Cholera Quotes - Page 3

• A man should have two wives: one to love and one to sew on his buttons.

  Gabriel Garcia Marquez

  Men, Should Have, Two

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• La vida no es lo que uno vivió, sino lo que uno recuerda y cómo lo recuerda para contarlo

  Gabriel Garcia Marquez

  Order, Knowledge And Power, Remember

  Gabriel Garcia Marquez (2014). “Living to Tell the Tale”, p.6, Penguin UK

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• He repeated until his dying day that there was no one with more common sense, no stonecutter more obstinate, no manager more lucid or dangerous, than a poet.

  Gabriel Garcia Marquez

  Common Sense, Dying, Stones

  "Love in the Time of Cholera" by Gabriel García Márquez, 1985.

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• nothing in this world was more difficult than love.

  Gabriel Garcia Marquez

  Relationship, Reality, World

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• It was the time when they loved each other best, without hurry or excess, when both were most conscious of and grateful for their incredible victories over adversity.

  Gabriel Garcia Marquez

  Romantic, Grateful, Adversity

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• She knew that he loved her above all else, more than anything in the world, but only for his own sake.

  Gabriel Garcia Marquez

  Mundo, Sake

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• She would defend herself, saying that love, no matter what else it might be, was a natural talent. She would say: You are either born knowing how, or you never know.

  Gabriel Garcia Marquez

  Love, Natural Talent, Knowing

  FaceBook post by Gabriel García Márquez from Feb 14, 2015

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• Se puede estar enamorado de varias personas al mismo tiempo, sentir pena por cada una de ellas y no traicionar a ninguna.

  Gabriel Garcia Marquez

  People, Sorrow, Betray

  Gabriel Garcia Marquez (2014). “Gabriel Garcia Marquez Ebook Library”, p.1528, Penguin UK

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• Tell him yes. Even if you are dying of fear, even if you are sorry later, because whatever you do, you will be sorry all the rest of your life if you say no.

  Gabriel Garcia Marquez

  Sorry, Dying, Rest Of Your Life

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• ...La muchacha levantó los ojos para ver quién pasaba junto a la ventana, y aquella mirada casual fue el comienzo de un cataclismo de amor que aún no había terminado medio siglo después.

  Gabriel Garcia Marquez

  Romántico, Chica, Ojo

  "El amor en los tiempos del cólera". Libro de Gabriel García Márquez, www.elle.com. 1985.

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• Amputees suffer pains, cramps, itches in the leg that is no longer there. That is how she felt without him, feeling his presence where he no longer was.

  Gabriel Garcia Marquez

  Pain, Feelings, Suffering

  "Love in the Time of Cholera". Book by Gabriel Garcia Marquez, 1985.

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• He allowed himself to be swayed by his conviction that human beings are not born once and for all on the day their mothers give birth to them, but that life obliges them over and over again to give birth to themselves.

  Gabriel Garcia Marquez

  Life, Mother, Spiritual

  FaceBook post by Gabriel García Márquez from May 11, 2014

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• No creo en Dios, pero le tengo miedo.

  Gabriel Garcia Marquez

  Creer, Habitual, Creerle

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• Nada de lo que se hace en la cama es inmoral si contribuye a perpetuar el amor.

  Gabriel Garcia Marquez

  Bed, Doe, Helping

  Gabriel Garcia Marquez (2014). "Gabriel Garcia Marquez Ebook Library", p.1410, Penguin UK.

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• No es cierto que la gente deje de perseguir sueños porque envejece, envejece porque deja de perseguir sueños.

  Gabriel Garcia Marquez

  Birthday, Inspiring, Graduation

  FaceBook post by Gabriel García Márquez from Jun 23, 2011

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• War prosperity is like the prosperity that an earthquake or a plague brings...but no one has for those reasons yet sought to celebrate earthquakes and cholera as stimulators of the productive forces in the general interest.

  Ludwig von Mises

  War, Earthquakes, Prosperity

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• Cuando aparece el tifus o el cólera, nos dicen que la culpa no es de Nadie. ¡Ese terrible Nadie! De cuánto tiene que responder. Nadie hace más daño que todo el mundo.

  Samuel Sonrisas

  Break Out, Hecho, Respuestas

  Samuel Smiles (1875). "Thrift by Samuel Smiles", p.337

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• Era como si hubieran saltado por encima de la ardua caballería de la vida conyugal y hubieran ido directamente al corazón del amor. Estaban juntos en silencio como un viejo matrimonio precavido ante la vida, más allá de las trampas de la pasión, más allá de la burla brutal de la esperanza y de los fantasmas de la desilusión: más allá del amor. Porque habían vivido juntos el tiempo suficiente para saber que el amor siempre era amor, en cualquier momento y en cualquier lugar, pero era más sólido cuanto más se acercaba a la muerte.

  Gabriel Garcia Marquez

  Pareja, Pasión, Corazón

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• his examination revealed that he had no fever, no pain anywhere, and that his only concrete feeling was an urgent desire to die. All that was needed was shrewd questioning...to conclude once again that the symptoms of love were the same as those of cholera.

  Gabriel Garcia Marquez

  Pain, Feelings, Desire

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• I’m not the smartest guy in the world, but I’m certainly not the dumbest. I mean, I’ve read books like "The Unbearable Lightness of Being" and "Love in the Time of Cholera", and I think I’ve understood them. They’re about girls, right? Just kidding. But I have to say my all-time favorite book is Johnny Cash’s autobiography "Cash" by Johnny Cash.

  Nick Hornby

  Girl, Book, Mean

  "High Fidelity". www.imdb.com. 2000.

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• La guerra, para los hombres cuerdos de hoy en día, empieza a parecer una locura epidémica, que estalla aquí y allá como el cólera o la gripe, infectando los cerebros de los hombres en lugar de sus entrañas.

  Ralph Waldo Emerson

  Guerra, Hombres, Epidemias

  Ralph Waldo Emerson (2013). “Delphi Complete Works of Ralph Waldo Emerson (Illustrated)”, p.2970, Delphi Classics

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• The various systems of doctrine that have held dominion over man have been demonstrated to be true beyond all question by rationalists of such power-to name only a few-as Aquinas and Calvin and Hegel and Marx. Guided by these master hands the intellect has shown itself more deadly than cholera or bubonic plague and far more cruel. The incompatibility with one another of all the great systems of doctrine might surely be have expected to provoke some curiosity about their nature.

  Wilfred Trotter

  Science, Men, Hands

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• Read Mann's notes, which contain precise accounts of cholera and its symptoms, and observe how careful he is throughout his fiction in getting medical details straight - then you might begin to wonder whether cholera is the only candidate for the cause of Aschenbach's death. What results from this, I think, is a deeper appreciation of Mann's brilliance in keeping so many possibilities in play. The ambiguity is even more artful than people have realized.

  Philip Kitcher

  Appreciation, Thinking, Play

  Fuente: www.3ammagazine.com

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• Un alópata viene y trata a los pacientes de cólera y les da sus medicinas. El homeópata viene y da sus medicinas y cura quizás más que el alópata porque el homeópata no molesta a los pacientes sino que deja que la naturaleza se ocupe de ellos.

  Swami Vivekananda

  Medicina, Dar, Doe

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• Mann is widely recognized as a master of irony and ambiguity, yet it's remarkable how quickly people foreclose options he carefully leaves open. Lots of readers - including eminent critics - jump to conclusions: that Nietzsche's Birth of Tragedy is a central background text, that Aschenbach is an inferior writer, that he's never been attracted by pubescent male beauty before, that he dies of cholera.

  Philip Kitcher

  People, Tragedy, Males

  Fuente: www.3ammagazine.com

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