Virgil Thomson Quotes

• I said to my friends that if I was going to starve, I might as well starve where the food is good.

  Virgil Thomson

  Food, Might, Said

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• Prueba una cosa que no hayas hecho tres veces. Una vez, para superar el miedo a hacerlo. Dos veces, para aprender a hacerlo. Y una tercera vez para saber si te gusta o no.

  Virgil Thomson

  Inspiración, Sabiduría, Miedo

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• In Paris, you learn wit, in London you learn to crush your social rivals, and in Florence you learn poise.

  Virgil Thomson

  Crush, Paris, Florence

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• I seem to write an opera about every 20 years; if you live long enough you can write four operas. I finished my third in 1970.

  Virgil Thomson

  Escritura, Años, Largos

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• Let your mind alone, and see what happens.

  Virgil Thomson

  Imagination, Mind, Happens

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• The way to write American music is simple. All you have to do is be an American and then write any kind of music you wish.

  Virgil Thomson

  Writing, Simple, Wish

  Quoted in Machlis Introduction to Contemporary Music (1963).

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• I listened to the pure crystalline notes of one of Mozart's concertos dropping at my feet like leaves from the trees.

  Virgil Thomson

  Feet, Tree, Dropping

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• Nunca he conocido a un músico que se arrepintiera de serlo. La música en sí no te va a defraudar.

  Virgil Thomson

  Musician, Known

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• A libretto that should never have been accepted on a subject that should never have been chosen bya man who should never have attempted it.

  Virgil Thomson

  Men, Accepted, Should

  1935 Of Gershwin's Porgy and Bess. Modern Music.

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• Musicians own music because music owns them.

  Virgil Thomson

  Músico

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• Reviewing music or reviewing anything is a writing job. It's nice if you are experienced in the field you are writing about, but writing is what you are doing.

  Virgil Thomson

  Jobs, Nice, Writing

  Virgil Thomson (1984). “A Virgil Thomson reader”, Plume

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• I never learned to verbalize an abstract musical concept. No thank you. The whole point of being a serious musician is to avoid verbalization whenever you can.

  Virgil Thomson

  Thank You, Musical, Musician

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• I got myself into a lovely little shall we say controversy with André Breton, by pointing out that the discipline of spontaneity, which he was asking his surrealist neophytes to adopt, was new for language but something that composers had been practicing for centuries.

  Virgil Thomson

  Discipline, Lovely, Asking

  Virgil Thomson (1984). “A Virgil Thomson reader”, Plume

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• Every composer's music reflects in its subject-matter and in its style the source of the money the composer is living on while writing the music.

  Virgil Thomson

  Writing, Style, Matter

  Virgil Thomson (1984). “A Virgil Thomson reader”, Plume

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• Verbal communication about music is impossible except among musicians.

  Virgil Thomson

  Communication, Musician, Impossible

  Virgil Thomson (2016). “The State of Music: A Library of America E-Book Classic”, p.21, Library of America

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• The description and explanation is the best part of music reviewing. There is such a thing, and you know it too, as a gift for judgment. If you have it, you can say anything you like. If you haven't got it, you don't know you haven't got it.

  Virgil Thomson

  Say Anything, Judgment, Description

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• I don't care what other critics say, I only hope to be played.

  Virgil Thomson

  Care, I Don't Care, Don 't Care

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• I don't go around regretting things that don't happen.

  Virgil Thomson

  Regret, Happens

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• Sean cuales sean las decepciones que te depare la vida, la música no te va a defraudar.

  Virgil Thomson

  Musical Life, Deception, May

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• You explain how it went, and as far as you can figure out how it got that way.

  Virgil Thomson

  Way, Figures

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