Richard Widmark Quotes

• I think a performer should do his work and then shut up.

  Richard Widmark

  Thinking, Shut Up, Should

  "Television" by Dick Adler, www.nytimes.com. March 7, 1971.

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• Hay que comprometerse hasta el final. Lo único que cuenta es el resultado.

  Richard Widmark

  Way, Compromise, Results

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• I felt pretty comfortable with Westerns, apart from the fact I couldn't ride.

  Richard Widmark

  Facts, Felt, Comfortable

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• There was something about Marilyn. She couldn't act her way out of a bag, but she became an icon because something happened between her and the lens, and no one knows what it is.

  Richard Widmark

  Icons, Lenses, Bags

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• Marilyn was terrible to work with. I was fond of her, she was a nice girl, but she was a damaged girl. She was very difficult. You couldn't get her on the set; she didn't know the words.

  Richard Widmark

  Girl, Nice, Difficult

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• A lot of actors said they hated the studio system, but I loved it. It was like a college; it was a great place to learn.

  Richard Widmark

  College, Actors, Said

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• Death's a path we're all on, son

  Richard Widmark

  Life, Motivational, Son

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• Ford solía venir a trabajar en un coche grande con dos banderas del Almirante, a cada lado del coche. Su ayudante estaba allí con su acordeón, tocando "Hail to the Chief".

  Richard Widmark

  Two Sides, Car, Would Be

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• Las capuchas son buenas partes porque siempre son llamativas y atraen la atención. Si tienes alguna habilidad, puedes usarla como trampolín.

  Richard Widmark

  Attention, Use, Stones

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• I loved Jack Ford. I got him in his later days, and he was a total tyrant and a total autocrat and an Irish drunk. But I had a great time.

  Richard Widmark

  Fog, Tyrants, Drunk

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• John Ford was so funny that I couldn't wait to go to work in the morning.

  Richard Widmark

  Morning, Waiting

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• I was never a part of the Actor's Studio, because two friends of mine started it in 1947 and by that time I'd gone to California.

  Richard Widmark

  Friends, Two, California

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• Other actors like to rehearse on film-they like 30 or 40 takes. When you get an actor like that, it becomes difficult for me because I'm ready to quit after number two.

  Richard Widmark

  Two, Numbers, Actors

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• I was playing this horrible part. I didn't didn't want to play it because the character was an awful racist. But I'm glad I did it because I met Sidney Poitier.

  Richard Widmark

  Character, Play, Racist

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• Kazan was an old friend, I met him in 1938. He picked up radio jobs for eating money, so I met him on a couple of radio shows. Later on I was in a play he directed.

  Richard Widmark

  Money, Jobs, Couple

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• Most movies are made today for teenage boys. Once in a while a good one comes along.

  Richard Widmark

  Movie, Teenage, Boys

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• Gary Cooper was a good friend. He was a great nature lover. He was like an American Indian, he knew every leaf that was turned over. It was an education to go for a walk with him.

  Richard Widmark

  Education, Good Friend, Alaska

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• Mankiewicz was a brilliant director.

  Richard Widmark

  Directors, Brilliant, Brilliant Ideas

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• Anne Baxter was a very good actress, Donna Reid was great. You couldn't name an actress I wasn't crazy about.

  Richard Widmark

  Crazy, Names, Actresses

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• Many of my friends were blacklisted. America should be ashamed of it forever.

  Richard Widmark

  Friends, America, Forever

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• Cheyenne Autumn was received not too successfully. I still think it was a very good movie. It was kinda Ford's apology for the way he had treated Indians in his past pictures.

  Richard Widmark

  Apology, Autumn, Past

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