Kimberly Peirce Quotes

• No hago películas sobre temas. Esta es mi misma prueba de fuego para todas las películas que me gustan: ¿Es un gran personaje en una gran búsqueda emocional con una gran necesidad emocional? ¿Superan grandes obstáculos emocionales? ¿Es una historia fantástica? No me propuse ser un activista político. Sólo soy un ser humano al que le conmueven ciertas cosas, y si ciertas cosas me rompen el corazón, me propongo arreglarlas.

  Kimberly Peirce

  Corazón, Carácter, Amor Es

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• Creo que siempre es un reto contar una historia que la gente conoce. Pero, por suerte, la buena narración tiene dos aspectos. Una es que hay que dar sorpresas y cambios para mantener el interés de la gente, llevarla por caminos que no esperaba y darle suspense y sorpresa.

  Kimberly Peirce

  Pensar, Dos, Personas

  Fuente: collider.com

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• Si se cuenta una historia realmente buena, cosas que la gente también puede esperar y que puede haber visto antes -por algo volvemos a las historias que nos gustan-, entonces, aunque haya familiaridad, si puedes hacerlo de una manera diferente y, con suerte, hacerlo lo suficientemente bien, sientes la satisfacción de que te devuelvan esa expectación.

  Kimberly Peirce

  People, Different, Stories

  Fuente: collider.com

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• A good horror film is something that taps into something absolutely truthful about us - about what we want, about what we're terrified of - and brings that to life on screen in such a way that we can get close enough to that character to let our defenses down and want them to be safe.

  Kimberly Peirce

  Character, Truthful, Horror

  Fuente: www.interviewmagazine.com

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• I like violence because I like looking at it and I like understanding emotional and physical violence and how they work with one another... It's operating in all these levels of hopefully - Oedipus is one of my favorite stories, that's like falling down a well when you read that - so that would be the hope, that each thing causes the next.

  Kimberly Peirce

  Fall, Emotional, Oedipus

  Fuente: collider.com

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• Creo que es la razón por la que somos capaces de ver las historias de los cómics o las historias de origen, ¿por qué podemos seguir contando estas historias una y otra vez? Y espero que sea porque tocan algo tan universal y primario dentro de nosotros que anhelamos esa misma historia una y otra vez. Pero matizada y de forma diferente, y actualizada y modernizada, y puedo entrar en los detalles.

  Kimberly Peirce

  Libro, Pensamiento, Diferente

  Fuente: collider.com

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• Again, let's pay all due respect to De Palma and put him over here so we're not saying, "Mine's deeper, mine's better." Let's just say, in reading the book, what I fell in love with was this mother-daughter story that was so amazing and so profound.

  Kimberly Peirce

  Hija, Madre, Libro

  Fuente: collider.com

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• Art changed my life. I mean, I would say art saved me. I believe that it made me better at handling my life.

  Kimberly Peirce

  Arte, Creer, Significar

  Fuente: www.esquire.com

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• You try to do as much as you can on set because practical looks cool and practical looks great. Until you get to a point where the reality is you look at it - and I went through this in my last movie which was a war film, which my brother fought in Iraq and I did a ton of research and as much as I could made it documentary-like - and then at some point on set, the reality is somebody says to you, "You know, you can use a real squib and you can have three hours of clean up and you can lose five shots or we can do that blood explosion in post and you can get those five extra shots."

  Kimberly Peirce

  Brother, Real, War

  Fuente: collider.com

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• There are a number of times when we have found, there's a number of old-school special effects in here that are fantastic, but there are definitely some times that we went digital and you're not going to tell the difference, I don't think. I think it just serves the storytelling because that's just the era that we live in.

  Kimberly Peirce

  School, Thinking, Differences

  Fuente: collider.com

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• If we educate ourselves, then the desire and need to have art as a part of our lives will happen organically. I would invite anyone to look at cultures where art is squashed. Do you want to live in North Korea? We have a president who doesn't read at all. There's a lot to worry about. I just wish, as a collective, we were much smarter.

  Kimberly Peirce

  Art, Worry, Wish

  Fuente: www.esquire.com

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• If you're writing in the mainstream... Whatever that is - the norm. The norm is likely going to be funded because you're giving people what they're used to and what they're gonna get. But anything outside of that norm is going to struggle to get funded. The people who are not "the norms" deserve the chance to make art. I think it's great for all of us to consume all these voices, and that happens when you support these voices that need to be supported because they're not the automatic choice coming out of the gate.

  Kimberly Peirce

  Arte, Lucha, Escritura

  Fuente: www.esquire.com

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• If I even tell anything false, within one minute I have to come clean. And I think most people, even if they're not that direct, it comes out in indirect ways. If somebody cheats on you, they end up telling you they've been spending all this time hanging out with that person. Why? Because nobody can bear a lie. A lie won't stay silent. It makes noise.

  Kimberly Peirce

  Mentir, Pensar, Gente

  Fuente: www.avclub.com

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• The first thing a fascist regime does is burn books. To not have them around would mean to make sure they're not written in the first place.

  Kimberly Peirce

  Book, Mean

  Fuente: www.esquire.com

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• Chloë Moretz as Carrie has an inherent amount of charisma, the camera loves her, she's been acting since she's five, she's a total pro, she knows her instrument. I took her on this phenomenal journey from a confident child star who has the great privileges of a family who loves her, great success, and huge confidence, to a wounded woman who had to gain her confidence back and desperately wanted love and acceptance.

  Kimberly Peirce

  Children, Acceptance, Journey

  Fuente: www.interviewmagazine.com

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• In The Shining, you love Shelley Duvall. You love Jack Nicholson. You're let into the intimacy of that violence and it's emotional and it's physical. We're let in very close. So I think a good horror film has to pull you in very deeply inside. Halloween is a good horror film because we love Jamie Lee Curtis, we're brought very deeply in right when she's babysitting the kids. She's going from house to house, all those houses have windows that you can look in. We're a very vulnerable and exposed audience.

  Kimberly Peirce

  Halloween, Kids, Emotional

  Fuente: www.interviewmagazine.com

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• I think there are a lot of writers who would never have an opportunity to make their work. Some presses rely heavily on the NEA. Translators cannot support themselves on translating. It would be isolating artistically. It would diminish experimental output. It would have a homogenizing effect on the work that was made.

  Kimberly Peirce

  Opportunity, Thinking, Support

  Fuente: www.esquire.com

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• I'm a writer who doesn't much think about money because money doesn't really care about me. In other nations, art gets subsidized. Writers aren't wealthy by any means, but there's the idea that the state supports the creation of art.

  Kimberly Peirce

  Arte, Significado, Pensamiento

  Fuente: www.esquire.com

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• Forget about Republican or Democrat - what about the kid in the middle of the country who wants to play the drums, the kid who wants to learn how to write a book, or the kid who wants to write a screenplay? We need to give them access to the arts. It's not fair that if you live in a different part of the country, you don't have the chance to learn. And it's not fair that if you don't have as much money, you don't have the chance to learn.

  Kimberly Peirce

  Country, Art, Book

  Fuente: www.esquire.com

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• I am a lifelong career artist, which itself is a bit of a miracle. It's really challenging to be a career artist. I would say that the argument for grant funding is not only did my movie do some social good - hopefully it opened people's eyes - but you created a working artist. I'm hiring cinematographers, I'm hiring production designers, I'm hiring producers.

  Kimberly Peirce

  Eye, Artist, Miracle

  Fuente: www.esquire.com

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