Citas de William Maxwell

• If I had had to write only about imaginary people, I would have had to close up my typewriter. I wrote about my life in less and less disguise as I grew older, and finally with no disguise - except the disguise we create for ourselves, which is self-deception.

  William Maxwell

  Writing, Typewriters, Self

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• La vista después de los setenta es impresionante. Lo que falta es alguien, cualquiera, de la generación mayor a quien acudir cuando se quiere satisfacer la curiosidad sobre algún detalle del paisaje del pasado. Ya no hay generación mayor. Tú te has convertido en ella, mientras tu mente estaba sobre todo en otros asuntos

  William Maxwell

  Past, Views, Curiosity

  William Maxwell (2013). “All the Days and Nights: The Collected Stories”, p.357, Vintage

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• Happiness is the light on the water. The water is cold and dark and deep.

  William Maxwell

  Happiness, Sunset, Dark

  William Maxwell (2013). “All the Days and Nights: The Collected Stories”, p.59, Vintage

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• My younger daughter told me recently that when she was a child she thought the typewriter was a toy that I went into my room and closed the door and played with.

  William Maxwell

  Daughter, Children, Typewriters

  William Maxwell, Barbara Burkhardt (2012). “Conversations with William Maxwell”, p.45, Univ. Press of Mississippi

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• What we, or at any rate what I, refer to confidently as memory--meaning a moment, a scene, a fact that has been subjected to a fixative and thereby rescued from oblivion--is really a form of storytelling that goes on continually in the mind and often changes with the telling. Too many conflicting emotional interests are involved for life ever to be wholly acceptable, and possibly it is the work of the storyteller to rearrange things so that they conform to this end. In any case, in talking about the past we lie with every breath we draw.

  William Maxwell

  Memories, Lying, Emotional

  William Maxwell (2010). “So Long, See You Tomorrow”, p.28, Random House

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• His sadness was of the kind that is patient and without hope.

  William Maxwell

  Sadness, Patient, Kind

  William Maxwell, Christopher Carduff (2008). “Later novels and stories: The château, So long, see you tomorrow, stories and improvisations, 1957-1999”

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• If you turn the imagination loose like a hunting dog, it will often return with the bird in its mouth.

  William Maxwell

  Motivational, Dog, Hunting

  William Maxwell (2013). “All the Days and Nights: The Collected Stories”, p.404, Vintage

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• Love, even of the most ardent and soul-destroying kind, is never caught by the lens of the camera.

  William Maxwell

  Soul, Cameras, Lenses

  William Maxwell (2010). “So Long, See You Tomorrow”, p.77, Random House

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• Reading is rapture (or if it isn't, I put the book down meaning to go on with it later, and escape out the side door).

  William Maxwell

  Libro, Lectura, Puertas

  William Maxwell (1989). “The outermost dream: essays and reviews”, Alfred a Knopf Inc

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• Your reader is at least as bright as you are

  William Maxwell

  Literatura, Lector

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• I had inadvertently walked through a door that I shouldn’t have gone through and couldn’t get back to the place I hadn’t meant to leave.

  William Maxwell

  Doors, Gone, Get Back

  William Maxwell, Christopher Carduff (2008). “Later novels and stories: The château, So long, see you tomorrow, stories and improvisations, 1957-1999”

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• What we refer to confidently as memory is really a form of storytelling that goes on continually in the mind and often changes with the telling.

  William Maxwell

  Memories, Mind, Goes On

  William Maxwell, Christopher Carduff (2008). “Later novels and stories: The château, So long, see you tomorrow, stories and improvisations, 1957-1999”

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• A gentleman doesn't have one set of manners for the house of a poor man and another for the house of someone with an income incomparable to his own.

  William Maxwell

  Men, House, Gentleman

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• Because I actively enjoy sleeping, dreams, the unexplainable dialogues that take place in my head as I am drifting off, all that, I tell myself that lying down to an afternoon nap that goes on and on through eternity is not something to be concerned about. What spoils this pleasant fancy is the recollection that when people are dead they don't read books. This I find unbearable.

  William Maxwell

  Dream, Lying, Book

  William Maxwell, Christopher Carduff (2008). “Later novels and stories: The château, So long, see you tomorrow, stories and improvisations, 1957-1999”

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• The reason life is so strange is that so often people have no choice.

  William Maxwell

  People, Choices, Strange

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• A writer is a reader who is moved to emulation.

  William Maxwell

  Emulation, Reader, Moved

  William Maxwell, Christopher Carduff (2008). “Early novels and stories”

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• In talking about the past, we lie with every breath we draw.

  William Maxwell

  Lying, Past, Talking

  William Maxwell, Barbara Burkhardt (2012). “Conversations with William Maxwell”, p.15, Univ. Press of Mississippi

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• I am the cat that walks alone.

  William Maxwell

  Cat, Walks

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• My father represented authority, which meant—to me—that he could not also represent understanding.

  William Maxwell

  Father, Understanding, Authority

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• Satin and lace and brown velvet and the faint odor of violets. That was all which was left to him of his love.

  William Maxwell

  Odor, Velvet, His Love

  William Maxwell, Christopher Carduff (2008). “Early novels and stories”

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• Sometimes she goes out to work as a practical nurse, and comes home and sits by the kitchen table soaking her feet in a pan of hot water and Epsom salts. When she gets into bed and the springs creak under her weight, she groans with the pleasure of lying stretched out on an object that understands her so well.

  William Maxwell

  Spring, Lying, Home

  William Maxwell, Christopher Carduff (2008). “Later novels and stories: The château, So long, see you tomorrow, stories and improvisations, 1957-1999”

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• People often ask themselves the right questions. Where they fail is in answering the questions they ask themselves, and even there they do not fail by much...But it takes time, it takes humility and a serious reason for searching.

  William Maxwell

  Humility, People, Serious

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• El clavo no elige el momento ni las circunstancias en que es atraído por el imán.

  William Maxwell

  Nails, Circumstances, Magnet

  William Maxwell, Christopher Carduff (2008). “Later novels and stories: The château, So long, see you tomorrow, stories and improvisations, 1957-1999”

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• Who knows what oversensitive is, considering all there is to be sensitive to.

  William Maxwell

  Sensitive, Considering, Knows

  William Maxwell, Christopher Carduff (2008). “Later novels and stories: The château, So long, see you tomorrow, stories and improvisations, 1957-1999”

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• It's deprivation that makes people writers, if they have it in them to be a writer.

  William Maxwell

  People, Deprivation, Ifs

  William Maxwell, Barbara Burkhardt (2012). “Conversations with William Maxwell”, p.39, Univ. Press of Mississippi

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