Citas de Stephin Merritt

• I don't think there are any clichés I try to avoid. As soon as I spot a cliché, I go for it. I feel like clichés are the most useful thing in songwriting. They're the tool on which you build all the rest of the song.

  Stephin Merritt

  Song, Thinking, Trying

  Fuente: www.avclub.com

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• Well, there are certainly original things to say. But I'm not sure that a pop song is the appropriate format to say them in.

  Stephin Merritt

  Song, Not Sure, Pop Song

  Fuente: pitchfork.com

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• There are only so many instruments you can layer on top of each other that aren't perfectly electronically programmed. "Long Vermont Roads" just cannot be performed live, because it's just too cluttered if it's played by humans. Synthesizers stay out of each other's way in a way that hand-played instruments never can.

  Stephin Merritt

  Largo

  Fuente: pitchfork.com

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• Never try to do anything artistic when you're feeling something overwhelming. It's like driving a car: If you're experiencing road rage, pull over.

  Stephin Merritt

  Car, Feelings, Trying

  Fuente: www.avclub.com

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• If you start out with a song sounding like Britney Spears, and you end up with a song sounding like Pauline Oliveros, you'd better have pretty good liner notes explaining what on earth you mean.

  Stephin Merritt

  Song, Mean, Earth

  Fuente: pitchfork.com

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• Popular music of the last 50 years has failed to keep in step with advances in musical theater, namely Stephen Sondheim. But the two have grown apart so that popular music is based more than ever on a rhythmic grid that is irrelevant in musical theater. In popular music, words matter less and less. Especially now that it's so international, the fewer words the better. While theater music becomes more and more confined to a few blocks in midtown.

  Stephin Merritt

  Block, Musical, Music Is

  Fuente: pitchfork.com

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• Escribo canciones sentado en bares, así que las canciones para beber son un poco obvias. Es sorprendente que no escriba canciones totalmente de beber, ya que, de hecho, estoy bebiendo mientras escribo la canción. La bebida y el amor son las dos principales fuentes de placer fuera de la música. En realidad, no hay muchas fuentes de placer. Eso es todo. Bueno, también hay otras artes. Pero ninguna de ellas es tan placentera como la música, a nivel físico.

  Stephin Merritt

  Song, Art, Drinking

  Fuente: www.avclub.com

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• The adventure is when people don't know what they're doing at all. Like, I think that the first pop band to use synthesizers as their main instrument and take it seriously was probably Silver Apples. And they sure didn't know what they were doing, and they sure don't sound like anything else.

  Stephin Merritt

  Adventure, Thinking, People

  Fuente: pitchfork.com

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• At first I was laboring under the impression that Chinese lyrics didn't rhyme. That turned out to be untrue - they don't rhyme in translation.

  Stephin Merritt

  Chinese, Rhyme, Impression

  Fuente: pitchfork.com

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• That seems like one of the differences in expectations of "serious" and "popular" music that you can actually depend on the liner notes to explain yourself? Yeah. Whereas in popular music you depend on photo shoots. A hardcore band who looked like Duran Duran would have to depend upon those liner notes.

  Stephin Merritt

  Expectations, Serious, Hardcore

  Fuente: pitchfork.com

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• If the songs were in lumps, then you would expect to understand what was going on in the plot. Which is not a realistic goal. And also the instrumentation is different for every show, so it's more varied sonically. And people are free to make up their own plots, of course. There are pretty dense and complicated plots, and they're simple songs.

  Stephin Merritt

  Song, Simple, People

  Fuente: pitchfork.com

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• I think there is such a valid concept as "serious music," meaning that if you don't take it seriously, you don't get it all.

  Stephin Merritt

  Thinking, Serious

  Fuente: pitchfork.com

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• You know, most love songs are not cheesy and corny. Most love songs are complaints, I think. Or about unrequited love, coming at it from some oblique angle. Only the ones that say "I love you" over and over are the cheesy, corny ones that people complain about

  Stephin Merritt

  Song, Love You, Unrequited Love

  Fuente: www.avclub.com

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• There's a whole kind of melancholy that you can only attain with reverb. That's an example of a technology introducing a whole new meaning.

  Stephin Merritt

  Technology, Kind, Melancholy

  Fuente: pitchfork.com

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• Serious music isn't listened to in a casual setting. You don't want to listen to that in headphones on the subway.

  Stephin Merritt

  Serious, Music Is

  Fuente: pitchfork.com

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• I gave up music criticism because of the increasingly obvious conflict of interest. I couldn't say anything bad about the records when I might be meeting that person's manager backstage an hour later.

  Stephin Merritt

  Criticism, Say Anything, Records

  Fuente: www.motherjones.com

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• Well, hardcore is so much about the body, in that you have to play as fast as possible. I'm not sure it can be ironized. You can't play faster, though I suppose that with the help of electronics you could play faster. Yeah, if you sped it up, that could ironize it.

  Stephin Merritt

  Helping, Hardcore, Not Sure

  Fuente: pitchfork.com

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• Well, things hold up even if they sound dated. It can be very difficult to listen to 80s pop songs with really, really gigantic smashed drum sounds. You just want to turn that gated reverb down on the snare. It sounds wrong now. It sounds amateurish. And ugly. But at the time it sounded state-of-the-art. So yeah, I think it's important not to sound state-of-the-art in a way that anybody else is going to sound. Or you'll quickly sound like yesterday's state-of-the-art.

  Stephin Merritt

  Song, Thinking, Important

  Fuente: pitchfork.com

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• There's already a great deal to do writing the songs. And if I were completely in control of it, nobody would be able to say "this song doesn't work."

  Stephin Merritt

  Canción, Escritura

  Fuente: pitchfork.com

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• Okay, a truly great song is a song that makes its own aesthetic intentions clear and then lives up to them and exceeds them in an interesting way. Alright?

  Stephin Merritt

  Song, Interesting, Intention

  Fuente: pitchfork.com

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• I'm not too sure if I have a very smart approach to revealing my life. Luckily, I doubt if many people really care about my life that much.

  Stephin Merritt

  Smart, People, Doubt

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• If you want to write a love song, you need to not try to write it for a particular person in a particular situation. It needs to be vague, otherwise you're going to fall into trap after trap of trying to rhyme with somebody's name. Keep it vague.

  Stephin Merritt

  Song, Fall, Writing

  Fuente: www.avclub.com

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• When you're making a singular pop song, you don't really need any subject matter. You just sort of say, "Uh, I love you." And then you try to figure out some rhyme for that, and there never is one.

  Stephin Merritt

  Song, Love You, Trying

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• I don't remember things initially when listening to music. Like, I don't remember where I first heard a song, I don't have nostalgic attachment to a song in that it reminds me of such and such a time or place. I think I probably did experience that somewhat when I was not a full-time, professional musician, but I don't think music works that way for people who are in it constantly.

  Stephin Merritt

  Song, Thinking, Attachment

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• Yeah, except that when I write pop songs I have pretty strict constraints that I impose on myself. 69 Love Songs is a constraint. That the titles have to begin with "I'"s is a relatively strict constraint. Charm of the Highway Strip is all travel songs. And I am free to change the plot slightly to accommodate something that happens to rhyme conveniently.

  Stephin Merritt

  Song, Writing, Rhyme

  Fuente: pitchfork.com

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