Manohla Dargis Quotes

• The movie industry is failing women. And until the industry starts making serious changes, nothing is going to change.

  Manohla Dargis

  Serious, Failing, Industry

  "Women Directors Nearly Absent in 2013 Awards Season" by Robert Abele, variety.com. December 11, 2013.

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• American commercial cinema has long been dominated by men, but I don’t think there has ever been another time when women have been as underrepresented on screen as they are now. The biggest problem isn’t genuinely independent cinema, where lower budgets mean more opportunities for women in front of and behind the camera. The problem is the six major studios that dominate the box office, the entertainment chatter and the popular imagination. Their refusal to hire more female directors is immoral, maybe illegal, and has helped create and sustain a representational ghetto for women.

  Manohla Dargis

  Mean, Independent, Ghetto

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• An acquired taste, this dense Jabberwocky-ish word salad is a political allegory about a populace that's been pharmaceutically duped into believing its wretched world is wonderful.

  Manohla Dargis

  Believe, Political, World

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• In scene after scene, meaning sneaks in and sometimes roars.

  Manohla Dargis

  Sneak In, Sometimes, Scene

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• The New World is rated PG-13 (Parents strongly cautioned). There is some intense, bloodless violence and the beautiful underage lead actress (15-year-old Q'orianka Kilcher) may cause cardiac arrest among some viewers.

  Manohla Dargis

  Beautiful, Years, Parent

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• Dancer, bride, runaway wife, radical filmmaker and pioneer -
  Shirley Clarke is one of the great undertold stories of American independent cinema.

  Manohla Dargis

  Independent, Wife, Dancer

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• En realidad, "Extremely Loud & Incredibly Close" no trata del 11 de septiembre. Es sobre el impulso de vaciar ese día de su especificidad y convertirlo en otro manantial de emociones genéricas: tristeza, soledad, felicidad. Así es como funciona el kitsch. Explota imágenes familiares, ya sean cachorros o bebés -o, como en el caso de esta película, las torres gemelas- e intenta hacernos sentir bien, incluso virtuosos, simplemente por sentir. Y, sí, puede que llores, pero cuando las lágrimas se ordeñan como aquí, la verdadera respuesta debería ser la rabia.

  Manohla Dargis

  Baby, Loneliness, Sadness

  "A Youngster With a Key, a Word and a Quest" by Manohla Dargis, www.nytimes.com. December 22, 2011.

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• NOTHING SHOULD BE TAKEN FOR GRANTED IN 'EVERYONE ELSE,' WHICH IS AT ONCE LAID-BACK AND RIGOROUSAbout the world we create when we fall in love, and how we navigate the space between us and that separating us from everyone else.

  Manohla Dargis

  Falling In Love, Taken, Space

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• André Bazin wrote that art emerged from our desire to counter the passage of time and the inevitable decay it brings. But in “Boyhood,” Mr. Linklater's masterpiece, he both captures moments in time and relinquishes them as he moves from year to year. He isn't fighting time but embracing it in all its glorious and agonizingly fleeting beauty.

  Manohla Dargis

  Arte, Movimiento, Lucha

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• In 1963 ... The Vatican condemned Dr. No as a 'dangerous mixture of violence, vulgarity, sadism and sex.' Ka-ching!

  Manohla Dargis

  Sex, Mixtures, Violence

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• Paprika es la prueba de que los animadores japoneses están alcanzando la luna, mientras que la mayoría de sus homólogos estadounidenses siguen estancados en el cajón de arena infantil.

  Manohla Dargis

  Moon, Reaching, Stuck

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• Mr. Lapid, making an electrifying feature directing debut, traces the line between the group and the individual in a story that can be read as a commentary on the world as much as on Israel.

  Manohla Dargis

  Israel, Groups, Stories

  "Two Bands of True Believers Hurtling Toward a Collision" by Manohla Dargis, www.nytimes.com. June 12, 2014.

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• That Ms. Farahani found Mr. Mohassess and persuaded him to share his story is a terrific coup, even if a great deal of his life's work remains elusive.

  Manohla Dargis

  Stories, Share, Found

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• The weave of the personal and the political finally proves as irresistible as it is moving, partly because it has been drawn from extraordinary life.

  Manohla Dargis

  Moving, Political, Irresistible

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• Ben Stiller isn't funny - honest. Ben Stiller is very funny, and smart, and cute, too, in a neurotic, New York kind of way.

  Manohla Dargis

  Cute, New York, Smart

  Fuente: www.interviewmagazine.com

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• Moment by moment, with a twitch, a shudder, a look, it’s Mr. Hardy who movingly draws you in, turning a stranger’s face into a life.

  Manohla Dargis

  Looks, Faces, Stranger

  "No Time for Audiobooks: He’s on the Road to His Destiny" by Manohla Dargis, www.nytimes.com. April 24, 2014.

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• By focusing on such a narrow slice of Nepali life, Ms. Spray and Mr. Velez have ceded any totalizing claim on the truth and instead settled for a perfect incompleteness.

  Manohla Dargis

  Perfect, Claims, Incompleteness

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• Created for MTV in 1990, the sharply observed, pop-conscious Ben Stiller Show - featuring its star's lacerating impersonations of Bono, Tom Cruise, and Eddie Munster, among others - subsequently moved to Fox TV and copped an Emmy for writing.

  Manohla Dargis

  Stars, Writing, Mtv

  Fuente: www.interviewmagazine.com

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• It looked like Ben Stiller was one of the showbiz meteorites who was moving so fast he would soon have no worlds left to conquer.

  Manohla Dargis

  Moving, World, Conquer

  Fuente: www.interviewmagazine.com

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• There isn’t anything good to say about Kick-Ass 2, the even more witless, mirthless follow-up to Kick-Ass.

  Manohla Dargis

  Kick Ass, Ass, Kicks

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• The great irony is that women are accused of making romantic comedies, as if it’s a bad thing, but Marc Webb makes a romantic comedy and he gets ‘Spider-Man.’ Are you kidding me? You cannot win.

  Manohla Dargis

  Summer, Winning, Men

  "Women Directors Nearly Absent in 2013 Awards Season" by Robert Abele, variety.com. December 11, 2013.

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