Mark Tobey Citas

• La dimensión que cuenta para la persona creativa es el espacio que crea dentro de sí misma. Este espacio interior está más cerca del infinito que el otro, y es el privilegio de la mente equilibrada... y la búsqueda de un equilibrio es esencial - ser tan consciente del espacio interior como lo es del espacio exterior.

  Mark Tobey

  Space, Creative, Serenity

  Mark Tobey, J. François Mathey (1962). “Mark Tobey: Retrospective Exhibition, Paintings and Drawings 1925-1961 Whitechapel Gallery, London 1962”

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• I believe that painting should come through the avenues of meditation rather than the canals of action.

  Mark Tobey

  Believe, Meditation, Serenity

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• On pavements and the bark of trees I have found whole worlds.

  Mark Tobey

  Tree, World, Pavement

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• Los problemas son una parte importante de la maduración. Resuélvelos. Es como el polluelo en el huevo. Tiene que romper la cáscara del huevo por sí mismo. Así es como adquiere su primera fuerza. Si rompes la cáscara por el polluelo, acabarás con un enano enclenque.

  Mark Tobey

  Break Through, Eggs, Important

  Mark Tobey, Wesley Wehr, Cheney Cowles Memorial Museum (1988*). “Mark Tobey, a new look: Cheney Cowles Museum, Spokane, February 19-March 27, 1988”

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• At a time when experimentation expresses itself in all forms of life, search becomes the only valid expression of the spirit.

  Mark Tobey

  Expression, Spirit, Form

  Mark Tobey, Arthur L. Dahl (1984). “Mark Tobey, art and belief”, George Ronald Pub Ltd

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• According to one critic, my works looked like scraped billboards. I went to look at the billboards and decided that more billboards should be scraped.

  Mark Tobey

  Looks, Should, Critics

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• La búsqueda de un equilibrio es esencial para el artista, para ser tan consciente del espacio interior como del exterior.

  Mark Tobey

  Artist, Space, Essentials

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• We all feel a separateness; we wish that a drop of water would soften our ego; the world needs a common conscience: agreement... we must concentrate outside ourselves.

  Mark Tobey

  Agreement, Water, Ego

  Bahai lecture; as quoted in "Abstract Expressionist Painting in America", W.C. Seitz, 1983, pp. 66/67, 1951.

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• I am accused often of too much experimentation.., but what else should I do when all other factors of man are in the same condition. I thrust forward into space as science and the rest do.

  Mark Tobey

  Men, Space, Too Much

  Mark Tobey, Arthur L. Dahl (1984). “Mark Tobey, art and belief”, George Ronald Pub Ltd

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• An artist must find his expression closely linked to his individual experience or else follow in the old grooves resulting in lifeless forms.

  Mark Tobey

  Artist, Expression, Individual

  Mark Tobey, Arthur L. Dahl (1984). “Mark Tobey, art and belief”, George Ronald Pub Ltd

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• White lines in movement symbolize a unifying idea which flows through the compartmented units of life bringing the consciousness of a larger relativity.

  Mark Tobey

  Ideas, White, Movement

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• Sentado en el suelo de una habitación en Japón, mirando hacia un pequeño jardín con flores floreciendo y libélulas revoloteando en el espacio, de repente sentí como si hubiera estado demasiado tiempo encima de mis botas.

  Mark Tobey

  Flower, Garden, Japan

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• I've tried to decentralize and interpenetrate so that all parts of a painting are of related value.

  Mark Tobey

  Painting, Related, Values

  "Abstract Expressionism". Book by Barbara Hess, Taschen, Köln, p. 60, 2006.

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• Now it seems to me that we are in a universalising period... If we are to have world peace, we should have an understanding of all the idioms of beauty because the members of humanity who have created these idioms of beauty are going to be a part of us. And I would say that we are in a period when we are discovering and becoming acquainted with these idioms for the first time.

  Mark Tobey

  Should Have, Understanding, Humanity

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• We look at the mountain to see the painting, then we look at the painting to see the mountain.

  Mark Tobey

  Mountain, Looks, Painting

  Mark Tobey, Kosme María de Barañano Letamendía, Matthias Bärmann, Museo Nacional Centro de Arte Reina Sofía (1997). “Mark Tobey”

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• Ha habido 32 ismos desde el advenimiento del cubismo, sin embargo, después de todo, son esencialmente las mismas dos viejas cuerdas, el Romántico y el Clásico. La tormenta nos ha confundido. La ciencia y la psicología han desempeñado un gran papel, por no hablar del sexo.

  Mark Tobey

  Sex, Confused, Two

  "Abstract Expressionist Painting in America". Book by William C. Seitz, p. 103, 1983.

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• Don't help the young too much — it will just weaken them and they'll resent it, and finally start avoiding you.

  Mark Tobey

  Want, Too Much, Helping

  "Mark Tobey, a new look: Cheney Cowles Museum, Spokane, February 19-March 27, 1988".

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• We have tried to fit man into abstraction, but he does not fit.

  Mark Tobey

  Men, Doe, Fit

  Bahai lecture, New York; as quoted in "Abstract Expressionist Painting in America", W.C. Seitz, 1983, p. 104, October 30, 1951.

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• Reality must be expressed by a physical symbol.

  Mark Tobey

  Reality, Symbols

  Bahai lecture, New York; as quoted in "Abstract Expressionist Painting in America", W.C. Seitz, 1983, p. 10, October 30, 1951.

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• Every artist's problem today is: What will we do with the human?

  Mark Tobey

  Artist, Today, Problem

  Mark Tobey, Arthur L. Dahl (1984). “Mark Tobey, art and belief”, George Ronald Pub Ltd

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• Pero también había escapatoria, incluso en aquellos días, pues Whistler vivía en las brumas grises con una luna naranja descolorida. El nocturno se transformaba en habitaciones de ensueño con la música de Chopin creando un ambiente que suavizaba el duro núcleo del yo.

  Mark Tobey

  Moon, Self, Creating

  "Reminiscence and Reverie" by Mark Tobey, Magazine of Art, 44, pp. 228, 231, October 1951.

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• Los cubistas utilizaron la figura, pero la rompieron.

  Mark Tobey

  Broke, Used, Figures

  "Abstract Expressionist Painting in America". Book by W.C. Seitz, p.58, In conversation with Seitz, 1983.

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