Martin Scorsese Quotes About Film

• El cine es una cuestión de lo que está dentro del encuadre y lo que está fuera.

  Martin Scorsese

  Movie, Gambling, Film Directing

  FaceBook post by Martin Scorsese from Jul 08, 2013

• Film in the 20th century, it's the American art form, like jazz.

  Martin Scorsese

  Art, Jazz, Film

  "What Inspires Martin Scorsese". Interview with Jeremy Berger, www.askmen.com.

• If you’re looking for the origins of film culture in America, look no further than Amos Vogel.

  Martin Scorsese

  America, Culture, Looks

  "Amos Vogel, a Leading Figure of Modern American Film Culture, Dies at 91" by Mike Barnes, www.hollywoodreporter.com. April 25, 2012.

• I’m not interested in a realistic look, not at all, not ever. Every film should look the way I feel.

  Martin Scorsese

  Looks, Way, Film

  Interview with Roger Ebert, www.rogerebert.com. March 7, 1976.

• Me gustaría hacer varias películas. Westerns. Obras de género. Quizá otra película sobre italoamericanos en la que no sean gángsters, sólo para demostrar que no todos los italianos son gángsters.

  Martin Scorsese

  Italian, Numbers, Pieces

• Watching a Kubrick film is like gazing up at a mountaintop. You look up and wonder, how could anyone have climbed that high?

  Martin Scorsese

  Gazing, Looks, Wonder

• Music and film are inseparable. They always have been and always will be.

  Martin Scorsese

  Film, Inseparable, Has Beens

  Fuente: www.interviewmagazine.com

• If you don’t like the films of Samuel Fuller , then you just don’t like cinema.

  Martin Scorsese

  Cinema, Film, Ifs

• I didn't realize there are generations who do not know about the origins of film.

  Martin Scorsese

  Generations, Realizing, Film

  "Martin Scorsese Talks Hugo Blu-ray" by Brian Gallagher, movieweb.com. February 28, 2012.

• Death comes in a flash, and that's the truth of it, the person's gone in less than 24 frames of film.

  Martin Scorsese

  Gone, Film, Flash

  "A history of violence". Interview with Ed Pilkington, www.theguardian.com. October 6, 2006.

• When I'm making a film, I'm the audience.

  Martin Scorsese

  Jobs, Play, Film

  "Are we ever going to make this picture?". Interview with Alex Williams, www.theguardian.com. January 2, 2003.

• Crecí en barrios italoamericanos, todo el mundo entraba en casa a todas horas, los niños correteaban, ese tipo de cosas, así que cuando por fin llegué a mi propia zona, por así decirlo, para hacer películas, seguí adelante.

  Martin Scorsese

  Running, Kids, Italian

  Interview with Jeff Otto, www.ign.com. December 17, 2004.

• I was saying as a joke the other day that I love film editing, I know how to cut a picture, I think I know how to shoot it, but I don't know how to light it. And I realize it's because I didn't grow up with light. I grew up in tenements.

  Martin Scorsese

  Growing Up, Cutting, Thinking

• My films really have to be a part of a whole body of work that says something to me.

  Martin Scorsese

  Body, Film, Parts Of A Whole

  Fuente: www.interviewmagazine.com

• I go through periods, usually when I'm editing and shooting, of seeing only old films.

  Martin Scorsese

  Editing, Shooting, Film

  "The Two Hollywoods: The Directors; Woody Allen; Martin Scorsese". www.nytimes.com. November 16, 1997.

• I think there's only one or two films where I've had all the financial support I needed. All the rest, I wish I'd had the money to shoot another ten days.

  Martin Scorsese

  Thinking, Two, Support

• All I can do is try to do the best work I can. I need to work, I like to work... although I complain about it, but I do like it - and I just need to make the best film I can.

  Martin Scorsese

  Trying, Complaining, Needs

  Fuente: www.indielondon.co.uk

• I wish I could play music. I think I get as closeas possible with the editing of the films. Over the years musichas been an even more important influence than-or as important as-film.There's no doubt about it. Painting, movement, dance, sculpture-it'sall in cinema.

  Martin Scorsese

  Thinking, Editing, Years

• I've seen many, many movies over the years, and there are only a few that suddenly inspire you so much that you want to continue to make films.

  Martin Scorsese

  Movie, Years, Inspire

  FaceBook post by Martin Scorsese from Nov 30, 2014

• Orson Welles was a force of nature, who just came in and wiped the slate clean. And Citizen Kane is the greatest risk-taking of all time in film. I don’t think anything had even seen anything quite like it. The photography was also unlike anything we’d seen. The odd coldness of the filmmaker towards the character reflects his own egomania and power, and yet a powerful empathy for all of them--it’s very interesting. It still holds up, and it’s still shocking. It takes storytelling and throws it up in the air.

  Martin Scorsese

  Photography, Powerful, Character

• Any film, or to me any creative endeavour, no matter who you're working with, is, in many cases, a wonderful experience.

  Martin Scorsese

  Creative, Matter, Wonderful

  "And we're rolling". Interview with Craig McLean, www.theguardian.com. August 12, 2007.

• And so you try your best. Sometimes you go in with one thing, with one desire and come out with something else. In the case of 'The Aviator' it was to create a Hollywood spectacle, but by about the second or third week of shooting you just want to literally survive it. Because don't forget, I also go through the editing process too, and when the film is released I have to talk about it. So, I take all of that very seriously.

  Martin Scorsese

  Editing, Desire, Trying

  Fuente: www.indielondon.co.uk

• In truly great films - the ones that people need to make, the ones that start speaking through them, the ones that keep moving into territory that is more and more unfathomable and uncomfortable - nothing's ever simple or neatly resolved. You're left with a mystery.

  Martin Scorsese

  Moving, Simple, People

  "Martin Scorsese channels his inner film critic on ‘The Searchers’" by Guy Lodge, uproxx.com. March 8, 2013.

• More personal films, you could make them, but your budgets would be cut down.

  Martin Scorsese

  Cutting, Would Be, Film

  "Dialogue: Martin Scorsese". Interview with Chris Gardner, www.backstage.com. January 6, 2003.

• There are movies that change the whole way in which films are made, like Klute, where Gordon Willis’s photography on the film is so textured, and, they said, too dark.

  Martin Scorsese

  Photography, Dark, Thinking

  "Gordon Willis Remembered: A Look Through His Greatest Hits" by Ian Freer, www.empireonline.com. May 19, 2014.

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