Federico Fellini Quotes - Page 3

• Objects and their functions no longer had any significance. All I perceived was perception itself, the hell of forms and figures devoid of human emotion and detached from the reality of my unreal environment. I was an instrument in a virtual world that constantly renewed its own meaningless image in a living world that was itself perceived outside of nature. And since the appearance of things was no longer definitive but limitless, this paradisiacal awareness freed me from the reality external to myself. The fire and the rose, as it were, became one.

  Federico Fellini

  Reality, Fire, Rose

  Federico Fellini, Damian Pettigrew (2003). "Soy un mentiroso nato: un léxico de Fellini", Harry N Abrams Inc.

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• The greatest danger for artists is total freedom.

  Federico Fellini

  Artist, Danger

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• Creo que la televisión ha traicionado el sentido del discurso democrático, añadiendo el caos visual a la confusión de las voces. ¿Qué papel desempeña el silencio en todo este ruido?

  Federico Fellini

  Thinking, Voice, Confusion

  "Soy un mentiroso nato: A Fellini Lexicon". Libro editado por Damian Pettigrew, 1 de diciembre de 2003.

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• Cuando se producen los momentos más importantes, ni siquiera los reconocemos ni nos damos cuenta. Simplemente estamos ocupados viviendo nuestras vidas. Sólo mirando hacia atrás sabemos que fue un gran momento en nuestras vidas.

  Federico Fellini

  Important, Busy, Moments

  Federico Fellini, Charolette Chandler (2001). “I, Fellini”, p.37, Cooper Square Press

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• The picture is in your head, in your imagination, everything.

  Federico Fellini

  Imaginación

  Federico Fellini, Bert Cardullo (2006). “Federico Fellini: Interviews”, p.80, Univ. Press of Mississippi

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• Puede que Dios no juegue a los dados, pero disfruta con una buena partida de Trivial Pursuit de vez en cuando.

  Federico Fellini

  Play, May, Dice

  Federico Fellini, Damian Pettigrew (2003). "Soy un mentiroso nato: un léxico de Fellini", Harry N Abrams Inc.

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• The beauty of life are women, no one loves them as much as me. I adore them all, the ugly, the beautiful, the cold, the sexy and especially those that are from cinema material, shadow and light.

  Federico Fellini

  Beautiful, Sexy, Light

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• I don't believe in total freedom for the artist. Left on his own, free to do anything he likes, the artist ends up doing nothing at all. If there's one thing that's dangerous for an artist, it's precisely this question of total freedom, waiting for inspiration and all the rest of it.

  Federico Fellini

  Arte, Creer, Inspiración

  Federico Fellini, Damian Pettigrew (2003). "Soy un mentiroso nato: un léxico de Fellini", Harry N Abrams Inc.

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• A created thing is never invented and it is never true: it is always and ever itself.

  Federico Fellini

  "Soy un mentiroso nato: A Fellini Lexicon". Libro editado por Damian Pettigrew, 1 de diciembre de 2003.

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• All art is autobiographical.

  Federico Fellini

  Art, Artist, Art Is

  The Atlantic, December 1965.

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• I even see the cinema itself as a woman, with its alternation of light and darkness, of appearing and disappearing images

  Federico Fellini

  Light, Darkness, Cinema

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• Los jóvenes ven la televisión veinticuatro horas al día, no leen y rara vez escuchan. Este bombardeo incesante de imágenes ha desarrollado una hipertrofia ocular que los está convirtiendo en una raza de mutantes. Deberían aprobar una ley para la reeducación total de los jóvenes, obligando a los niños a visitar diariamente la Galleria Borghese.

  Federico Fellini

  Children, Eye, Law

  "Soy un mentiroso nato: A Fellini Lexicon". Libro editado por Damian Pettigrew, 1 de diciembre de 2003.

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• Everyone knows that time is Death, that Death hides in clocks. Imposing another time powered by the Clock of the Imagination, however, can refuse his law. Here, freed of the Grim Reaper's scythe, we learn that pain is knowledge and all knowledge pain.

  Federico Fellini

  Pain, Law, Imagination

  Federico Fellini, Damian Pettigrew (2003). "Soy un mentiroso nato: un léxico de Fellini", Harry N Abrams Inc.

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• As a writer and director, I want to know what is behind the good manners and soft voice. Who is inside the silhouette?

  Federico Fellini

  Voice, Good Man, Silhouettes

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• The public has lost the habit of movie-going because the cinema no longer possesses the charm, the hypnotic charisma, the authority it once commanded. The image it once held for us all — that of a dream we dreamt with our eyes open — has disappeared. Is it still possible that one thousand people might group together in the dark and experience the dream that a single individual has directed?

  Federico Fellini

  Movie, Dream, Eye

  Federico Fellini, Damian Pettigrew (2003). "Soy un mentiroso nato: un léxico de Fellini", Harry N Abrams Inc.

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• I always direct the same film. I can't distinguish one from the other.

  Federico Fellini

  Film, Direct, I Can

  Quoted in Leslie Halliwell Halliwell's Filmgoer's Companion (1993).

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• Me ves en mi momento más viril cuando me ves haciendo lo que hago. Cuando dirijo, me invade una energía especial. ... Sólo cuando hago mi trabajo me siento realmente vivo. Es como tener sexo.

  Federico Fellini

  Sex, Special, Energy

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• We must get beyond passions, like a great work of art. In such miraculous harmony. We should learn to love each other so much to live outside of time... detached.

  Federico Fellini

  Vida, Arte, Pasión

  "Fictional character: Steiner". "La Dolce Vita", 1960.

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• Todo arte es autobiográfico; la perla es la autobiografía de la ostra.

  Federico Fellini

  Art, Jewels, Oysters

  The Atlantic, December 1965.

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• Según los médicos, sólo sufro una forma leve de calvicie prematura.

  Federico Fellini

  Doctors, Light, Suffering

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• As I don't consider myself exceptional, but simply a storyteller, each of my stories is really a period of my life. Deep down I feel that criticism of my work-which is the most sincere and authentic vision of myself-is unsuitable and immodest, whether it is favorable or unfavorable.

  Federico Fellini

  Vision, Criticism, Stories

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• Georgian film is a completely unique phenomenon, vivid, philosophically inspiring, very wise, childlike. There is everything that can make me cry and I ought to say that it (my crying) is not an easy thing.

  Federico Fellini

  Wise, Unique, Vivid

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• Un buen comienzo y un buen final dan lugar a una buena película, siempre que estén próximos entre sí.

  Federico Fellini

  Together, Film, Opening

  Federico Fellini, Damian Pettigrew (2003). "Soy un mentiroso nato: un léxico de Fellini", Harry N Abrams Inc.

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• No critic writing about a film could say more than the film itself, although they do their best to make us think the oppposite.

  Federico Fellini

  Writing, Thinking, Film

  "Soy un mentiroso nato: A Fellini Lexicon". Libro editado por Damian Pettigrew, 1 de diciembre de 2003.

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• El bombo publicitario es el intento torpe y desesperado de convencer a los periodistas de que lo que has hecho merece la pena la miseria de tener que reseñarlo.

  Federico Fellini

  Hype, Awkward, Misery

  Federico Fellini, Damian Pettigrew (2003). "Soy un mentiroso nato: un léxico de Fellini", Harry N Abrams Inc.

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