Peeta Quotes - Page 3

• To this day, I can never shake the connection between this boy, Peeta Mellark, and the bread that gave me hope, and the dandelion that reminded me that I was not doomed.

  Suzanne Collins

  Boys, Connections, Bread

  Suzanne Collins (2009). "Los Juegos del Hambre", p.32, Scholastic Inc.

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• I must have loved you a lot.

  Suzanne Collins

  Sinsajo

  Suzanne Collins (2010). “Mockingjay (The Hunger Games, Book 3)”, p.231, Scholastic Inc.

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• ¿Tu color favorito... es el verde?" "Así es". Entonces se me ocurre algo que añadir. "Y el tuyo es el naranja". "¿Naranja?" No parece convencido. "No naranja brillante. Pero suave. Como la puesta de sol", le digo. "Al menos, eso me dijiste una vez". "Oh." Cierra los ojos brevemente, quizá intentando evocar esa puesta de sol, y luego asiente con la cabeza. "Gracias. Pero se le escapan más palabras. "Eres pintor. Eres panadero. Te gusta dormir con las ventanas abiertas. Nunca tomas azúcar en el té. Y siempre te anudas dos veces los cordones de los zapatos.

  Suzanne Collins

  Atardecer, Sueño, Ojo

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• I think....you still have no idea. The effect you can have.

  Suzanne Collins

  Thinking, Ideas, Awareness

  Suzanne Collins (2010). “Mockingjay (The Hunger Games, Book 3)”, p.325, Scholastic Inc.

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• Eres pintor. Eres panadero. Te gusta dormir con las ventanas abiertas. Nunca tomas azúcar en el té. Y siempre te anudas dos veces los cordones de los zapatos.

  Suzanne Collins

  Dormir, Katniss, Té

  Suzanne Collins (2010). "Sinsajo (Los juegos del hambre, Libro 3)", p.271, Scholastic Inc.

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• No creo que vaya a funcionar. Ganar... no ayudará en ningún caso. Porque... ella vino aquí conmigo. - Peeta Mellark

  Suzanne Collins

  Ganar, Pensar, Trabajar

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• No dejes que te aleje de mí.

  Suzanne Collins

  Katniss And Peeta, Katniss Peeta, Mockingjay

  Suzanne Collins (2010). "Sinsajo (Los juegos del hambre, Libro 3)", p.314, Scholastic Inc.

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• If you'd been taken by the Capital and hijacked and then tried to kill Peeta, is this the way he would be treating you?

  Suzanne Collins

  Taken, Would Be, Way

  Suzanne Collins (2010). “Mockingjay (The Hunger Games, Book 3)”, p.269, Scholastic Inc.

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• Porque eso es lo que tú y yo hacemos, protegernos mutuamente.

  Suzanne Collins

  Katniss, Proteger, Sinsajo Libro

  Suzanne Collins (2010). "Sinsajo (Los juegos del hambre, Libro 3)", p.302, Scholastic Inc.

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• Y mientras hablaba, la idea de perder realmente a Peeta me golpeó de nuevo y me di cuenta de lo mucho que no quiero que muera. Y no se trata de los patrocinadores. Y no se trata de lo que pasará cuando volvamos a casa. Y no es sólo que no quiero estar sola. Es por él. No quiero perder al niño del pan.

  Suzanne Collins

  Hogar, Chicos, Hablar

  "Los Juegos del Hambre". Libro de Suzanne Collins, 14 de septiembre de 2008.

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• Sigues intentando protegerme. Real o no real", susurra. "Real", respondo. "Porque eso es lo que tú y yo hacemos, protegernos mutuamente.

  Suzanne Collins

  Real, Katniss, Intentando

  Suzanne Collins (2010). "Sinsajo (Los juegos del hambre, Libro 3)", p.302, Scholastic Inc.

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• But there was only one kiss that made me feel something stir deep inside. Only one that made me want more. But my head wound started bleeding and he made me lie down.

  Suzanne Collins

  Lying, Kissing, Want

  Suzanne Collins (2013). “The Hunger Games Complete Trilogy”, p.495, Scholastic UK

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• Luego me meto en mi tienda antes de hacer algo estúpido como llorar.

  Suzanne Collins

  Estúpido, Tiendas, Llorar

  Suzanne Collins (2010). "Sinsajo (Los juegos del hambre, Libro 3)", p.271, Scholastic Inc.

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• Yo interpreto a Peeta. Ese es su nombre. Se lo pusieron sus padres. Viene de una larga línea de pan. Su hermana es de centeno. Y su hermano es de trigo integral.

  Josh Hutcherson

  Hermano, Jugar, Nombres

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• Y todo es culpa mía, Gale. Por lo que hice en la arena. Si me hubiera suicidado con esas bayas, nada de esto habría pasado. Peeta podría haber vuelto a casa y vivir, y todos los demás habrían estado a salvo también." "¿A salvo de qué?", dice en un tono más suave. "¿Morirse de hambre? ¿Trabajar como esclavos? ¿Enviar a sus hijos a la siega? No has hecho daño a la gente, les has dado una oportunidad. Sólo tienen que ser lo bastante valientes para aprovecharla.

  Suzanne Collins

  Hurt, Home, Kids

  Suzanne Collins (2010). "Catching Fire (The Second Book of the Hunger Games)", p.99, Scholastic Inc.

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• Hey, look at this!" He holds up a glistening, perfect pearl about the size of a pea. "You know, if you put enough pressure on coal it turns to pearls," he says earnestly to Finnick. "No, it doesn't," says Finnick dismissively. But I crack up, remembering that's how a clueless Effie Trinket presented us to the people of the Capitol last year, before anyone knew us. As coal pressured into pearls by our weighty existence. Beauty that arose out of pain.

  Suzanne Collins

  Pain, Clueless, Years

  "Catching Fire (The Hunger Games, Book 2)". Book by Suzanne Collins, September 1, 2009.

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• My mind was blown by how much I felt I was like Peeta. We shot in the forest near Asheville, North Carolina-a lot of fight scenes, very physically demanding. Jennifer and I totally hit it off. We're both crazy people-we don't hold anything back.

  Josh Hutcherson

  Crazy, Fighting, People

  "Let the Games Begin!". www.vanityfair.com. December 2011.

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• for some reason Gale and Peeta do not coexist well in my thoughts.

  Suzanne Collins

  Gale, Reason, Coexist

  Suzanne Collins (2009). “The Hunger Games”, p.192, Scholastic Inc.

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• We sit in silence awhile then I blurt out the thing that's on both our minds. "How are we going to kill these people, Peeta?

  Suzanne Collins

  People, Silence, Mind

  Suzanne Collins (2011). “The Hunger Games: Catching Fire”, p.183, Scholastic

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• Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim's cheek. My father's laugh. Peeta's father with the cookies. The colour of Finnick's eyes. What Cinna could do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like a bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their death count.

  Suzanne Collins

  Father, Eye, Water

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• So I thought if I stopped being so, you know, wounded, we could take a shot at just being friends. - Peeta Mellark

  Suzanne Collins

  Just Being, Shots, Catching

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• It’s the final word in camouflage. Forget chucking weights around. Peeta should have gone into his private session with the Gamemakers and painted himself into a tree. Or a boulder. Or a muddy bank full of weeds.

  Suzanne Collins

  Weed, Should Have, Tree

  Suzanne Collins (2008). “The Hunger Games”, p.252, Scholastic Inc.

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• But between the images, we are privy to the real-life action being played out on the set. Peeta's attempt to continue speaking. The camera knocked down to record the white tiled floor. The scuffle of boots. The impact of the blow that's inseparable from Peeta's cry of pain. And his blood as it splatters the tiles.

  Suzanne Collins

  Pain, Real, Blow

  Suzanne Collins (2011). “The Hunger Games Trilogy”, p.1159, Scholastic Inc.

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• Oh, no. Cuesta mucho más que tu vida. ¿Asesinar a gente inocente?", dice Peeta. "Cuesta todo lo que eres.

  Suzanne Collins

  People, Cost, Murder

  Suzanne Collins (2010). “Mockingjay (The Hunger Games, Book 3)”, p.23, Scholastic Inc.

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• Peeta, you were supposed to wake me after a couple of hours," I say. "For what? Nothing's going on here," he says. "Besides, I like watching you sleep. You don't scowl. Improves your looks a lot." This, of course, brings on a scowl that makes him grin.

  Suzanne Collins

  Couple, Sleep, Looks

  Suzanne Collins (2009). “The Hunger Games”, p.260, Scholastic Inc.

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