on Literature".

• I see nothing for the treatment of my misery but the melancholy and very local palliative of articulate art.

  Vladimir Nabokov

  Art, Misery, Melancholy

  Vladimir Nabokov (2010). “Lolita”, p.283, Vintage

• Beauty plus pity -- that is the closest we can get to a definition of art.

  Vladimir Nabokov

  Art, Definitions, Pity

  Vladimir Nabokov (1992). “Pale fire”

• I do not see any essential difference between abstract and primitive art. Both are simple and sincere. Naturally, we should not generalize in these matters: It is the individual artist that counts.

  Vladimir Nabokov

  Arte, Simple, Diferencias

  Vladimir Nabokov (2012). “Strong Opinions”, p.34, Penguin UK

• A work of art has no importance whatever to society. It is only important to the individual, and only the individual reader is important to me. I don't give a damn for the group, the community, the masses, and so forth.

  Vladimir Nabokov

  Art, Giving, Community

  'Strong Opinions' (1973) p. 33

• In this crazy mirror of terror and art a pseudo-quotation made up of obscure Shakespeareanisms (Chapter Three) somehow produces, despite its lack of literal meaning, the blurred diminutive image of the acrobatic performance that so gloriously supplies the bravura ending for the next chapter.

  Vladimir Nabokov

  Art, Crazy, Mirrors

  Vladimir Vladimirovich Nabokov (1996). “Novels and Memoirs, 1941-1951”, Library of America

• Although I do not care for the slogan "art for art's sake", there can be no question that what makes a work of fiction safe from larvae and rust is not its social importance but its art, only its art.

  Vladimir Nabokov

  Art, Fiction, Rust

  Vladimir Vladimirovich Nabokov (1973). "Opiniones firmes", McGraw-Hill Companies

• The social or economic structure of the ideal state is of little concern to me. My desires are modest. Portraits of the head of the government should not exceed a postage stamp in size. No torture and no executions. No music, except coming through earphones, or played in theaters. Freedom of speech, freedom of thought, freedom of art.

  Vladimir Nabokov

  Art, Government, Freedom Of Speech

  Interview with Alvin Toffler, reprints.longform.org. January 1964.

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