Stephen Dobyns Quotes

• Love doesn't need a reason. Hate needs a reason.

  Stephen Dobyns

  Hate, Needs, Reason

  Stephen Dobyns (2002). “The Porcupine's Kisses”, Penguin Books

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• A poem is a window that hangs between two or more human beings who otherwise live in darkened rooms.

  Stephen Dobyns

  Two, Rooms, Window

  "Best Words, Best Order: Essays on Poetry". Book by Stephen Dobyns, www.huffingtonpost.com. 1996.

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• Las acciones tienen consecuencias. La ignorancia sobre la naturaleza de esas acciones no exime a una persona de la responsabilidad por las consecuencias. (28)

  Stephen Dobyns

  Ignorance, Responsibility, Actions Have Consequences

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• One writes a poem when one is so taken up by an emotional concept that one is unable to remain silent.

  Stephen Dobyns

  Tomado, Escritura, Emocional

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• Writing is a job, a craft, and you learn it by trying to write every day and by facing the page with humility and gall. And you have to love to read books, all kinds of books, good books. You are not looking for anything in particular; you are just letting stuff seep in.

  Stephen Dobyns

  Jobs, Book, Humility

  "Poetry Questions: Stephen Dobyns" by Rebecca Foresman, www.newyorker.com. April 2, 2012.

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• Most women are more into real estate than sex. They want to own you.

  Stephen Dobyns

  Sex, Real, Want

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• I write poems to find out why I write them

  Stephen Dobyns

  Escribir

  Stephen Dobyns (2013). “Winter's Journey”, p.81, Copper Canyon Press

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• Many of my poems try to use a comic element to reach a place that isn't comic at all. The comic element works as a surprise. It is unexpected and energizing.

  Stephen Dobyns

  Trying, Use, Elements

  "Poetry Questions: Stephen Dobyns" by Rebecca Foresman, www.newyorker.com. April 2, 2012.

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• Let's say someone has experienced a violent trauma or betrayal: a child has been raped by a parent or has witnessed the destruction of someone he loves or has been so traumatized by the possibility of beatings and punishments that he's afraid to act. If the trauma is great enough, that person's life may become frozen, emotionally frozen even though he still gets up in the morning, is busy all day, and goes to bed at night. But there's this empty space that begins to fill with rage, rage toward everyone - the perpetrator, the people in the world who haven't suffered, even toward himself. (174)

  Stephen Dobyns

  Morning, Children, Betrayal

  Stephen Dobyns (2015). “Boy in the Water: A Novel”, p.202, Penguin

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• My poems always begin with a metaphor, but my way into the metaphor may be a word, an image, even a sound. And I rarely know the nature of the metaphor when I begin to write, but there is an attentiveness that a writer develops, a sudden alertness that is much like the feel of a fish brushing against a hook.

  Stephen Dobyns

  Writing, Sound, Hook

  "Poetry Questions: Stephen Dobyns" by Rebecca Foresman, www.newyorker.com. April 2, 2012.

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• My wife's dying upstairs and I can't do anything about it. I look in her face and I see the memories there. I see how I hurt her and how I said the wrong things and how I got angry and how I wasn't the man she hoped I'd be. I see that in her face and I see she's going to die with that. You think I'm not preoccupied?

  Stephen Dobyns

  Hurt, Memories, Thinking

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• Reading a good poem can give me a far bigger kick than a novel. But it's not something I can keep doing. It would be like shooting up 10 times a day.

  Stephen Dobyns

  Lectura, Dar, Sería

  Source: epaper.bostonglobe.com

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• For the past thirty years or so, much American poetry has been marked by an earnestness that rejects the comic. This has nothing to do with seriousness. The comic can be very serious. The trouble with the earnest is that it seeks to be commended. It seeks to be praised for its intention more than for what it is saying.

  Stephen Dobyns

  Past, Years, Serious

  Stephen Dobyns (2011). “Next Word, Better Word: The Craft of Writing Poetry”, p.59, Macmillan

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• It was as if pain were a room he had entered and the door had been locked behind him.

  Stephen Dobyns

  Pain, Doors, Rooms

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• I'm reading a manuscript by Rodney Jones, "Village Prodigies",it's one of the best contemporary poetry books I've ever read ever.

  Stephen Dobyns

  Book, Reading, Village

  Fuente: www.bostonglobe.com

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• When a philosopher, scientist, or psychologist discusses the discrepancy between the actual and the ideal, he or she attempts to convince us with the tools of discursive thought ... An artist does it differently ... their primary approach is different, even though both groups, if you will, are investigating the actual, the ideal, and the discrepancy in between.

  Stephen Dobyns

  Artist, Convince Us, Discrepancies Between

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• Sometimes someone will tell me about an author I've never heard of before and that will send me to that person. That's how I discovered Thomas Bernhard, an Austrian novelist whose novels tend to be one long rant.

  Stephen Dobyns

  Long, Novelists, Sometimes

  Fuente: www.bostonglobe.com

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• They are asleep. This is the condition they prefer. They are afraid of the world and sleep is a way of dealing with their fear. Someday they will wake. Perhaps something frightful will happen. Indeed, there is no better invitation to the frightful than ignorance - that is, sleep. (29)

  Stephen Dobyns

  Ignorance, Sleep, World

  Stephen Dobyns (2015). “The Church of Dead Girls: A Novel”, p.32, Penguin

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• I like it to be quiet, and it usually occurs in the morning. There are three or four places in my house where I can write and I like to keep moving around. The moment I find myself falling into a necessary routine, I change it. I'd rather not accumulate superstitions.

  Stephen Dobyns

  Morning, Moving, Fall

  "Poetry Questions: Stephen Dobyns" by Rebecca Foresman, www.newyorker.com. April 2, 2012.

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• I can't believe there is a poet who hasn't eagerly put down a word one day, only to erase it the next day deciding it was sheer lunacy. It's part of the process of selection.

  Stephen Dobyns

  Believe, Next Day, One Day

  "Poetry Questions: Stephen Dobyns" by Rebecca Foresman, www.newyorker.com. April 2, 2012.

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• These people you used to see every day, friends or acquaintances, after a while they become as distant as any stranger, people you suddenly recall late at night--you remember something they said or something silly that someone once did. For a few moments they completely occupy your mind; then you forget them again.

  Stephen Dobyns

  Silly, Night, People

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• Each thing I do, I rush through, so I can do something else.

  Stephen Dobyns

  Speeding Cars, Can Do Something, Can Do

  Stephen Dobyns, “Pursuit”

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• There are many reasons for violence. This is just something that sometimes happens. We'd see it in treatment centers - the child who'd suffered something awful. Even in the best recovery there'd be a fear that everything would fall apart and they'd become victims again. And their final loyalty was to themselves. They couldn't be forced. They preferred to wreck everything, preferred self-destruction to surrender. (175)

  Stephen Dobyns

  Loyalty, Children, Fall

  Stephen Dobyns (2015). “Boy in the Water: A Novel”, p.203, Penguin

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• There's a Welsh poet, R.S. Thomas. He was a very crotchety, strange man, but his poems are wonderful. He was nominated for the Nobel in the 1990s but never won.

  Stephen Dobyns

  Men, Strange Man, Wonderful

  Fuente: www.bostonglobe.com

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• Cada cosa que hago, la hago deprisa para poder hacer otra cosa. Así pasan los días, una mezcla de carreras de coches de carreras y la interminable construcción de una catedral gótica. A través de las ventanillas de mi veloz coche veo cómo se desvanece todo lo que amo: libros sin leer, chistes sin contar, paisajes sin visitar.

  Stephen Dobyns

  Book, Fall, Stock Car Racing

  Stephen Dobyns, “Pursuit”

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