John Hench Citas

• The boundaries of design are the same as the problem of perception.

  John Hench

  Business, Design, Perception

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• The park achieved a kind of reality. Like these virtual reality games the children are playing with. I told them we were doing this 40 years ago! Disneyland is virtual reality.

  John Hench

  Children, Artist, Reality

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• I always admired Walt's optimism. He seemed to know the direction he was going to. When I was at the studio, I remember he kept driving all of us back down to a more fundamental level all the time.

  John Hench

  Artist, Optimism, Fundamentals

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• Las grandes ciudades son caóticas. Y el caos para los humanos -que tienen experiencia de sus antepasados- es el último paso antes del conflicto. Por eso, en el parque se ha eliminado todo tipo de contradicción visual.

  John Hench

  Cities, Lasts, Parks

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• Color is a very critical thing. I've found that architects don't like colors. Engineers too. And so somebody has to stand in. Because this is the finish of it. It is the emotional part of a structure.

  John Hench

  Emotional, Color, Architect

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• Walt had a marvelous intuition. And because he understood people very well, liked them and had great respect for people, there was nothing cynical about Walt.

  John Hench

  People, Cynical, Intuition

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• I suppose that every time there is difficulty. I remember about Space Mountain: It took us ten years before we found the technology that would allow such a ride. And during these ten years, I had a model that I kept, waiting for the technology we needed.

  John Hench

  Technology, Artist, Years

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• I don't think that was too successful. Because I always thought that the two of them should have been more separate. Also I had planned the monorail station to be in the center. So that one day you would have go to World Showcase and then the other day to Future World.

  John Hench

  Éxito, Pensamiento, Artista

  4 Copiar cita

• Walt understood all of those things, and even common things about people. For instance: Usually you get your idea of what kind of day it is by looking at the horizon, because the horizon is your eye level. So what Walt did is to eliminate the horizon.

  John Hench

  Eye, Artist, Ideas

  8 Copiar cita

• We've achieved this feeling, for instance, with the colors. The colors in the park are harmonious with each other, not like in big cities where they don't.

  John Hench

  Color, Cities, Feelings

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• The show is being changed right now, by the way. Jeff Burke is doing it for the Magic Kingdom. And I think it will be better, with new birds, master of ceremonies, etc.

  John Hench

  Thinking, Magic Kingdom, Bird

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• I did what we call dry for wet effects, some of the miniatures work and two animation sequences.

  John Hench

  Two, Dry, Animation

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• For instance, some early ideas for Florida were done only recently. The idea of a little village was there from the beginning and now we have this "Celebration" village. Same thing for the Disney Institute. Walt talked about this idea in the very first.

  John Hench

  Artist, Florida, Ideas

  8 Copiar cita

• La idea de Walt era que - tan pronto como las personas que estaban cenando terminaran su plato principal. Todos debían estar sentados, servidos al mismo tiempo, cuando llegaran al postre.

  John Hench

  Ideas, People, Dining

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• Even in China. Children there, next to the Great Wall, who had never seen Mickey Mouse responded. So the studio did have that skill to communicate with images.

  John Hench

  Children, Wall, Talking

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• We finally found out the technique of separating and getting information about where every train would be at any moment. Of course, I went over budget many times, because - as you go along - some things improved, and you get better ideas.

  John Hench

  Artist, Ideas, Get Better

  4 Copiar cita

• Bueno, se suponía que nunca iba a ser así. Walt murió antes de que hubiéramos terminado. La idea original de Walt era que bajabas allí, a las cuevas, y no había piratas. ¡Pero habían estado allí unos segundos antes! Había una comida caliente en la mesa, humeante.

  John Hench

  Artist, Ideas, Pirate

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• What happen to the pirates we are supposed to see? Then we go down the chutes, and it's where the pirates were. But they're all gone. There is nothing but skeletons down here!

  John Hench

  Artist, Skeletons, Pirate

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• I helped develop Disney's) special effects department at that time, which helped very much when we worked on "20000 Leagues under the Sea"

  John Hench

  Sea, League, Special

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• It's an enormous amount of work: there are 28 separate buildings, and I work on the choice of the colors for everything. Outside colors, balcony colors, etc.. And all of this has to work together, in harmony.

  John Hench

  Color, Choices, Working Together

  4 Copiar cita

• Now people don't know what it was in the Paris version, they put the skeleton at the end, not at the beginning. At least they've learn something!

  John Hench

  Skeletons, Paris, People

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• We were trained from cartoons. Everything who was on the screen was chosen. Anything who was not there was deliberately not there.

  John Hench

  Cartoon, Chosen, Screens

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• This music that was supposed to only come from tapes like in any restaurant. Something would happened. One bird will start to do a little jazz thing, and another bird will start to answer.

  John Hench

  Artist, Bird, Tape

  4 Copiar cita

• Los colores que elegí allí fueron para pintar el primer hotel, el Hotel Disneyland. Debido al cielo nublado que teníamos en París, tenía que ser un color especial que combatiera esos días grises. Y también algo que puedas ver cuando vas en coche: '¡Ahí está! Estamos llegando!'

  John Hench

  Fighting, Artist, Color

  9 Copiar cita

• Of course, it gave the studio an enormous power, because I don't know any other place who had that skill with images to communicate with. And the need of these kinds of images are even greater now than they ever were because we are losing our life symbols.

  John Hench

  Artist, Skills, Needs

  4 Copiar cita

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