Henryk Sienkiewicz Quotes

• The sky is one whole, the water another; and between those two infinities the soul of man is in loneliness.

  Henryk Sienkiewicz

  Solitario, Soledad, Hombres

  Henryk Sienkiewicz (1898). “Sielanka: A Forest Picture, and Other Stories”

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• But I think happiness springs from another source, a far deeper one that doesn't depend on will because it comes from love.

  Henryk Sienkiewicz

  Spring, Thinking, Source

  Henryk Sienkiewicz, W. S. Kuniczak (1999). “Quo Vadis”, p.27, Hippocrene Books

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• On an exhausted field, only weeds grow.

  Henryk Sienkiewicz

  Weed, Marijuana, Fields

  Henryk Sienkiewicz (1898). “Sielanka: A Forest Picture, and Other Stories”

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• Life deserves laughter, hence people laugh at it.

  Henryk Sienkiewicz

  Risa, Gente, Reír

  Henryk Sienkiewicz (2015). “Quo Vadis: A Narrative of the Time of Nero”, p.28, Xist Publishing

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• There is within us a moral instinct which forbids us to rejoice at the death of even an enemy.

  Henryk Sienkiewicz

  Enemy, Moral, Instinct

  Henryk Sienkiewicz (1897). “Without Dogma: A Novel of Modern Poland”

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• Nevertheless, in this sea of human wretchedness and malice there bloomed at times compassion, as a pale flower blooms in a putrid marsh.

  Henryk Sienkiewicz

  Flower, Compassion, Sea

  Henryk Sienkiewicz (1912). “In Desert and Wilderness”, p.138, Library of Alexandria

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• I know from experience that to one who thinks much and feels deeply, it often seems that he has only to put down his thoughts and feelings in order to produce something altogether out of the common; yet as soon as he sets to work he falls into a certain mannerism of style and common phraseology; his thoughts do not come spontaneously, and one might almost say that it is not the mind that directs the pen, but the pen leads the mind into common, empty artificiality.

  Henryk Sienkiewicz

  Fall, Thinking, Order

  Henryk Sienkiewicz (1897). “Without Dogma: A Novel of Modern Poland”

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• Evidently the merit depends on the result of the work.

  Henryk Sienkiewicz

  Merit, Results, Depends

  Henryk Sienkiewicz (1898). “So Runs the World”, London : F. T. Neely

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• I know that even the meanest person has still at his disposition high-sounding words wherewith to mask his real character.

  Henryk Sienkiewicz

  Real, Character, Mask

  Henryk Sienkiewicz (1897). “Without Dogma: A Novel of Modern Poland”

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• Se ha dicho que Polonia está muerta, exhausta, esclavizada, pero he aquí la prueba de su vida y su triunfo.

  Henryk Sienkiewicz

  Triumph, Exhausted, Proof

  Henryk Sienkiewicz (2013). “Henryk Sienkiewicz: Three Stories”, p.7, Wildside Press LLC

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• Every novelist should write something for children at least once in his lifetime.

  Henryk Sienkiewicz

  Children, Writing, Novelists

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• I go to church because I am a skeptic in regard to my own skepticism.

  Henryk Sienkiewicz

  Church, Skepticism, Regard

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• Anxiety prepares the organism badly for an ordeal which even under more favorable circumstances would not be an easy thing to bear.

  Henryk Sienkiewicz

  Anxiety, Bears, Easy

  Henryk Sienkiewicz (1897). “Without Dogma: A Novel of Modern Poland”

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• The profession of the writer has its thorns about which the reader does not dream.

  Henryk Sienkiewicz

  Dream, Doe, Thorns

  Henryk Sienkiewicz (1898). “So Runs the World”, London : F. T. Neely

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• I consider that in dialectics I am the equal of Socrates. As to women, I agree that each has three or four souls, but none of them a reasoning one.

  Henryk Sienkiewicz

  Soul, Three, Four

  Henryk Sienkiewicz (1998). “Quo Vadis: A Narrative of the Time of Nero”, p.37, Regnery Publishing

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• Es una idea totalmente errónea que el producto moderno de la civilización sea menos susceptible al amor. A veces pienso que es al revés.

  Henryk Sienkiewicz

  Thinking, Civilization, Ideas

  Henryk Sienkiewicz (1897). “Without Dogma: A Novel of Modern Poland”

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• Day is like day as two beads in a rosary, unless changes of weather form the only variety.

  Henryk Sienkiewicz

  Weather, Two, Rosary

  Henryk Sienkiewicz (1898). “Sielanka: A Forest Picture, and Other Stories”

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• If the infinity of the sea may call out thus, perhaps when a man is growing old, calls come to him, too, from another infinity still darker and more deeply mysterious; and the more he is wearied by life the dearer are those calls to him.

  Henryk Sienkiewicz

  Men, Sea, Growing

  Henryk Sienkiewicz (1898). “Sielanka: A Forest Picture, and Other Stories”

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• He always smiles, even when contemplating nothing good.

  Henryk Sienkiewicz

  Always Smile, Contemplating

  Henryk Sienkiewicz (1912). “In Desert and Wilderness”, p.147, Library of Alexandria

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• England is never in a hurry because she is eternal.

  Henryk Sienkiewicz

  England, Eternal

  Sienkiewicz, Henryk (2016). “In Desert And Wilderness”, p.19, Read Books Ltd

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• Tell me,' asked Stas, 'what is a wicked deed?' 'If anyone takes away Kali's cow,' he answered after a brief reflection, 'that then is a wicked deed.' 'Excellent!' exclaimed Stas, 'and what is a good one?' This time the answer came without any reflection: 'If Kali takes away the cow of somebody else, that is a good deed.' Stas was too young to perceive that similar views of evil and good deeds were enunciated in Europe not only by politicians but by whole nations.

  Henryk Sienkiewicz

  Reflection, Views, Europe

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• The fact is that between the classes there is a vast gulf that precludes all mutual understanding, and makes simultaneous efforts simply impossible.

  Henryk Sienkiewicz

  Class, Effort, Understanding

  Henryk Sienkiewicz (1897). “Without Dogma: A Novel of Modern Poland”

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• Wealth is not a hindrance, but rather a help towards attaining a proper standing in a chosen field of activity. I confess that as far as I am concerned, it has done me some service as it preserved my character from many a crookedness poverty might have exposed it to.

  Henryk Sienkiewicz

  Character, Done, Might

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• Amid the stillness of the night, in the depths of the ravine, from the direction in which the corpses lay suddenly resounded a kind of inhuman, frightful laughter in which quivered despair, and joy, and cruelty, and suffering, and pain, and sobbing, and derision; the heart-rending and spasmodic laughter of the insane or condemned.

  Henryk Sienkiewicz

  Laughter, Pain, Heart

  Henryk Sienkiewicz (1911). “In Desert and Wilderness”, p.148, Jester House Publishing

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• The shots had dispersed the birds; there remained only two marabous, standing between ten and twenty paces away and plunged in reverie. They were like two old men with bald heads pressed between the shoulders.

  Henryk Sienkiewicz

  Men, Two, Bird

  Henryk Sienkiewicz (1898). “Sielanka: A Forest Picture, and Other Stories”

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