Richelle Mead Quotes About Pain

• Sentí como si alguien me hubiera arrancado el corazón y lo hubiera arrojado al otro lado de la habitación. Sentía un dolor ardiente y agonizante en el pecho, y no tenía ni idea de cómo podría llenarlo. Una cosa era aceptar que no podía tener a Dimitri. Otra muy distinta era darme cuenta de que otra persona sí podía.

  Richelle Mead

  Pain, Heart, Ideas

  Richelle Mead (2008). “Frostbite: A Vampire Academy Novel”, p.68, Penguin

• Hey, if you'd wanted to avoid 'this,' you shouldn't have lured me last night. Now it's too late. You might as well avoid the long, drawn-out pain and get it over with quickly. Sort of like taking off a Band-Aid. Or cutting off a limb." "Wow, who says there's no romance left in the world?

  Richelle Mead

  Pain, Cutting, Night

  Richelle Mead (2010). “Succubus Blues”, p.107, Zebra Books

• Weirdly, an image of Adrian’s Love painting came back to me. I thought of the jagged red streak, slashing through the blackness, ripping it apart. Staring at Jill and her inconsolable pain, I suddenly understood his art a little bit better.

  Richelle Mead

  Art, Pain, Littles

  Richelle Mead (2011). “Bloodlines”, p.249, Penguin

• She felt so much emotionally, she would say, that a physical outlet - physical pain - was the only way to make her internal pain go away. It was the only way she could control it.

  Richelle Mead

  Pain, Self Harm, Going Away

  Richelle Mead (2013). “Vampire Academy: The Complete Collection”, p.90, Penguin

• I didn’t get her cutting at all. She’d done it sporadically, ever since the accident and it scared me each time. She'd try to explain it to me, how she didn't want to die—she just needed to get it out somehow. She felt so much emotionally, she would say, that a physical outlet—physical pain—was the only way to make the internal pain go away. It was the only way she could control it.

  Richelle Mead

  Pain, Cutting, Going Away

  Richelle Mead (2013). “Vampire Academy: The Complete Collection”, p.90, Penguin

• Victor smiled through the pain and the blood. "Of course you have. I used to think Belikov was the savage one, but it's really you, isn't it? You're the animal with no control, no higher reasoning except to fight and kill.

  Richelle Mead

  Pain, Fighting, Animal

  Michelle Rowen, Richelle Mead (2011). “Vampire Academy: The Ultimate Guide”, p.153, Penguin

• He stepped forward and punched Dorian in the face, hard enough that I heard a thwack. "Ow," moaned Dorian, wincing from the pain. "My greatest asset.

  Richelle Mead

  Pain, Faces, Enough

  Richelle Mead (2011). “Shadow Heir”, p.286, Kensington Publishing Corp.

• Oh,” she said. “You can rest assured that I will kill him. Mostly this is to emphasize what I said before: no more time to lounge around and decide with no consequences. For every moment you waste deliberating today, the Oak King will be in the hands of my torturers, experiencing the most excruciating pain. Your delay extends that agony.” “Oh, irony,” murmured Dorian.

  Richelle Mead

  Kings, Pain, Hands

  Richelle Mead (2012). “Richelle Mead Dark Swan Bundle: Storm Born, Thorn Queen, Iron Crowned & Shadow Heir”, p.1403, Zebra Books

• Staring into the mirror, I was surprised to see a haunted look in my brown eyes. There was pain there, pain and loss that even the nicest dress and makeup couldn't hide.

  Richelle Mead

  Dolor, Ojo, Pérdida

  Richelle Mead (2010). “Spirit Bound: A Vampire Academy Novel”, p.18, Penguin

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