Kenneth Lonergan Citas

• Todos los adolescentes piensan que su vida es una película. Si rompes con alguien o tienes una pelea, vas por ahí con las partituras de la película sonando en tu cabeza. Te ves a ti mismo sufriendo mientras sufres. Hay mucho melodrama unido a los acontecimientos reales de tu vida.

  Kenneth Lonergan

  Real, Teenager, Fighting

  "Biography / Personal Quotes". www.imdb.com.

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• Filmmaking, like any other art, is a very profound means of human communication; beyond the professional pleasure of succeeding or the pain of failing, you do want your film to be seen, to communicate itself to other people.

  Kenneth Lonergan

  Art, Pain, Communication

  Biography/Personal Quotes, www.imdb.com.

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• I often find myself writing about people taking care of each other, or trying to. And often seem to write about situations that are too big for the characters.

  Kenneth Lonergan

  Escritura, Carácter, Personas

  Source: collider.com

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• The world doesn't grieve when you're grieving. The world goes on about its business. You're having a good day and I'm having a bad one and vice versa. And they could be very good and very bad at the same time. You multiply that by seven billion and you have one element of human experience.

  Kenneth Lonergan

  Good Day, Grieving, World

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• I think the more dangerous and dire the political circumstances seem, the more you attach value to anything that shows you why a human being is a human being or human experience or view of the world in that way.

  Kenneth Lonergan

  Pensamiento, Opinión, Política

  "When the world feels dangerous, films showing the human experience are key, directors say". Interview with Mark Olsen and Yvonne Villarreal, www.latimes.com. January 5, 2017.

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• I feel like if you can describe something fully and accurately, then people will be able to see it themselves - they don't need be told what to.

  Kenneth Lonergan

  People, Needs, Able

  "Kenneth Lonergan Discusses 'Margaret'". Interview with Richard Brody, www.newyorker.com.

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• I still haven't quite caught on to the idea of writing without dialogue. I like writing dialogue, and there's nothing wrong with dialogue in movies.

  Kenneth Lonergan

  Writing, Ideas, Caught

  "Kenneth Lonergan Discusses 'Margaret'". Interview with Richard Brody, www.newyorker.com.

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• Me gusta dejar que los actores trabajen como quieran.

  Kenneth Lonergan

  Actors, Want, Way

  Source: collider.com

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• I trust my judgment when I think it's boring, dull, tepid and not interesting. That's important to listen to. And the same on the set. That's a little easier because you can see it in front of you and you can just see how great they are and you know you have something wonderful when they do something wonderful.

  Kenneth Lonergan

  Pensar, Interesante, Importante

  Source: collider.com

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• It's not a character flaw to become an adult.

  Kenneth Lonergan

  Character, Adults, Flaws

  "Interview: Kenneth Lonergan on why ‘Margaret’ shouldn’t be perfect" by Guy Lodge, uproxx.com. July 10, 2012.

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• I'm always struck when I go somewhere I've never been before, especially if it's in my home town, by just how different the atmosphere can be, and how disorienting it can be - especially if there's any kind of trouble.

  Kenneth Lonergan

  Home, Atmosphere, Different

  "Kenneth Lonergan Discusses 'Margaret'". Interview with Richard Brody, www.newyorker.com.

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• When you're a man, you're often in situations where you have to decide how far you're going to go in an argument. How big is the other guy? All this stuff that girls don't have to worry about as much, because that's not part of the equation.

  Kenneth Lonergan

  Girl, Men, Worry

  Source: www.interviewmagazine.com

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• When you have people like Casey [Affleck] and Michelle Williams and they want to do more takes you don't say, "Sorry, that's it." And I also don't like to say, "It's fine, it's great." Unless it's clearly there.

  Kenneth Lonergan

  Sorry, People, Want

  Source: collider.com

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• Los niños pequeños crecen descubriendo el mundo que se les muestra y luego, cuando te conviertes en adolescente, como que se encoge un poco. Creo que cuando superas ese punto, una de las cosas importantes es que ves que hay algo más en el mundo que tú mismo.

  Kenneth Lonergan

  Growing Up, Teenager, Kids

  "Interview: Kenneth Lonergan on looking past your own horizon and the ‘miracle’ of Team ‘Margaret’". Interview with Kristropher Tapley, uproxx.com. January 12, 2012.

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• I grew up going to the movies, not watching them on television, so I'm still a bit resistant to TV as a medium.

  Kenneth Lonergan

  Television, Tvs, Grew Up

  "Biography/Personal Quotes". www.imdb.com.

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• I wanted to be a director first to protect my writing. I'm a playwright and you don't need to protect your writing when you're in the theater because everyone's there to protect the writing. When I had an idea for a film that I really cared about as my own, I wanted to direct it, and then I immediately became interested in directing in and of itself because it's such a deep art. You suddenly have all these tools at your disposal to tell the story.

  Kenneth Lonergan

  Arte, Escritura, Ideas

  "When the world feels dangerous, films showing the human experience are key, directors say". Interview with Mark Olsen and Yvonne Villarreal, www.latimes.com. January 5, 2017.

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• I actually think storyboards are great. I don't draw well enough to do them myself. I've only used storyboards a couple of times.

  Kenneth Lonergan

  Couple, Thinking, Enough

  Source: collider.com

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• Se puede rodar una película en New York sin ver el Empire State Building. O Starbucks... aunque esto último es mucho menos realista.

  Kenneth Lonergan

  New York, Empires, Film

  Source: collider.com

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• There's something about the impact of a big screen that means something to me, even though I realize almost every film is fated to be seen for a year in theaters, and then forever after on television.

  Kenneth Lonergan

  Mean, Impact, Years

  Biography/Personal Quotes, www.imdb.com.

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• I was nearly a teen-ager before I stopped assuming that everyone I met was Jewish.

  Kenneth Lonergan

  Assuming, Mets

  "Kenneth Lonergan Discusses 'Margaret'". Interview with Richard Brody, www.newyorker.com.

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• I've reached a new level of closeness with a new friend when I can make a joke at their expense. That's one of the great joys of life for me.

  Kenneth Lonergan

  Joy, Levels, New Friends

  Source: www.gq.com

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• [With theater] you draw the audience into the room as best you can, and in film, you can draw them into the room, you can draw them outside into the desert, you can take them out into the ocean, you can do all these amazing things.

  Kenneth Lonergan

  Ocean, Desert, Rooms

  Source: www.chicagotribune.com

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• Me encantaría tomar el control de todo el universo y durante cinco años dar a cada película la misma distribución generalizada sin importar la película y ver si hay una discrepancia real entre la gente que viene a ver películas de ciencia ficción o películas de superhéroes. Apuesto seriamente a que no habría ninguna diferencia perceptible.

  Kenneth Lonergan

  Real, Years, Discrepancies Between

  "When the world feels dangerous, films showing the human experience are key, directors say". Interview with Mark Olsen and Yvonne Villarreal, www.latimes.com. January 5, 2017.

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• The world is really heading in a very dangerous direction, it becomes that much more valuable and important to go to the movies and see human beings that are human beings.

  Kenneth Lonergan

  Important, World, Dangerous

  Source: www.chicagotribune.com

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• I don't think fast enough on my feet in terms of the writing to change the script too much when I'm shooting it. I like to have it set and done and know that I feel good about it and I might add a few lines here and there while we're shooting, if I think of a new joke, I might toss it in, but for the most part, I try to stick to the written script and have all the latitude exist within that.

  Kenneth Lonergan

  Escribir, Pensar, Pies

  "When the world feels dangerous, films showing the human experience are key, directors say". Interview with Mark Olsen and Yvonne Villarreal, www.latimes.com. January 5, 2017.

  4 Copiar cita

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