Ennio Morricone Quotes

• Music is an experience, not a science.

  Ennio Morricone

  La música es

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• Popularity doesn't bother me. It attests to the affection and comprehension of the public. The important thing is to retain the pioneer spirit. I profoundly love the profession, and I work on each film as if it were the first - and the last. Giving the best of myself. Many of the 'greats' ask their arranger to write their scores for them. Me, I write all alone, from the first note to the last. All.

  Ennio Morricone

  Writing, Giving, Important

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• We live in a modern world, and in contemporary music the central fact is contamination. Not the contamination of disease but the contamination of musical styles. If you find this in me, that is good.

  Ennio Morricone

  Musical, Style, World

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• I was offered a free villa in Hollywood, but I said no thank you, I prefer to live in Italy.

  Ennio Morricone

  Thank You, Hollywood, Villa

  "Mozart of film music" by Adam Sweeting, www.theguardian.com. February 22, 2001.

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• También utilicé estos sonidos realistas de forma psicológica. Con El bueno, el malo y el feo, utilicé sonidos de animales -como dices, el sonido del coyote-, así que el sonido del animal se convirtió en el tema principal de la película.

  Ennio Morricone

  Animal, Sound, Coyotes

  "Mozart of film music" by Adam Sweeting, www.theguardian.com. February 22, 2001.

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• You can see my decision as either a distinctive factor or as a limitation. I don't feel it is a limitation.

  Ennio Morricone

  Decision, Feels, Distinctive

  "Mozart of film music" by Adam Sweeting, www.theguardian.com. February 22, 2001.

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• There was a theft! But, of course, if it was up to me, every two years I would win an Oscar.

  Ennio Morricone

  Winning, Two, Years

  "Mozart of film music". Interview With Adam Sweeting, www.theguardian.com. February 22, 2001.

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• I come from a background of experimental music which mingled real sounds together with musical sounds.

  Ennio Morricone

  Real, Musical, Together

  "Mozart of film music". Interview with Adam Sweeting, www.theguardian.com. February 22, 2001.

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• Bernard Herrmann used to write all his scores by himself. So did Bach, Beethoven and Stravinsky. I dont understand why this happens in the movie industry.

  Ennio Morricone

  Writing, Used, Score

  "Mozart of film music" by Adam Sweeting, www.theguardian.com. February 22, 2001.

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