John Dyer Baizley Quotes

• Not everybody is going to love what you do, but you have to be yourself, that's what's most important. Bring it as hard as you can.

  John Dyer Baizley

  Being Yourself, Important, Hard

  "BARONESS' John Dyer Baizley Interview About His Artwork Process". Interview with Michael Weigman, www.metalinjection.net. July 10, 2014.

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• The important thing isn't that your technically great, I think it's the power of your expression.

  John Dyer Baizley

  Thinking, Expression, Important

  "BARONESS' John Dyer Baizley Interview About His Artwork Process". Interview with Michael Weigman, www.metalinjection.net. July 10, 2014.

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• Speak with your own voice and be as unique as you possibly can.

  John Dyer Baizley

  Unique, Voice, Speak

  "BARONESS' John Dyer Baizley Interview About His Artwork Process". Interview with Michael Weigman, www.metalinjection.net. July 10, 2014.

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• I really try towork with an artist who is trying to create a long legacy of quality rather than trying to jump aboard a trend.

  John Dyer Baizley

  Artist, Long, Trying

  "BARONESS' John Dyer Baizley Interview About His Artwork Process". Interview with Michael Weigman, www.metalinjection.net. July 10, 2014.

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• El arte surgió con fluidez, así que pude enseñarme a mí mismo muchas de las cosas que consideraba importantes copiando e imitando a mis ídolos artísticos.

  John Dyer Baizley

  Art, Idols, Important

  "BARONESS' John Dyer Baizley Interview About His Artwork Process". Interview with Michael Weigman, www.metalinjection.net. July 10, 2014.

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• If what you want to do is make artwork for bands, you have to love doing it because there is almost no money in it. In order to start doing it, you just have to put yourself out there, work for bands you love and for as little as possible to start, if not free, that's what I did for years.

  John Dyer Baizley

  Order, Years, Band

  "BARONESS' John Dyer Baizley Interview About His Artwork Process". Interview with Michael Weigman, www.metalinjection.net. July 10, 2014.

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• Me resulta difícil decir qué hubiera pasado si no hubiera ido a la escuela de arte. No es que aprendiera en la escuela ninguna habilidad específica para pintar o dibujar que sintiera que no podría haber aprendido por mí mismo. Sin embargo, hay algo esencialmente único e importante que adquieres al sumergirte en un universo escolástico y creativo, y al estar sujeto a ciertas normas académicas mientras te rodeas de artistas de distintas disciplinas.

  John Dyer Baizley

  Art, School, Unique

  "BARONESS' John Dyer Baizley Interview About His Artwork Process". Interview with Michael Weigman, www.metalinjection.net. July 10, 2014.

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• Punk rock and metal has always been a home to me, it's where I cut my teeth; and those are the friends that I have, and the bands that I love.

  John Dyer Baizley

  Home, Cutting, Rocks

  "BARONESS' John Dyer Baizley Interview About His Artwork Process". Interview with Michael Weigman, www.metalinjection.net. July 10, 2014.

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• I recognize that no matter how old I get, how many records I've done, or what the public perception of me is, there are still exciting things that I haven't done.

  John Dyer Baizley

  Perception, Done, Records

  "BARONESS' John Dyer Baizley Interview About His Artwork Process". Interview with Michael Weigman, www.metalinjection.net. July 10, 2014.

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• Drawing from art history and mythology allows me to connect with viewers in a familiar, yet loose visual framework. Blending disparate histories and themes can give the overall presentation a recognizable, yet unique flavor.

  John Dyer Baizley

  Art, Unique, Drawing

  "BARONESS' John Dyer Baizley Interview About His Artwork Process". Interview with Michael Weigman, www.metalinjection.net. July 10, 2014.

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• Give your stuff away and if it's good, people will come to you.

  John Dyer Baizley

  Gente, Dar, Cosas

  "BARONESS' John Dyer Baizley Interview About His Artwork Process". Interview with Michael Weigman, www.metalinjection.net. July 10, 2014.

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• It's important for me to have different tiers of value for the art. Some of the silk-screens are really affordable, but I do have some high-end silk-screens that are several color layers and a little more expensive, and then I have the paintings that can get way up there.

  John Dyer Baizley

  Art, Color, Important

  "BARONESS' John Dyer Baizley Interview About His Artwork Process". Interview with Michael Weigman, www.metalinjection.net. July 10, 2014.

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• It can be difficult to mediate a compromise between what I have in my head and what the musician has in mind, which is often 180° different when it comes to the finished product, so it requires that element of trust from somewhere. The point I make to them is "You've seen what I do, so just trust me and we will come up with something exciting."

  John Dyer Baizley

  Mind, Musician, Different

  "BARONESS' John Dyer Baizley Interview About His Artwork Process". Interview with Michael Weigman, www.metalinjection.net. July 10, 2014.

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• In fact, many musicians are the happiest when the artist and audience re-interpret or re-imagine the content of the songs.

  John Dyer Baizley

  Song, Artist, Musician

  "BARONESS' John Dyer Baizley Interview About His Artwork Process". Interview with Michael Weigman, www.metalinjection.net. July 10, 2014.

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• I take myself seriously and want my image to me more than just something aesthetically suited towards selling records.

  John Dyer Baizley

  Records, Want, Selling

  "BARONESS' John Dyer Baizley Interview About His Artwork Process". Interview with Michael Weigman, www.metalinjection.net. July 10, 2014.

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• It's my intention to make something stand outside the realm of album art, but it also feels comfortable to me to be in it. It's tricky and definitely a requires striking a delicate balance.

  John Dyer Baizley

  Art, Balance, Albums

  "BARONESS' John Dyer Baizley Interview About His Artwork Process". Interview with Michael Weigman, www.metalinjection.net. July 10, 2014.

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• I tend to over extend myself without really thinking throughthe realities of completing so many projects in a year, which generally means I'm going to be a little bit behind. I suppose that's the nature of the beast.

  John Dyer Baizley

  Media, Realidad, Pensamiento

  "BARONESS' John Dyer Baizley Interview About His Artwork Process". Interview with Michael Weigman, www.metalinjection.net. July 10, 2014.

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• I feel like I've gotten to the point where when I get tired of making art I can make a smooth transition into making music and vice versa. There is always something to do.

  John Dyer Baizley

  Art, Tired, Vices

  "BARONESS' John Dyer Baizley Interview About His Artwork Process". Interview with Michael Weigman, www.metalinjection.net. July 10, 2014.

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• If I'm in the business of making artwork that is designed on some level to sell a product, then I have to be very comfortable with the people I'm working with and I'd like to be proud of the end result regardless of its sale-ability.

  John Dyer Baizley

  People, Levels, Proud

  "BARONESS' John Dyer Baizley Interview About His Artwork Process". Interview with Michael Weigman, www.metalinjection.net. July 10, 2014.

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• Si quieres crear algo que merezca la pena tienes que autoeditarte desde el principio. Debes ser cuidadoso y selectivo con quién trabajas, debes hacerte constantemente preguntas difíciles sobre tu arte y debes establecer un estándar casi inalcanzable para ti mismo.

  John Dyer Baizley

  Art, Self, Doing You

  "BARONESS' John Dyer Baizley Interview About His Artwork Process". Interview with Michael Weigman, www.metalinjection.net. July 10, 2014.

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• When I was really young, I gravitated towards the visual arts first. I feel that's what comes most naturally to me. I've always had an immediate proclivity towards making visual art and I was a really tactile kid.

  John Dyer Baizley

  Art, Kids, Firsts

  "BARONESS' John Dyer Baizley Interview About His Artwork Process". Interview with Michael Weigman, www.metalinjection.net. July 10, 2014.

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