Mary Rose O'Reilley Quotes

• Teaching English is an intrinsically radical act. Is it possible to teach English so that people stop killing each other?

  Mary Rose O'Reilley

  Teaching, People, Killing Each Other

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• Pero encontrar una voz -seamos claros- es un acto político. Define un momento de presencia, de estar despierto; e implica no sólo la autocomprensión, sino la capacidad de transmitir esa autocomprensión a los demás... Experimentarse a uno mismo como "sin voz" es una definición de depresión, subyugación y exclusión. .

  Mary Rose O'Reilley

  Self, Voice, Political

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• Finding voice is a socially responsible political act. We don't just do it for ourselves. And helping someone to find voice demands a spiritual partnership with that seeker. It's an exercise of compassion.

  Mary Rose O'Reilley

  Spiritual, Exercise, Compassion

  Mary Rose O'Reilley (1993). “The Peaceable Classroom”, Boynton/Cook

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• If you have a big splash of ecstasy in your life every day you are going to teach students something finer than "buy low/sell high". Maybe you'll teach them, not by what you say but by who you are, to live their lives as a standing affront to the ravaging mercantile mentality.

  Mary Rose O'Reilley

  Students, Lows, Affront

  Mary Rose O'Reilley (1993). “The Peaceable Classroom”, Boynton/Cook

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• What if we were to take seriously the possibility that our students have a rich and authoritative inner life and tried to nourish it rather than negate it?

  Mary Rose O'Reilley

  What If, Students, Rich

  Mary Rose O'Reilley (1993). “The Peaceable Classroom”, Boynton/Cook

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• The economy of gift, of art, is fundamentally opposed to the economy of war.

  Mary Rose O'Reilley

  Art, War, Economy

  Mary Rose O'Reilley (1993). “The Peaceable Classroom”, Boynton/Cook

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• What do you do for ecstasy?

  Mary Rose O'Reilley

  Éxtasis

  Mary Rose O'Reilley (1993). “The Peaceable Classroom”, Boynton/Cook

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• There must be a mirror to show the soul to itself before the soul can begin to gather its courage.

  Mary Rose O'Reilley

  Mirrors, Soul, Shows

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• Cuando hablo en cristiano o en budista, simplemente selecciono un dialecto. Para mí, las palabras cristianas representan el vocabulario reconfortante del lugar de donde vengo: las voces de mi ciudad natal dicen más de lo que el propio idioma puede transmitir sobre lo bienvenido y seguro que soy, cuáles son las expectativas y dónde encontrar comida. Las palabras budistas proceden de otro dialecto de la gente de la montaña. Hablo budista con bastante fluidez, me ayuda a ver mi país de forma diferente, pero nunca será un idioma en el que me sienta completamente a gusto.

  Mary Rose O'Reilley

  Christian, Country, Buddhist

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• Whatever your eye falls on. For it will fall on what you love - will lead you to the questions of your life, the questions that are incumbent upon you to answer, because that is how the mind works in concert with the eye. The things of this world draw us where we need to go.

  Mary Rose O'Reilley

  Fall, Eye, Mind

  Mary Rose O'Reilley (2014). “The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd”, p.95, Milkweed Editions

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• I would not say I am looking for God. Or, I am not looking for God precisely. I am not seeking the God I learned about as a Catholic child, as an 18-year-old novice in a religious community, as an agnostic graduate student, as - but who cares about my disguises? Or God's.

  Mary Rose O'Reilley

  Religioso, Niños, Años

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• My music teacher offered twittering madrigals and something about how, in Italy, in Italy, the oranges hang on the tree. He treated me - the humiliation of it - as a soprano.These, by contrast, are the six elements of a Sacred Harp alto: rage, darkness, motherhood, earth, malice, and sex. Once you feel it, you can always do it. You know where to go for it, though it will cost you.

  Mary Rose O'Reilley

  Teacher, Sex, Motherhood

  Mary Rose O'Reilley (2014). “The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd”, p.49, Milkweed Editions

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• I would not have majored in English and gone on to teach literature had I not been able to construct a counterargument about the truthfulness of fiction; still, as writers turn away from the industrious villages of George Eliot and Thomas Hardy, I learn less and less from them that helps me to ponder my life. In time, I found myself agreeing with the course evaluations written by my testier freshman students:'All the literature we read this term was depressing.' How naive. How sane.

  Mary Rose O'Reilley

  Depressing, Gone, Fiction

  Mary Rose O'Reilley (2014). “The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd”, p.14, Milkweed Editions

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• La sabiduría cultural dice 'No dejes tu trabajo'. Sin embargo, creo que estos deseos representan el estiramiento de nuestra psique hacia la plenitud. Y ser íntegro, como enseñan muchas tradiciones religiosas, es manifestar un rostro único de Dios en el mundo. No queremos ser irresponsables y, sin embargo, por cada contable que abandona a su familia y se embarca rumbo a Tahití, diez estadounidenses sufren infartos en sus despachos, a deshoras.

  Mary Rose O'Reilley

  Religious, Jobs, Heart

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