Visuals Quotes - Page 10

• The creation of the island, or the impression of the island, as it changes in the mind of the character also came in to play... there was another very important collaborator, Rob Legato, on special visual effects. And then ultimately there's Thelma Schoonmaker, who keeps me focused during the editing of the picture.

  Martin Scorsese

  Character, Islands, Editing

  Fuente: www.indielondon.co.uk

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• My bottom line is that I think Ridley Scott is one of the greatest visual artists of our time and I feel very privileged that he wants to work with me, so I go with that flow.

  Russell Crowe

  Artist, Thinking, Lines

  "American Gangster - Entrevista a Russell Crowe". Entrevista con Rob Carnevale, www.indielondon.co.uk.

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• There are certain things that I will do viscerally to affect people emotionally, with speed changes and sound, and various other things. Sure there are links; the same kind of sensibilities went into it and I worked on writing that script as well so there was an emphasis on a minimalisation of dialogue as far as possible, to focus on the visual and to put it in another language, of course.

  Mel Gibson

  Writing, People, Focus

  "Apocalypto - Mel Gibson interview". Interview with Jack Foley, www.indielondon.co.uk.

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• The film that really struck me was Ridley Scott's Blade Runner. That was a film I watched many, many times and found endlessly fascinating in it's density. I think the density of that film is primarily visual density, atmospheric, sound density, moreso than narrative density.

  Christopher Nolan

  Thinking, Blade Runner, Sound

  Fuente: www.movieweb.com

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• I would be extremely stupid if I said that my looks had absolutely nothing to do with what I do, it [moviemaking] is a visual medium. I'm perfectly aware of that, the face and the body help. Of course they do.

  Keira Knightley

  Stupid, Would Be, Looks

  "Keira Knightley Talks Pride and Prejudice" by Julian Roman, movieweb.com. November 8, 2005.

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• Screenwriting you don't necessarily have to do the job of the costume designer and the prop master and the set designer. It's more just about finding the visuals and finding these characters through dialogue.

  Jonathan Tropper

  Jobs, Character, Costumes

  Fuente: www.interviewmagazine.com

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• The whole visual language of the movie is developed way before we get to set. Especially when you're doing visual effects and you don't have a lot of money to mess around, which we didn't, you have to really preplan everything. Pretty much every shot in the film was figured out months before we got to set.

  Darren Aronofsky

  Way, Months, Language

  Interview with Tasha Robinson, film.avclub.com. November 21, 2006.

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• The only way I know as a director is to figure out what the film is about. And out of the theme and the sense of what the film is about, all those decisions start to make sense. But to find that truth within it, you have to limit your possibilities and limit your choices. That's where this visual language grows out of.

  Darren Aronofsky

  Choices, Decision, Limits

  Interview with Tasha Robinson, film.avclub.com. November 21, 2006.

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• The less you offer, the more readers are forced to bring the world to life with their own visual imaginings. I personally hate an illustration of a character on a jacket of a book. I never want to have someone show me what the character really looks like - or what some artist has decided the character really looks like - because it always looks wrong to me. I realize that I prefer to kind of meet the text halfway and offer a lot of visual collaborations from my own imaginative response to the sentences.

  Jonathan Lethem

  Hate, Book, Character

  Interview with Christopher Bahn, www.avclub.com. April 5, 2007.

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• That's just how I see things on a base level: there's so much going on. Or at least I like to have that feeling. It's part of being interested in notions of reality apart from storytelling. I don't know if it has something to do with having an art school education, which makes you aware of the way visuals speak, or makes you trust them more.

  Jane Campion

  Art, School, Reality

  Interview with Katherine Dieckmann and Michael Tabb, www.interviewmagazine.com. May 30, 2012.

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• There is a director who should make 'Silver Surfer' - he is mentally committed to it. He's doing another movie now. What's most important to me about this guy, first, is that he's incredible with visuals. But he's also a spiritual guy, a Zen Buddhist. ... Galactus is a force of nature, not a being. That's all I'm saying.

  Avi Arad

  Spiritual, Buddhist, Guy

  "Avi Arad on the Marvel Comic Franchises" by Brian B., movieweb.com. June 21, 2005.

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• If you take text and image and you put them together, the multiple readings that are possible in either poetry or in something visual are reduced to one specific reading. By putting the two together, you limit the possibilities. Text and image don't always work together in the way music and song lyrics become part of each other.

  Richard Hell

  Song, Reading, Two

  Fuente: www.interviewmagazine.com

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• The idea of discussing psychological and philosophical ideas in a visual medium was really exciting to me. I thought I was going to go into philosophy...and suddenly I found this way to combine that with my love for visual mediums.

  Andrew Neel

  Filosofía, Filosofía, Ideas

  Fuente: www.indiewire.com

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• I'm a great believer in visual distinctions.

  Larry Wall

  Distinction, Believer

  Source: www.linuxformat.com

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• It frequently happens that I begin a novel with just a visual image of something, a vague sense of people in three dimensional space.

  Don DeLillo

  Space, People, Three

  "La intensidad de una trama". Entrevista con Mark Binelli, www.guernicamag.com. 17 th Of July de 2007.

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• There are two categories of writers, it could be said: The author who is just a voice, and the one who is also creating a picture. I belong to the latter, because I have an acute visual sense.

  Don DeLillo

  Two, Voice, Creating

  "Masses, Power and the Elegance of Sentences". Interview with Brigitte Desalm, perival.com. October 27, 1992.

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• So many film makers are scared of visual effects - which is no crime.

  Peter Jackson

  Scared, Film, Crime

  "Peter Jackson & Guillermo Del Toro Talk The Hobbit!". Online Chat, movieweb.com. May 24, 2008.

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• From a creative standpoint, I'm interested not only in the idea of helping couples and women, but challenging myself creatively, and doing each one better than the last thing I did. I think by doing that, by adding a visual element to these films, it really makes a huge difference.

  Sasha Grey

  Pareja, Pensamiento, Ideas

  Fuente: www.avclub.com

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• Video games are perfect to make into films because they are so visual.

  Milla Jovovich

  Games, Perfect, Video

  Entrevista con Glenn O'Brien, www.interviewmagazine.com. 12 de febrero de 2009.

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• In the past, people couldn't place me. They thought that I was Danish or English or French. They never got that I am Italian. I'm not typical, maybe because my visual education was very mixed. There was a lot of London in my aesthetic: The Face, i-D, British music, and a lot of British fashion . . . But I really enjoy this contrast.

  Italo Zucchelli

  Fashion, Italian, Past

  Fuente: www.interviewmagazine.com

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• And as particles are living digital elements, moving on their own according to the various attributes (such as weight, speed, shape) given to them by the animator, we don't know what the visual result will be until everything is completed. This result can often be unsatisfying, obliging us to repeat the process all over again, with new features.

  Martine Epoque

  Moving, Often Is, Elements

  Fuente: blogs.indiewire.com

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• And luckily, for whatever reason, I've found people who are interested in living with and owning and existing around the DNA of my mind, which is my visual work. I've found collectors who are willing to put money down to live with my work. So I can't criticize the whole mechanism. But I can criticize it as an artist, in spite of the fact that I benefit from it. And there are problems with it.

  Wangechi Mutu

  Artist, Dna, People

  Fuente: www.motherjones.com

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• I someday hope to find the time and coin to invest more of my creative energy towards the visual media side of releasing music. I'd love to make short film videos pushing the conventional standards of what a country music video can be.

  Sturgill Simpson

  Country, Media, Creative

  Fuente: blogs.indiewire.com

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• I hope that many visual journalists will be hired or funded along the way as well - we urgently need their perspectives.

  Fred Ritchin

  Perspective, Needs, Way

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• We also use our imagination and take shortcuts to fill gaps in patterns of nonvisual data. As with visual input, we draw conclusions and make judgments based on uncertain and incomplete information, and we conclude, when we are done analyzing the patterns, that out picture is clear and accurate. But is it?

  Leonard Mlodinow

  Data, Imagination, Patterns

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