Anthony Minghella Quotes

• I have always believed that there is a need for life-affirming films.

  Anthony Minghella

  Needs, Film, Life Affirming

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• Once you start to realize that a film is the sum of its editing, then editing is the thing you're always looking at.

  Anthony Minghella

  Editing, Realizing, Film

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• I'm interested in stories which insist on a dog fails-to-eat-dog kind of world. I hate misanthropy, want to believe that there's a possibility that we might all be redeemed, that hope deferred makes the soul sick, that our humanity is fragile, funny, common, crazy, full of the longing for love, the failure of love.

  Anthony Minghella

  Dog, Crazy, Hate

  Fuente: www.huffingtonpost.com

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• I am a teller of stories. A weaver of dreams. I can dance, sing, and in the right weather I can stand on my head. I know 7 words of Latin, I have a little magic... and a trick or two. I know the proper way to meet a dragon, I can fight dirty but not fair. I once swallowed thirty oysters in a minute. I am not domestic, I am a luxury and, in that sense, necessary.

  Anthony Minghella

  Dream, Latin, Dirty

  "Fictional character: The Storyteller". TV Series "The Storyteller" ("A Story Short", 1988), www.imdb.com. (1987 - ).

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• I had never thought of myself as a director and found out that I was not. I am a writer who was able to direct the films that I write.

  Anthony Minghella

  Writing, Directors, Able

  "Minghella left much unfinished" by Steven Zeitch, www.hollywoodreporter.com. March 19, 2008.

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• You know, you lose a lot of social skills if you’re a writer. You spend too long alone. And it’s forced me to address that.

  Anthony Minghella

  Skills, Long, Addresses

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• The feeling of not belonging, of not being entirely worthy, of being sometimes hostage to your own sensibilities. Those things speak to me very personally.

  Anthony Minghella

  Feelings, Sometimes, Speak

  "‘Childhood Is Not a Geographical Place’: Arwad ‘s Samer Najari and Dominique Chila" by E. Nina Rothe, www.huffingtonpost.com. February 7, 2014.

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• There's this sense of being strange, which is at the heart of every creative person. Every writer, every actor, every director knows who Ripley is. We've made careers and lives out of pretending, making things up, inhabiting other people's stories and lives. That's what I do every day. . . . The story is so audacious and subversive: a central character who behaves badly and isn't apparently caught. That intrigued me no end.

  Anthony Minghella

  Character, Heart, Careers

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• Ningún estudio de Hollywood quería "Cold Mountain". Ninguno. Nadie quería "Ripley", nadie quería "El Paciente Inglés". Eso te dice que realmente no hay apetito por hacer películas ambiciosas.

  Anthony Minghella

  Ambitious, Mountain, Hollywood

  "Anthony Minghella: Truly, madly, deeply missed" by Stephanie Busari, www.cnn.com. March 21, 2008.

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• [Abbas Kiarostami] is a great artist and a poet. I sometimes think that if Samuel Beckett made films, he'd make them like Kiarostami makes them.

  Anthony Minghella

  Artist, Thinking, Sometimes

  Fuente: www.theguardian.com

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• The best thing about writing has been the writer's life, the sense of being expressed, the ownership of the day, the entirely specious sense of freedom we have, however slave we are to some boss or other. I wouldn't trade it for any other life.

  Anthony Minghella

  Writing, Boss, Slave

  Interview with Robert J. Elisberg, www.huffingtonpost.com. March 1999.

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• I never feel more myself than when I’m writing; I never enjoy any day more than a good writing day.

  Anthony Minghella

  Writing, Enjoy, Good Writing

  Interview with Robert J. Elisberg, www.huffingtonpost.com. March 1999.

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• The imaginative leap for me of writing for women is no more difficult than the one of writing for men. I've always wanted to have women well represented in the work that I've done because I've always been around them and around the way they look at the world.

  Anthony Minghella

  Writing, Men, Done

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• The only lesson to extract from any civil war is that it's pointless and futile and ugly, and that there is nothing glamorous or heroic about it. There are heroes, but the causes are never heroic.

  Anthony Minghella

  War, Hero, Ugly

  "Biography / Personal Quotes". www.imdb.com.

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• There's a great tradition at the BFI of giving fellowships and I thought one of the great jobs that I'd have at the BFI would be to give them out on a regular basis.

  Anthony Minghella

  Jobs, Giving, Would Be

  Fuente: www.theguardian.com

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• Betrayals during war are childlike compared with our betrayals during peace.

  Anthony Minghella

  Betrayal, War, Childlike

  "The English Patient". Book by Anthony Minghella, 1996.

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• My grandmother was a huge influence on me and the fact that there was this very strong, rather formidable presence of women in my life has been an enormous value.

  Anthony Minghella

  Strong, Grandmother, Facts

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• I want to tell stories which require something of an audience, by way of thought, argument, emotion, because I'm more often in an audience than I am a maker of films, and that's the kind of movie I want to see.

  Anthony Minghella

  Stories, Want, Way

  Fuente: www.huffingtonpost.com

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• I was one of five very clever kids, the other kids were cleverer than I was and still are and are very achieving. The girls were always first at everything and I was always 101st!

  Anthony Minghella

  Girl, Clever, Kids

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• Waiting is part of writing. When I write the word 'waiting' by hand it even looks like 'writing.'

  Anthony Minghella

  Writing, Hands, Waiting

  Fuente: www.huffingtonpost.com

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• I am a writer who was able to direct the films that I write.

  Anthony Minghella

  Writing, Able, Film

  "Minghella left much unfinished" by Steven Zeitch, www.hollywoodreporter.com. March 19, 2008.

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• When I became the chair of the British Film Institute, I didn't understand how much of my time would be taken up with trying to make a case for the British Film Institute: what it's for, why it exists, why it needs its money.

  Anthony Minghella

  Taken, Trying, Would Be

  "Abbas Kiarostami". Guardian interview at the BFI, www.theguardian.com. April 28, 2005.

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• I don't hold with the notion that only bad books make good movies.

  Anthony Minghella

  Book, Good Movie, Notion

  "Down from Cold Mountain". Interview with Andrew Pulver, www.theguardian.com. December 11, 2003.

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• I work fitfully, in hope rather than in expectation, invent methods which last a week, and fill notebooks with tiny, illegible writing which often defies my own attempts to decipher it.

  Anthony Minghella

  Notebook, Writing, Expectations

  Interview with Robert J. Elisberg, www.huffingtonpost.com. March 1999.

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• I looked around and we were about a mile-and-a-half from land, and I thought, 'OK, I'm going to drown now.' And then I started to flail out and panic. I gradually calmed down and I got home. But the reality was that in that moment I was panicking and I feel like that to me was the clue about Ripley, that Ripley constantly finds himself out of his depth in the film and then reacts very, very badly.

  Anthony Minghella

  Home, Reality, Land

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