Theo van Doesburg Citas

• We speak of concrete and not abstract painting because nothing is more concrete, more real than a line, a color, a surface.

  Theo van Doesburg

  Art, Real, Color

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• The square is to us what the cross was to the early Christians.

  Theo van Doesburg

  Christian, Squares, Crosses

  21 Copiar cita

• Each superfluous line, each wrongly placed line, any color placed without veneration or care, can spoil everything, that is, the spiritual.

  Theo van Doesburg

  Spiritual, Color, Drawing

  Dutch art-magazine: 'Eenheid' no. 283, November 6, 1915.

  54 Copiar cita

• Art as language....in the future there will only be art. This common language will carry the message of love.

  Theo van Doesburg

  Art, Messages, Common

  33 Copiar cita

• Our time has produced a need for contrast. This has been achieved not only in the external appearance of plastic expressions of coulor and matter, but also, and chiefly, in the tempo of life and in the techniques related to the daily, mechanical functions of life; namely standing, walking, driving, to lying and sitting - in short, every action which determines the content of architecture.

  Theo van Doesburg

  Lying, Expression, Technique

  "Painting and plastic art". De Stijl, series XIII, 73-4, pp. 17 - 18, 1926.

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• To be oneself is being neither under bond nor borrowed nor sold nor hired. To be, means to be spiritually free.

  Theo van Doesburg

  Freedom, Mean, Borrowed

  "The other face. To be". Book by Theo van Doesburg, Vol. XIIII, 75-6, p. 64, 1926.

  28 Copiar cita

• In place of the dream, the future will put art on a scientific and technical basis.

  Theo van Doesburg

  Dream, Art, Bases

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• he line has almost become a work of art in itself; one can not play with it when the representation of objects perceived was all-important.

  Theo van Doesburg

  Arte, Dibujo, Líneas

  Dutch art-magazine: 'Eenheid' no. 283, November 6, 1915.

  28 Copiar cita

• There is an old and a new consciousness of the age. The old one is directed towards the individual. The new one is directed towards the universal. The struggle of the individual against the universal may be seen both in the world war and in modern art.

  Theo van Doesburg

  Art, War, Struggle

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• In all these products, whether iron bridges, locomotives, automobiles, telescopes, cottages, airport-hangars, funicular railways, skyscrapers, or children's toys, the will towards a new style expresses itself. The similarity of these examples to the new creations in art consists in the same striving for clear, pure form which expresses truth in the objects.

  Theo van Doesburg

  Art, Children, Airports

  "Theo van Doesburg". Book by Joost Baljeu, p. 123, 1974.

  27 Copiar cita

• The complete and definitive work of art is created beyond one's individuality... ...The universal transcends such a level. Mere spontaneity has never created a work of art which possesses a lasting cultural value. The method leading to universal form is based upon calculations of measure and number.

  Theo van Doesburg

  Art, Numbers, Individuality

  "Elementarism". De Stijl - Van Doesburg Issue, p. 17 - 19, January 1932.

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• While the expressive possibilities of Neoplasticism are limited to two dimensions (the plane), Elementarism realizes the possibility of plasticism in four dimensions, in the field of time-space.

  Theo van Doesburg

  Two, Space, Four

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• ...every machine is the spiritualization of an organism.

  Theo van Doesburg

  Machines, Organisms

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• Al contemplar una obra de arte es posible percibir si ha sido creada según el ojo o según el espíritu, es decir, si proyecta realidad tridimensional o n-dimensionalidad espiritual.

  Theo van Doesburg

  Spiritual, Art, Eye

  18 Copiar cita

• For - to say a few words on technique - whereas the curved line was used predominantly for reasons of beauty, (Phidias, Michelangelo, Raphael, Rubens) it has been used more and more economically for reasons of truth (Millet, Monet, Paul Cézanne) until it will end as the straight line for reasons of Love. This will enable the art of the future to create an international form; a form understandable to all and vital enough to the expression of a general feeling of love in a monumental way. Such is the future.

  Theo van Doesburg

  Art, Expression, Feelings

  "Onafhankelijke bespiegelingen over de kunst" by Theo van Doesburg, De Avondpost Journal, January 23, 1916.

  21 Copiar cita

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