Citas de Libba Bray

• Y así es como se produce el cambio. Un gesto. Una persona. Un momento cada vez.

  Libba Bray

  Inspiración, motivación, cambio

  Libba Bray (2009). “The Sweet Far Thing”, p.300, Simon and Schuster

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• I do not want to pass the time. I want to grab hold of it and leave my mark upon the world.

  Libba Bray

  World, Want, Mark

  Libba Bray (2010). “The Sweet Far Thing”, p.325, Simon and Schuster

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• If you tell them what they want to hear, they don't bother to try to see.

  Libba Bray

  Trying, Want, Bother

  Libba Bray (2010). “A Great and Terrible Beauty”, p.77, Simon and Schuster

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• Retribution is a dog chasing its tail.

  Libba Bray

  Dog, Tails, Retribution

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• I refuse to let the past find me here.

  Libba Bray

  Past, Find Me, Refuse

  Libba Bray (2010). “A Great and Terrible Beauty”, p.36, Simon and Schuster

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• People will believe anything if it means they can go on with their lives and not have to think too hard about it.

  Libba Bray

  Creer, Significar, Pensar

  Libba Bray (2012). “The Diviners: Number 1 in series”, p.321, Hachette UK

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• No hay opciones seguras. Sólo otras opciones.

  Libba Bray

  Choices, Safe

  Libba Bray (2015). “The Gemma Doyle Trilogy”, p.348, Delacorte Press

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• The hand you hold the longest is your own.

  Libba Bray

  Manos

  Libba Bray (2010). “The Sweet Far Thing”, p.140, Simon and Schuster

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• We're all strangers connected by what we reveal, what we share, what we take away--our stories. I guess that's what I love about books--they are thin strands of humanity that tether us to one another for a small bit of time, that make us feel less alone or even more comfortable with our aloneness, if need be.

  Libba Bray

  Book, Humanity, Needs

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• Women who have power are always feared.

  Libba Bray

  Libba Bray (2010). “A Great and Terrible Beauty”, p.83, Simon and Schuster

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• Write like it matters, and it will.

  Libba Bray

  Writing, Matter

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• I love you for who you are, not who the world thinks you should be.

  Libba Bray

  Love You, Thinking, World

  Libba Bray (2011). “Beauty Queens”, p.355, Scholastic Inc.

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• Maybe that's what real friendship is -- getting so used to people that you need to be annoyed by them.

  Libba Bray

  Real, People, Annoyed

  Libba Bray (2009). “Going Bovine”, p.279, Delacorte Books for Young Readers

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• To those who will see, the world waits.

  Libba Bray

  Esperar, Mundo

  Libba Bray (2010). “The Sweet Far Thing”, p.530, Simon and Schuster

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• You couldn't be perfect enough to keep the world from betraying you.

  Libba Bray

  Perfect, World, Enough

  Libba Bray (2011). “Beauty Queens”, p.239, Scholastic Inc.

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• Jeez, someone needs to push the reset button on this planet.

  Libba Bray

  Reset Button, Buttons, Needs

  Libba Bray (2009). “Going Bovine”, p.105, Delacorte Books for Young Readers

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• I know because I read...Your mind is not a cage. It's a garden. And it requires cultivating.

  Libba Bray

  Garden, Mind, Cages

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• I'm sorry, Gemma. But we can't live in the light all of the time. You have to take whatever light you can hold into the dark with you.

  Libba Bray

  Sorry, Dark, Hard Times

  Libba Bray (2015). “The Gemma Doyle Trilogy”, p.299, Delacorte Press

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• Men have feelings too, you know. You bruise the petals of my manflower.

  Libba Bray

  Men, Feelings, Bruises

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• What if evil doesn't really exist? What if evil is something dreamed up by man, and there is nothing to struggle against except out own limitations? The constant battle between our will, our desires, and our choices?

  Libba Bray

  Struggle, Men, Evil

  Libba Bray (2010). “Rebel Angels”, p.197, Simon and Schuster

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• The library card is a passport to wonders and miracles, glimpses into other lives, religions, experiences, the hopes and dreams and strivings of ALL human beings, and it is this passport that opens our eyes and hearts to the world beyond our front doors, that is one of our best hopes against tyranny, xenophobia, hopelessness, despair, anarchy, and ignorance.

  Libba Bray

  Dream, Xenophobia, Book

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• Libraries are the torch of the world, illuminating the path when it feels too dark to see. We mustn't allow that torch to be extinguished.

  Libba Bray

  Dark, Library, Torches

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• You have a steady fella?” Sam asked after a bit. “No fella can hold me for long.” Sam gave her a sideways glance. “That a challenge?” “No. A statement of fact.

  Libba Bray

  Long, Challenges, Facts

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• For once, Evie didn’t know what to say. She hadn’t really thought of her uncle as very human. He was more like a textbook who occasionally remembered to put on a tie. But it was clear that he was, indeed, human, with a deep wound named Rotke.

  Libba Bray

  Uncles, Ties, Textbooks

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• And now I understand that truth casts a spell of its own, one I'm not sure of how to hold on to, though I'm desperate to try.

  Libba Bray

  Trying, Desperate, Not Sure

  Libba Bray (2015). “The Gemma Doyle Trilogy”, p.212, Delacorte Press

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