Richard LaGravenese Quotes

• . . . I felt that making her one-dimensional would be an insult to the audience, and also not as interesting. All destructive people have an inner side to them, and the more three-dimentional your characters are on screen the more compassion you can open up in an audience . . .. To me, that involves the audience more, it stimulates them and asks more of them.

  Richard LaGravenese

  Character, Compassion, People

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• I just really have an affinity for women. Watching them go through journeys is more interesting to me than watching men.

  Richard LaGravenese

  Journey, Men, Interesting

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• I've always shot on film, but the times are changing.

  Richard LaGravenese

  Times Are Changing, Film, Shots

  "Director Richard LaGravenese Talks BEAUTIFUL CREATURES, Adapting the Book, Deleted Scenes, BEHIND THE CANDELABRA, and THE LAST FIVE YEARS". Interview with Christina Radish, collider.com. February 16, 2013.

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• Tiendo a creer que, cuando estás en una relación, si no te peleas, no es una relación de verdad. Tienes que tener discusiones y tensiones, si no, no me lo creo. Mi madre siempre decía: "Si no os peleáis, no podéis tener un matrimonio. Tenéis que luchar el uno por el otro. Si no sabes pelear, las relaciones no suelen durar".

  Richard LaGravenese

  Madre, Real, Creer

  Fuente: collider.com

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• If I can make a living as a writer, I can do anything.

  Richard LaGravenese

  Puedo, Si, Puedo

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• Women have to take more control of their careers. They can't just wait to be cast in a film.

  Richard LaGravenese

  Careers, Waiting, Film

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• Tiendo a creer que, cuando estás en una relación, si no te peleas, no es una relación de verdad. Tienes que tener discusiones y tensiones, si no, no me lo creo.

  Richard LaGravenese

  Real, Creer, Luchar

  "Director Richard LaGravenese Talks BEAUTIFUL CREATURES, Adapting the Book, Deleted Scenes, BEHIND THE CANDELABRA, and THE LAST FIVE YEARS". Interview with Christina Radish, collider.com. February 16, 2013.

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• What I do usually is read the book first, for pleasure, to see if my brain starts connecting with it, as a movie. And then, if I say yes, I read it again, only this time I take a pen and, inside the book, I say, "Okay, this is a scene. I don't need this. I'm going to try this. I'm not going to take this." And then, I use that book like a bible and each chapter heading, I write a menu of what's in that chapter, in case I ever need to reference it. And then, I start to outline and write it. I get in there and it starts to evolve, based on having re-read it again.

  Richard LaGravenese

  Book, Writing, Brain

  Fuente: collider.com

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• Cuando era joven, tenía dos hermanas mayores y, como era la pequeña de la familia, mi madre me llevaba siempre con ella. Siempre estaba con ella cuando tomaba café a media tarde con sus tres hermanas. Y hablaban de hombres. Absorbí mucho de eso.

  Richard LaGravenese

  Mom, Coffee, Men

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• It wasn't the intention to do something important, or to even relate about social issues. The ground is so fertile in the justice world, dealing with the death penalty and the Innocence Project, for characters that have a moral ambiguity, which we were both attracted to. It's the idea that everybody has their reasons. Whatever their actions are, whether you agree with them or not, you can understand why they're feeling that way, in terms of racism or even the death penalty.

  Richard LaGravenese

  Carácter, Ideas, Temas

  Fuente: collider.com

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• You can take the high moral ground intellectually, but if it ever happens to you personally, I don't know that I could honestly say that I wouldn't want to kill someone who took someone away from me. So, it's a rich, fertile ground for great characters and great storytelling. That was the impetus.

  Richard LaGravenese

  Character, Want, Moral

  Fuente: collider.com

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