Chuck Klosterman Quotes About Film

• It's far easier to write why something is terrible than why it's good. If you're reviewing a film and you decide "This is a movie I don't like," basically you can take every element of the film and find the obvious flaw, or argue that it seems ridiculous, or like a parody of itself, or that it's not as good as something similar that was done in a previous film. What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive.

  Chuck Klosterman

  Hate, Moving, Writing

  Interview with Noel Murray, www.avclub.com. November 15, 2006.

• Reconozcámoslo: La tristeza y la maldad son siempre más creíbles que la felicidad y el amor. Cuando un crítico de cine califica una película de "realista", todo el mundo sabe lo que eso significa: que la película tiene un final infeliz.

  Chuck Klosterman

  Sadness, Mean, Evil

  Chuck Klosterman (2012). “Fargo Rock City: A Heavy Metal Odyssey In Rural North Dakota”, p.58, Simon and Schuster

• As an adult, the only people who care about horror movies are academics. No one loves to talk about horror films more than somebody with a Ph.D. in cultural studies at a university.

  Chuck Klosterman

  People, Who Cares, Adults

  "Chuck Klosterman's greatest fears". Interview with Josh Modell, www.avclub.com. October 27, 2009.

• When I was a film critic, the reason I kind of found it disenchanting was because the things that I wanted to talk about were the ideas in the movie, the theme of it, and contextual elements that weren't necessarily central to the story. But the only thing people really wanted was a plot description and how many stars I'd give it. It didn't matter how much effort you put into writing a piece, they looked at it solely as a consumer's guide toward going or not going to films.

  Chuck Klosterman

  Stars, Writing, Ideas

  Interview with Noel Murray, www.avclub.com. November 15, 2006.

• Prior to the early 20th century, for the totality of humankind's existence if they saw something moving, it meant it was there. If they saw a tiger walking, that meant they were near a live tiger. This was entrenched in our subconscious and our unconscious.Then that drastically changed with film and television.

  Chuck Klosterman

  Moving, Saws, Film And Television

  "Chuck Klosterman: The future will be worse than you think". Interview with Chris Weller, www.businessinsider.com. June 6, 2016.

• In the eight years I worked at newspapers, even during a little stretch when I was a film critic, I was never, ever doing exclusively criticism. In the daily newspaper world, much more value is placed on reporting than on thinking abstractly about art. The eight years I was in newspapers, I was mainly a journalist in the conventional sense, and just doing criticism when there were opportunities.

  Chuck Klosterman

  Arte, Oportunidad, Pensamiento

  Fuente: www.avclub.com

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