Jim Thompson Quotes

• There are thirty-two ways to write a story, and I’ve used every one, but there is only one plot – things are not as they seem.

  Jim Thompson

  Writing, Two, Plot

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• Then he laughed and she laughed. And quivering with the movement of the train, the dead man seemed to laugh too.

  Jim Thompson

  Men, Laughing, Dead Man

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• There are things that have to be forgotten if you want to go on living.

  Jim Thompson

  Goes On, Want, Forgotten

  Jim Thompson (1997). “Crime novels: American noir of the 1950s”

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• It doesn't matter what answers you get if you ask the wrong questions.

  Jim Thompson

  Answers, Matter, Asks

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• I kissed her, a long hard kiss. Because baby didn't know it, but baby was dead, and in a way I couldn't have loved her more.

  Jim Thompson

  Baby, Kissing, Long

  Jim Thompson (1997). “Crime novels: American noir of the 1950s”

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• There is only one plot-things are not what they seem.

  Jim Thompson

  Writing, Plot, Things Are Not What They Seem

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• We're living in a funny world kid, a peculiar civilization. The police are playing crooks in it, and the crooks are doing police duty. The politicians are preachers, and the preachers are politicians. The tax collectors collect for themselves. The Bad People want us to have more dough, and the good people are fighting to keep it from us. It's not good for us, know what I mean? If we had all we wanted to eat, we'd eat too much. We'd have inflation in the toilet paper industry. That's the way I understand it. That's about the size of some of the arguments I've heard.

  Jim Thompson

  Mean, Kids, Fighting

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• Hace tiempo descubrí que el lugar donde más se abusa de la ley es en los alrededores de un juzgado.

  Jim Thompson

  Long Ago, Law, Found

  Jim Thompson (1997). “Crime novels: American noir of the 1950s”

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• When life attains a crisis, man’s focus narrows. […] The world becomes a stage of immediate concern, swept free of illusion.

  Jim Thompson

  Men, Focus, World

  Jim Thompson (1997). “Crime novels: American noir of the 1950s”

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• A weed is a plant out of place.

  Jim Thompson

  Weed, Plant

  Jim Thompson (1997). “Crime novels: American noir of the 1950s”

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• I'd been chasing females all my life, not paying no mind to the fact that whatever's got tail at one end has teeth at the other, and now I was getting chomped.

  Jim Thompson

  Mind, Teeth, Female

  Jim Thompson (1964). “Pop. 1280”, Vintage

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• If the Good Lord made a mistake in us people it was in making us want to live when we’ve got the least excuse for it.

  Jim Thompson

  Mistake, People, Want

  Jim Thompson (1997). “Crime novels: American noir of the 1950s”

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• I ain't saying you're a liar, because that wouldn't be polite. But I'll tell you this, ma'am. If I loved liars, I'd hug you to death.

  Jim Thompson

  Liars, Hug, Polite

  Jim Thompson (2010). “POP. 1280”, p.9, Hachette UK

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• You can't stamp on a man's corns when he's got his feet cut off.

  Jim Thompson

  Cutting, Men, Feet

  Jim Thompson (1997). “Crime novels: American noir of the 1950s”

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• Lo que huele bien en la tienda puede apestar en la olla.

  Jim Thompson

  Smell, May, Stink

  Jim Thompson (2014). “Murder at the Bijou”, p.43, BookBaby

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• I told her the world was full of nice people. I'd have hated to try to prove it to her, but I said it, anyway.

  Jim Thompson

  Nice, People, Trying

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• Dad always said that he had enough trouble sorting the fiction out of so-called facts, without reading fiction. He always said that science was already too muddled without trying to make it jibe with religion. He said those things, but he also said that science itself could be a religion, that a broad mind was always in danger of becoming narrow.

  Jim Thompson

  Dad, Reading, Mind

  Jim Thompson (1997). “Crime novels: American noir of the 1950s”

  6 Copiar cita

• You've got forever; and somehow you can't do much with it. You've got forever; and it's a mile wide and an inch deep and full of alligators.

  Jim Thompson

  Forever, Alligators, Inches

  Jim Thompson (1997). “Crime novels: American noir of the 1950s”

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• In lots of books I read, the writer seems to go haywire every time he reaches a high point. He’ll start leaving out punctuation and running his words together and babble about stars flashing and sinking into a deep dreamless sea. And you can’t figure out whether the hero’s laying his girl or a cornerstone. I guess that kind of crap is supposed to be pretty deep stuff—a lot of the book reviewers eat it up, I notice. But the way I see it is, the writer is just too goddam lazy to do his job. And I’m not lazy, whatever else I am. I’ll tell you everything.

  Jim Thompson

  Girl, Running, Jobs

  Jim Thompson (1997). “Crime novels: American noir of the 1950s”

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• You go into the office and take a book or two from the shelves. You read a few lines, like your life depended on reading 'em right. But you know your life doesn't depend on anything that makes sense, and you wonder where in the hell you got the idea it did; and you begin to get sore.

  Jim Thompson

  Libro, Lectura, Ideas

  Jim Thompson (1997). “Crime novels: American noir of the 1950s”

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• If we all had all we wanted to eat, we'd crap too much. We'd have inflation in the toilet paper industry.

  Jim Thompson

  Paper, Toilets, Wanted

  "The Killer Inside Me".

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• La miré, con el pelo desparramado sobre las almohadas y el calor de su cuerpo calentando el mío. Y pensé, maldita sea, si esta no es una manera increíble de estar en la cama con una mujer bonita. Los dos discutiendo sobre asesinatos, y amenazándose, cuando se supone que están enamorados y podrían estar haciendo algo bonito. Y entonces pensé, bueno, tal vez no es tan extraño después de todo. Tal vez es así con la mayoría de la gente, todo el mundo haciendo más o menos lo mismo, excepto de una manera diferente. Y todo el tiempo están sosteniendo el cielo en sus manos.

  Jim Thompson

  Nice, Hair, Hands

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