Edward Hirsch Quotes About Writing

• En cierto modo, también es un reconocimiento de que Dante necesita a Virgilio y de que el Infierno necesita a la Eneida y de que la epopeya necesita un modelo y de que, para escribir este gran poema, Dante necesita que alguien le preceda y recurre al texto de Virgilio, especialmente al libro sexto, en el que Eneas desciende a los infiernos. Y para mí, ése es un modelo de la relación del poeta con la poesía anterior, con otra poesía como pidiendo guía.

  Edward Hirsch

  Libro, Escritura, Épica

  "A Poet Is Born". Big Think interview, bigthink.com.

• And my experience is the best titles, for me, emerge in the process of writing. They don't usually come at the very beginning and hopefully they don't come at the very end because then it's getting late in the day.

  Edward Hirsch

  Writing, Titles, Ends

  Big Think Interview, bigthink.com.

• And when I'm writing well and when I'm inside the feeling, then I can do fairly complicated things with some fluency.

  Edward Hirsch

  Writing, Feelings, Fluency

  Big Think interview, bigthink.com.

• I mean, when I was young I could write all through the night and I loved to work late into the night. Now that I'm older I work really well in the early morning when your synapses are firing a little better. But I work at different times of the day.

  Edward Hirsch

  Mañana, Escribir, Medio

  Fuente: bigthink.com

• I would say there are different kinds of poems. There are things that poets in the history of poetry hit upon when they're very young that can never be outdone and it's a remarkable, strange experience when you think of say Arthur Rimbaud who write poetry between the ages of 17 and 21 whose career was over by the time he was 22.

  Edward Hirsch

  Writing, Thinking, Careers

  Big Think Interview, bigthink.com. February 4, 2010.

• So, the process of revision, it's not systematic. But for me, I mean, I know a lot of poets who write out a draft and then revise it and I think they're happier people. But, I'm just not able to do it that way. I need to just continually examine it as I do it.

  Edward Hirsch

  Escribir, Significar, Pensar

  Big Think Interview, bigthink.com.

• You're alone with yourself and your own feelings and that gives you deeper access to what you need to get in touch with to write poetry.

  Edward Hirsch

  Writing, Giving, Feelings

  Big Think Interview, bigthink.com. February 4, 2010.

• think what you hope for is that at different times of your life you're able to write the poetry that reflects the moment that you're in on your own journey.

  Edward Hirsch

  Writing, Journey, Thinking

  "Embracing the Mess of Poetry". Big Think interview, bigthink.com.

• I think that the dark side of MFA programs is that they're generating more poets than the culture can absorb and there are more people writing poetry than possibly read it or can certainly earn a living around it.

  Edward Hirsch

  Writing, Dark, Thinking

  Fuente: bigthink.com

• I didn't sit down then and start writing poems, but it was in the back of my mind.

  Edward Hirsch

  Writing, Mind, Writing Poems

  "A Poet Is Born". Big Think Interview, bigthink.com.

• Now, the process of writing poetry is very messy. Not systematic, never quite the same

  Edward Hirsch

  Writing, Systematic, Never Quit

  "Embracing the Mess of Poetry". Big Think interview, bigthink.com.

• I was once doing a question and answer period with the novelist Jane Smiley in a bookstore and someone asked us what our processes were and Jane said hers and then I said mine and Jane said, "Well, if I had a student like that I'd force him never to write like that again because you could never write a novel in the way that you write poetry."

  Edward Hirsch

  Writing, Novelists, Bookstores

  Big Think Interview, bigthink.com.

• I think the culture can absorb so many people writing poetry and trying to earn their living in poetry.

  Edward Hirsch

  Escribir, Pensar, Personas

  "Do MFA Programs Hurt Poetry?". Big Think interview, bigthink.com.

• But, that was the beginning, though I didn't start writing until I was in high school and when I was in high school I really began to write poetry with great energy and enthusiasm.

  Edward Hirsch

  Writing, School, Energy

  "A Poet Is Born". Big Think interview, bigthink.com.

• Sometimes I have a feeling that I just can't get rid of. Sometimes there's an experience that I want to write about that I have to get off my chest. Sometimes there are some words that appeal to you.

  Edward Hirsch

  Writing, Feelings, Want

  "Embracing the Mess of Poetry". Big Think interview, bigthink.com.

• I write a line and then I revise the line and then I write two lines and then I revise lines one and two and then I write one, two and three and I revise one and two and then I write seven and eight and then I see that should be line four and I continually work it over as I go.

  Edward Hirsch

  Writing, Eight, Two

  "Embracing the Mess of Poetry". Big Think interview, bigthink.com.

• Gertrude Stein said, "I write for myself and strangers." I would say I write for myself, strangers and the great dead.

  Edward Hirsch

  Writing, Gertrude, Stranger

  Fuente: bigthink.com

• She [Carol Parsinan] somehow read my poems and came back to me and convinced me that I could be a poet, that I had the passion and the enthusiasm and the creativity to become a poet, but that what I was writing was not poetry because I was just expressing my feelings and I wasn't try to make anything.

  Edward Hirsch

  Passion, Writing, Creativity

  Fuente: bigthink.com

• And what I've found over time is that for me to write a poem that I think is worthy that I can live with, two things have to happen.

  Edward Hirsch

  Escribir, Pensar, Dos

  "Embracing the Mess of Poetry". Big Think interview, bigthink.com.

• So, it's a continual process of trial and error and then I find things and I throw it out and start again, but I keep writing it over again.

  Edward Hirsch

  Writing, Errors, Trial And Error

  "Embracing the Mess of Poetry". Big Think interview, bigthink.com.

• When I taught at the University of Houston in the Creative Writing program we required the poets to take workshops in fiction writing and we required the fiction writers to take workshops in poetry. And the reason for that is because the fiction writers seemed to need to learn how to pay greater attention to language itself, to the way that language works.

  Edward Hirsch

  Writing, Creative, Taught

  Big Think interview, bigthink.com.

• I started then to try and shape something rather than just express it and when I started to shape something and to imitate other poems that were written by other people, when I had tried to integrate my reading and my writing I was on my path.

  Edward Hirsch

  Lectura, escritura, personas

  "A Poet Is Born". Big Think interview, bigthink.com.

• One, something emotional has to be at stake. There has to be something important for me that I'm writing about. And then two, I have to have a formal idea. Something has to be being worked out in poetry.

  Edward Hirsch

  Writing, Emotional, Ideas

  Big Think interview, bigthink.com.

• Now, as I've gotten older I've been able to write more quickly. Sometimes I get in the space of something and I can do a lot in a day.

  Edward Hirsch

  Writing, Space, Able

  Big Think interview, bigthink.com.

• I think the deepest thing is that many fiction writers tell stories but are not elegant writers. But, we're not writing journalism when we're making literature.

  Edward Hirsch

  Writing, Thinking, Fiction

  "Poets v. Prose Writers". Big Think interview, bigthink.com.

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